Jess The Ripper - A Tribute

Yesterday (as of typing this obviously) the world of cinema lost another true hero, Jess Franco. I'm going to come right out and say it. I haven't even managed to watch a tiny fraction of Jess Franco's work and I wouldn't do my readers or Jess himself the injustice of claiming to have done so. If you want to read a much more informed and personal account of Mr. Franco I would suggest strongly you read Tim Lucas's touching and emotional posts here and here.

Love him or hate him, you can't deny that Jess Franco wasn't a hard worker. With literally hundreds of film credits under his belt all the way from directing, acting to being cinematographer and so many more jobs. The funny thing is, his IMDB Page is rather inaccurate as there are so many more projects out there that had some sort of Franco involvement! Not only was he one of the most hard working and ultra prolific figures in the world of film, Jess also was an accomplished jazz musician.

Sure, some of his films might be weak and might miss the mark but I implore you to say a bad word about a man who did what he wanted  and never succumbed to major studio pressure. I implore you to say a bad word about a man who gave the world such beauties as Lina Romay. Yeah I thought as much.

I owe a very personal thanks to Jess because Mondo Squallido would just not exist without him or his work. 99 Women was the first film I reviewed for Mondo Squallido. I won't pimp that video out here but if you want to see it, it's on my Youtube page. It's figures like Jess that keep my film watching experience a exciting one. As I said, there are some stinkers in the filmography, there in MANY directors filmographies. You can have your "perfect" multimillion dollar budget blockbusters, that bores the Hell out of me! I want a film that was shot back to back with another film, I love corners being cut, I love the schlock and imperfections of the cinema from the likes of Jess.

Well, I'm going to close this little tribute. Like I said, my experience with Jess and his work is an ongoing one and thanks to the wonders of modern technology and independent DVD labels we are discovering, rediscovering and most importantly enjoying work from one of cinema's most hard working and well loved cult directors.

Thank you so much Jess for the joy you have given me with your films.

PDx

5 Of My Favourite Directors

I have always wanted to do a list like this but at the same time I know I'm going to hate the outcome. To pick only five from a whole list of directors who have had an impact on me personally is a real bitch but hey, I like lists in general and any excuse to get something up on the blog is OK for me. I will tell you now that these are in no particular order and this list could be completely different in a few hours! I'm sure you guys feel me on that one. Let's get started shall we?

Radley Metzger

My first experience with Radley Metzger was The Private Afternoons Of Pamela Mann. After experiencing the intelligence and sophistication of this film I had to see more and look into the world of Radley Metzger. His earlier films are European drenched soft core classics and his later films (under the name Henry Paris) are hardcore classics that are considered the best of the genre. What I love about Radley's work is just how classy and beautiful they are. Don't get me wrong I love 70's roughies where the sex is dirty and the characters are scuzzier than the toilet from Trainspotting but every so often, I do appreciate to be intellectually cared for. Basically, if you like 70's high end Italian cinema you should definitely seek him out. Films to look out for are Camile 2000, The Opening Of Misty Beethoven and Score amongst MANY others.

Umberto Lenzi

To many, Umberto Lenzi could be considered a hack director. This is entirely unfair because aside for being infamous for films like Cannibal Ferox and the fact that he has directed around 65 films over his career Lenzi is a true genius in my eyes. For those who primarily know him for his horror and cannibal stuff I would definitely suggest looking at his poliziotteschi efforts because they really do show just how amazingly talented Lenzi is as a director. You also just have to see the many interviews up on Youtube and you will definitely appreciate how his mind works. I love him for making films that gross me out and make me unintentionally laugh but I adore him for providing me with some of my Italian crime flicks. You should check out The Cynic, The Rat, The Fist, it's one of my personal favourites!

Lucio Fulci

Here is a director who needs know introduction to any of you gore hounds out there. All I need to say about Fulci is he was the king of gore and yeah, some of his films made no sense but man did he know how to make an interesting and entertaining film. I did a whole piece of him a couple of days a go (as of writing this) to celebrate his work on the anniversary of his death. Please check out that post if you are a Fulci fan. Films I would definitely urge you to check out are Conquest and Black Cat.

