Showing posts with label 1975. Show all posts
Showing posts with label 1975. Show all posts

Monday, 6 October 2014

Ascot Elite Jess Franco Golden Goya Collection DVD Review: Downtown

DOWNTOWN - DIE NACKTEN PUPPEN DER UNTERWELT
(dir. Jess Franco, 1975)


Jess Franco (99 WOMEN, VAMPYROS LESBOS) stars as Al Pereia, a private detective who is down on his luck and waiting for that next big job. Thankfully for him, he gets a job from a glamorous young woman by the name of Cynthia, played by the ever lovely Lina Romay (FEMALE VAMPIRE, LORNA THE EXORCIST). She wants him to photograph her husband Carlos Rivas, a nightclub owner played by Erik Falk (BARBED WIRE DOLLS, SEXY SISTERS) who has an eye for the ladies. Good old Al accepts and begins his newest assignment. Unfortunately, things get a little complicated when Carlos is found dead. Al becomes the prime suspect and on his quest to clear his name, discovers that Cynthia isn’t actually the wife of Carlos. It turns out that she and her lover Lola played by Martine Stedil (WOMEN BEHIND BARS, SWEDISH NYMPHO SLAVES) are working for Carlos’s real wife Olga, played by Monica Swinn (LOVE CAMP, EAST OF BERLIN). Will the police believe Al? Who killed Carlos Rivas? How many close ups of female genitalia will we have the joy of seeing? Well, it’s a Franco film so that last question should be easily answered. As for the others, you’re just going to have to watch aren’t you?


Downtown is a nice gem within Franco’s vast filmography. Once again he shows that he is a man of many talents by directing, writing, shooting and starring in the film. Overall, it’s an enjoyable outing with a solid story that has some nice twists throughout. Not only that, but the comedic aspects of the film work very well too. Of course, being a Franco film, there are moments that are somewhat clumsy, but it all adds to the overall charm and although not one of Franco's more classier efforts, the score from the Swiss composer Walter Baumgartner (ROLLS-ROYCE BABY, JACK THE RIPPER) is toe tappingly wonderful in places. Lina Romay is fabulous as ever, her scenes with scissor sister Martine Stedil are sexy, yet awkward at the same time, which makes for a positive all in its own (some of their dialogue is priceless).Even Franco gets in on the act with the ladies, it’s a tough job being a director sometimes! If you are looking for a lesser known, but competent Franco film, this is a great one to try. If you are a fan of Jess Franco, you already own this right?


Ascot Elite have done a great job with this release. Going of the DVD version, the transfer is as nice as we will probably get of this film so if you are a Bluray collector, you’re in for a treat with this one. The film is presented in German with English subtitles. In terms of extras you are treated to a photo gallery which has some fantastic shots and a selection of trailers from Ascot Elite’s Jess Franco Goya collection. It’s humble, but at least it’s something. Overall, Ascot Elite have done a great job. Like I said, it’s a great release for those discovering the weird and eclectic world of Jess Franco and for fans of Franco’s work, this is a must.

You can buy the DVD version from Amazon.de here and the Bluray version here as well as from your favourite online retailers.

PDx

Thursday, 28 August 2014

Vinegar Syndrome Drive-In Collection Review: In Search of Bigfoot (1975) / Cry Wilderness (1986)

IN SEARCH OF BIGFOOT
(dir: Lawrence Crowley & William Miller, 1975)


"The Documented Proof of the Mysterious 'Bigfoot'"
 Usually it’s a lot easier and quicker for me to review films one by one but I thought for this release from Vinegar Syndrome, it’s only right to review the release as a whole. First up on this Drive-in Collection double feature, we have the 1975 documentary In Search of Bigfoot, directed by Lawrence Crowley (BIGFOOT: MAN OR BEAST) and William Miller (COWBOY SPIRIT, MYSTERIES FROM BEYOND THE TRIANGLE). The documentary focuses on Robert Morgan (BLOOD STALKERS, MAKO: THE JAWS OF DEATH) and his team who set out to locate the legendary Bigfoot. While on their expedition they meet loggers and eyewitnesses who all claim to have either witnessed or interacted with the mythical creature. There are highs and lows for Robert and his team and although an often hard faced and determined chap, Robert has lots of respect and good intentions.
 I’m not really too interested in the whole obsession with Bigfoot usually, but this documentary had me entertained from start to finish. Being made in the mid 70’s, there is that instant charm and it reminded me of the wonderfully kooky Mystery of the God’s presented by William Shatner, which I reviewed here. There are plenty of ‘interesting’ characters on show throughout the documentary, especially the locals who claim to have had contact with Bigfoot. To accompany the goings on within the expedition, we have some nicely shot scenes of the American wilderness and nature. Overall, this is an entertaining and sincere documentary about a group of people who have a passion for Bigfoot and the drive to prove their critics wrong. You really want Robert to succeed even if you yourself, don’t believe. I wonder if Wes Anderson watched this before he made The Life Aquatic? You’ll understand when you watch!