Michael Haneke

I remember first watching the Americanised shot for shot remake of Funny Games and really not liking it. Needless to say, my first taste of Haneke was a very bitter one. That was one of the many times in my life where I become a dick and disregarded his other work... until I actually watched it and actually see what he was trying to say in his films. After watching a couple of his films in my Film Studies course I thought it was only fair to give him a chance and I picked up the ten film box set from Artificial Eye. After watching more of his work and actually listening to interviews and what he has to say... I was just blown away and slapping myself at the same time. What Haneke does is challenge his audience both during and after most of his films. You are ultimately the person who has to finish the film the way you see it. At first I thought he was just a self obsessed academic who completely had his point lost in ridiculous cinematic moments but now I am finding myself spending hours reassessing the film I just watched. A director that pushes the boundaries but never goes past them just for the sake of it. Be careful what film you start with but highlights from his filmography include The Piano Teacher, Caché and Benny's Video. In fact do yourself a favour and pick up the fantastic box set from Artificial Eye!

Werner Herzog

The thing I love most about Herzog is how he can take a story or personal account, turn it into an almost documentary style film that has a sense of fantasy to it. I know bigger Herzogians than myself will probably be shouting "That's not what he is about!" but that's how his films make me feel. I will admit some of his recent documentary work such as Into The Abyss really doesn't do it for me and just feel like opinionated video essays more than anything. I am of course nitpicking. The term "dangerous filmmaker" gets thrown around a lot but it fits perfectly with Herzog... on a literal scale. The technical feats and dedication to his films Aquirre: The Wrath Of God and Fitzcarraldo shot in Peru are testament to that. Filming in an almost inaccessible location and living off the land to make a film is just astonishing. Herzog really throws himself into his films and doesn't take advantage of the director role. Giving up his rights to luxuries such as trailers and studio lackeys. His early films have a fractured and rough feel to them which appeals to me and talk about breathtaking visuals! Some of the most genuinely beautiful landscapes in cinema can be found in Herzog's films throughout. I have so much time and respect for Herzog and his films touch me in a way most others have never done so. My all time favourite has to be The Enigma Of Kasper Hauser and another one worth checking out is the beautiful Heart Of Glass.

PDx

Fulci-Fest: Remembering The King Of Gore

Today (as of writing this of course) marks 17 years since we lost the great Lucio Fulci. Fulci died just as he was experiencing how appreciated and adored he was by us horror fans. I would have been 7 years old when he died and that to me is a crazy thought. My experience with the work of Fulci is a pleasurable and he has provided me with many an hour blood soaked, flesh ripping cinema. I don't just love him for his horror work. I have seen only a fraction of his work but I can say with hand on heart (let me just check... yep, it's still there!) that I have enjoyed every film I have seen from a whole spectrum of the genres. I thought that it would make sense to spend a day watching nothing but Fulci films. As I'm writing this, Four Of The Apocalypse is playing in the background. This is one of Fulci's westerns and what a film it is but I will get to that later on.

I thought I would just spend a little time talking about Fulci and his impact on my life. The first film I watched of his was a film you the reader probably watched first too, Zombie Flesh Eaters. This was such a great experience as I had only just recently watched the original Dawn Of The Dead for the first time. This was when a film was just a film to me. I hadn't really taken an interest up until that point but as I discovered more and more Italian cinema from the 70's and 80's such as this I was hooked. I can't exactly recall my whole journey with Fulci but let me say this, I don't think I would be this interested in film if it wasn't for Fulci. His work will always have a special place in my heart and I look forward to watching more and more of his work. As I said earlier, I have spent the day watching Fulci films so I thought I would write a little about each one.


Contraband (1980)
I started the marathon with one of my personal favourites. Contraband is a crime flick starring Fabio Testi. I won't give a full review for this or any of the films only my thoughts and why I love them. I am a massive Italian crime fan and this attempt here is just fabulous. Think of signature Fulci gore and violence mixed in with a great story about greed, treachery and violence in Naples. Some of the highlights are a great use of a Bunsen burner, a Godfather like execution montage and old school mafia bosses from another time showing that it doesn't hurt to be a gentlemen in the mafia game. A great start to the marathon I think you will agree... capiche!?

Manhattan Baby (1982)
I thought it would be only right to follow up with a film from the genre he is most known for, the horror genre. The film I picked was the criminally underrated Manhattan Baby. Yeah it might not have that level of violence most of his other films have but damn! What an atmosphere this film has! Sure, there are some insanely laughable moments but the whole Egyptian portion of the film is genuinely creepy... especially that damn blind woman! This is magnified with Fabio Frizzi's phenomenal score. If you haven't got round to watching this one, you should do right away.

Conquest (1983)

Conquest is the only film that I watched today that I hadn't seen before and unfortunately I had to watch this online here. I love cheesy post apocalyptic films from the 80's and this did not disappoint at all. Within 12 minutes of the film I was majorly confused and a woman was ripped in half... I knew I was in for a treat. I came out of this still majorly confused at what I had seen but it didn't matter. It's films like this that make me smile like a kid in a sweet shop. Film snobs need not watch because this isn't for you! Watch it anyway because it's just awesome!

Four Of The Apocalypse (1975)
I decided to finish my Fulci-thon with this gem. A story about a group of misfits who become good friends and come across many obstacles including Tomas Milian doing Captain Jack long before Mr. Depp... seriously, he looks just like him! Once again, this isn't one of Fulci's most violent outings but there are some nasty scenes in this one. The film isn't really about that sort of stuff though and it's one of Fulci's more straight faced films. Highly enjoyable and one of the few times you genuinely care about the characters on screen and not just wonder how and when they die. This also boasts a really solid score from the likes of Fabio Frizzi.

So there you have it! I didn't want to just watch the same Fulci flicks I usually go to. I adore the likes of Zombie Flesh Eaters, House By The Cemetery (possibly my favourite film in the filmography so far) or The Beyond but I wanted to watch the films I enjoyed that often get overlooked or at least hardly mentioned in peoples lists.

Thank you all for reading this and sharing the love and passion for the work of Lucio Fulci. I still have a long way to go before I have a complete collection of films but it's a journey I am absolutely loving so far. I want to also thank Lucio for providing me with hours of entertainment and inspiring me creatively. I don't care if you see him as a hack or a one trick pony, dig into his filmography and you can't help but marvel a guy who directed so many films from so many different genres and keep a high quality throughout. They don't make them like him anymore and probably one of the saddest aspects of his death is he never really got to see how adored he was my genre fans and who knows, he would probably still be making films now.

Thanks again Mr. Fulci!

PDx

Hanzo The Razor: Sword Of Justice From Rapid Eye Movies

Hanzo The Razor: Sword Of Justice

(dir. Kenji Misumi, 1972, 90 minutes)
Rapid Eye Movies, Germany

Hello guys and girls. Today we are looking at the first of 3 films from the Nippon Classics sent to me by a German company called Rapid Eye Movies. Now first of all, these will not be reviews of the films themselves as this trilogy of posts is showcasing these releases to people who are collectors and who already know about the film. If you want a review of the films, let me know. Like I said I will just be going through the releases themselves. We will be looking at the packaging, presentation, transfer and special features. So let's get straight to it with the first in depth look, Hanzo The Razor, Sword Of Justice. Below are some snaps of this gorgeous release.

As you can see, you get a gorgeously presented edition of this film. A beautifully designed slipcover showcasing the fantastic Japanese poster for the film which houses a fantastic digipack which boasts some stills from the film. The inside showcases one of the infamous images from the film. The digipack is slim but not too slim and makes it a fantastic size for the shelf and the collection. With the addition of the slipcover, these editions will look fantastic on the shelf. When you open up the digipack you will also find a flyer showcasing other titles from the Nippon Classics selection as well as an assortment of postcards with iconic stills from various Asian cult classics, the postcards are of high quality and are a welcomed addition. Probably the best extra you get is the double sided poster which again has the original Japanes poster design on the front and a original design on the back talking about the film itself. Overall, these are really nice additions and this will please the collectors out there wether or not you decide to actually use the poster and postcards. All in all, these editions are put together brilliantly with collectors in mind. So no we have looked at the packaging and presentation, let's look at the film itself.