CRY WILDERNESS
(dir: Jay Cohen, 1986)

"'Legends Do Live' If You Believe It"
 Eric Foster (THE WONDER YEARS, DARKROOM) plays as Paul, a young boy who once had an encounter with the legendary Bigfoot. One night, he gets a message from his hairy friend that his park ranger dad Will, played by Maurice Grandmaison (NIGHT TRAIN TO TERROR, CATACLYSM) is in serious trouble. Paul escapes and meets his father and Indian friend Jim, played by John Tallman (LUST FOR FREEDOM, CLASS OF NUKE 'EM HIGH PART 3) who are being pressured by the establishment (in true Jaws fashion) to get rid of the mysterious creature on the loose because it's tourism season soon. With the help of hot headed hunter Morgan Hicks (Griffin Casey in his only acting credit) the gang go on the hunt to find their prey, well Morgan definitely is. Will Paul save his father and prove that Bigfoot is real? Of course he will, all films like this end that way!
 If you want a film that tops Troll 2 for being so bad it's good, then this is the film for you. It's silly, hilariously acted out and just downright entertaining from start to finish. Paul and his father are so close, that they both share hilariously awful hair. To match the awful hairstyle and acting, we sometimes have some fantastically dire ADR work. The story mashes up the basics of Jaws with pretty much every other family-oriented Bigfoot film ever. This time however, we have a Bigfoot that loves Coca-Cola and likes to gets down to soft rock in his spare time. We also have a Native Indian called Red Hawk played by Foster Hood (BRANDED, LOVE IS A FUNNY THING) who lives in the wood and hammers down the message that us humans are scum. Don't forget lots of footage of animals, sometimes Bruno Mattei level stock footage use and some cheesy late 80's music. We also witness Morgan Hicks nearly strangling a raccoon to death. Lovely! I could go on more about some of the absurdity within this film but that would be no fun for potential first time viewers!
Overall, both films on this disc are entertaining in their own right. In Search of Bigfoot goes extremely well with the family friendly Cry Wilderness. Watching these together reminds me of obscure cable channels having a themed night. There is much fun to be had with this double feature. Both films once again have received top notch treatment from Vinegar Syndrome. They look and sound great as they are both presented in 2K, restored from original camera negatives. As I said at the start of the review, Bigfoot in general really doesn't interest me, but damn did I enjoy these flicks and will definitely be watching again (Cry Wilderness is a great film to share with your friends over a few beers and pizza). If you are interested in the legend of Bigfoot, this is a release for you. If you are in to obscure gems, once again, Vinegar Syndrome have you covered with this. Go buy it NOW!

You can buy the release directly from Vinegar Syndrome here as well as your favourite online retailers.

PDx

Thursday, 26 July 2012

A Woman Called Abe Sada Rapid Eye Movies Release

A Woman Called Abe Sada
(dir. Noboru Tanga, 1975)
Rapid Eye Movies, Germany

Today we look at the second of three releases sent to me from the German company that where generous enough to send me some DVDs to look at. Today we are looking at a film based on a true story from the 30's. Again, I won't be talking about the film itself, maybe at a later date. We are looking at the release itself, just like the Hanzo release. So without further a do… let's look at the release!








As you can see, this release is of the same quality of the Hanzo release we looked at first. You get the fantastically designed slipcase containing a gorgeous and simple cover design. Unlike the Hanzo release, this isn't a piece of poster artwork but a new design. As you take off the slip we get some gorgeous photography on the digipack, especially inside. As usual you get the wonderful array of postcards and flyer showcasing various films from the Rapid Eye Movies films catalogue. Not sure wether you will get the exact same cards in each edition as it seems a bit random which is awesome because you can potentially use doubles. The poster again showcases what seems to be an original Japanese design which is gorgeous and again would look lovely in a frame. Well that's the presentation and supplementary material, let's have a look at how the film actually looks!






Again, this release looks really gorgeous, especially for a DVD release. The sound is just as great but like the previous review, I cannot stress enough that this being a German release for a German audience so you only get Japanese audio and German subtitles. Again, these releases are for the people who know the language or for collectors. In terms of extras you get various info about the film and of course trailers for the film and catalogue. Again, finding other features on other releases will be tricky so you really cannot complain. Overall, the film itself looks and sounds good and is a full uncut print from what I gather.

If you are a fan of this film or Asian cinema in general, this could be a potentially a nice release for the collection as long as you have a cheaper copy of a different edition in case you don't know Japanese or German. Overall, Rapid Eye Movies have done yet another fantastic job with this film for the Nippon Classics. Click those links down below and check out Rapid Eye Movies!


PDx