 As you can tell by the stills, the transfer is fantastic. The audio is great too. Now, this being a German release, this intended to be watched by either someone who knows or is Japanese or German as the only audio option you have is the original Japanese an the subtitles are only in German. This really isn't a big deal for me personally as the edition itself is what I find most exciting and you can always pick up a cheap DVD. Just remember to bare that in mind if you are going to buy this title. Special features wise, you get the trailer for the film, some information on the film and also some trailers for other releases from Rapid Eye Movies. To some, that might not be a lot but I always welcome at least a trailer on any release and from what I have gathered not many other releases have anything more than a trailer. Overall, if you know Japanese or German (I should know a lot more by now) then  this release is perfect for you.

Overall, I am really impressed with this release. All the supplementary materials you get and the presentation alone make this a welcomed addition to the collection. I cannot stress enough that this release is of course aimed for a German audience so only collectors or lovers of Hanzo should really pick this up. Rapid Eye Movies have done a fantastic job with this release and have given the German public and us collectors  a great release of a film that is deserving of this treatment. You should definitely check out Rapid Eye Movies by clicking the links below and see what they have to offer and to potentially get your hands on this film. There really is nothing negative I can say about this release. Fantastic presentation and has a gorgeous DVD transfer.

RAPID EYE MOVIES SITE
RAPID EYE MOVIES YOUTUBE

PDx

My Day At The Munich Film Festival 2012

Recently, I spent the day in Munich for the Munich Film Festival 2012. The festival ran from the 29th June up until the 7th July. I went on the Thursday with my better half. It was thanks to her that i had this opportunity because she studies Film Criticism and students where able to get passes at a great discounted price. We ventured out with the intention of catching an early afternoon screening of a film called Le Cochon De Gaza ( English title not translated but under the name of When Pigs Have Wings) which was a German dubbed only version of a film about a man who lives between Israel and Palestine. He goes fishing and catches a pig.  Of course being between Palestine and Israel… Pigs aren't exactly the most "desirable" creatures, if you know what I mean. The film basically follows the guy becoming friends with the pig. Now, although that sounds hilarious, our tiredness took over so we slept for another hour. Yeah, shoot me. When we finally decided to set off, we took the train, enjoyed the scenery and finally made it to Munich which is a gorgeous city. Full of pretentious people but gorgeous all the same. After winning the battle with probably the most confusing train systems ever we finally made it to the building where we got our passes and to our joy, a nice big bag of swag.

Ooo... lovely bags o' swag!

My "Woody Allen" photo.

The cute handmade book showcasing Italian cinema.

The awesome chunky program.

 As you can see there was a hell of a lot of nice swag for Jeanny and I. Cosmetics that we could easily sell for €40+, some awesome 3D glasses from Sky, A hefty coffee table book version of the festival program, a cute little hand made notebook showcasing the Italian cinema at the festival and the mints and sweets. Not bad at all huh? That put a smile on our faces before we had even began to watch films. After marvelling at our swag for a while, we decided to work out what we wanted to watch so we could get tickets. Our main intention was to watch Killer Joe (William Friedkin) and 360 (Fernando Meirelles) as Jeanny needed to watch and critique these films for her course. Unfortunately, tickets where sold out so we had to look through the program and find some other films to watch. We found ourselves some nice little films.

WELCOME TO PINE HILL
(2012, dir: Keith Miller)

Now when you mention docudrama to me… I usually slap my face and sigh. Don't get me wrong, there are some fantastic examples out there but most of the time they are pretentious and dull. Welcome To Pine Hill however, did not fall under that description. The story follows a recently reformed drug dealer and gang member called Shannon Harper (actually played by himself) who has a somewhat steady job for an insurance company. Down the line he finds out some devastating news that makes him want to make peace with his past and the people he used to know and hang with. To tell you more about the story would do this film a real injustice. A powerful piece of film making that not only tells the devastating story of Shannon and the people in his life but also has an equally powerful message. From a technical point of view, this is a fantastically shot film, the handheld camera actually does what it intends to do and makes the audience feel (sometimes painfully and awkwardly" connected to Shannon's world. Minor complaints are some of the shots linger on too much which I understand symbolises the pain of our main character but it jet made the film run a little too long. Don't get me wrong, this film had me invested all the way through, especially with the fantastic, improvised performances from all the cast involved. Overall, this is one of the most genuinely touching and devastating films that I have seen in a long time and made me think a lot about some of the things in my life. You can't enjoy a film like this of course because the subject matter isn't enjoyable but this is a damn fine film that will have you hooked from start to finish. As far as I know, there is no information with regards to who owns the distribution rights for this film here in the UK for home release but all i can say is, there needs to be a deal done as soon as possible because people need to see this film. Thanks to this film I have also become aware of the Brooklyn Film Makers Collective. What more can I say about this film? It's not perfect by any means but it's a triumph all the same.

After being blown away by the screening we booked our tickets for the next film we wanted to watch but the screening was in a few hours so we decided to go for something to eat. Jeanny suggested a nice steakhouse called Maredo which is a chain in Germany. Being the hopeless, old fashioned romantic that I am, I thought it would be nice if we ate outside and absorbed the sunshine and the gorgeous architecture of Munich. That went well until we where struck by one of the most epic thunderstorms I have seen for a while. We fought the weather and finished our meal (which for me was a marinaded chicken steak with fries and a side dish of garlic bread… oh wait this isn't a food post!) like two mad people. So after defying a storm, we quickly made our way to our next screening which was a blast from the past.

The New Town Hall building and Orlando owned by the chef, Alfons Schubeck.

The "thunderous" view from Maredo.

 STORMY MONDAY
(1988, dir: Mike Figges)

As part of the film festival, one of the main events was honouring the work and career of Melanie Griffith. Aside from this film there where a few other titles being screened. Films such as Something Wild as Working Girl to name just a couple. Now, why pick a film like this to watch at a festival? Well let me put it this way. You have a cast that mainly consists of Sting, Tommy Lee Jones, Sean Bean and Melanie Griffith and it's set in Newcastle! How could we not spend the night watching a film from the 80's that stars Sting and is set in Newcastle? I won't go into much detail regarding the story as this is a fairly old film that's been reviewed time and time again by better reviewers than I. All I will say is that is a great little story about corruption, betrayal, death and jazz! You have got Sting playing as a cool, foul mouthed owner of a jazz club (yes, there is a scene with Sting playing the double bass). Sean Bean who plays as your average Joe who gets a job cleaning at Sting's club… but becomes his right hand man. Tommy Lee Jones plays as a witty, sharp Texan businessman who wants Sting's club and you have Mlelanie Griffith who plays as call girl who sleeps with people for Tommy Lee Jones but falls in love with Sean Bean. Yeah, I'm sure you can see what happens. What you have is a funny, smart drama that is worth a watch if you haven't done so already. Has that classic, late 80's English film that you all know and love. Not bad at all…. did I mention it stars Sting?

Arty shot of the lights on the screen before watching Stormy Monday.

Well, those where the films that I caught at the Munich Filmfest. Yeah, I could have gone to other days but Jeanny was away for the first few days and could you imagine me trying to navigate Germany's  rail system? I could have joined Jeanny for the Friday but let's just say my stomach decided to be a mean son of a bitch so I had to stay at home… thank goodness I have a cute cat to keep me company. Overall, I enjoyed my day there and looking through the program, I have so much inspiration for films to watch.

Please click the links below regarding the films mentioned and website for the film festival itself. Hopefully, next time I will go for more than just a day and fingers crossed I will find some more awesome festivals to go to.

Thanks,
PDx

Munich Filmfest Site
Teaser For Welcome To Pine Hill
Stormy Monday Trailer