Arrow Films Review: Nightmare City (1980, Umberto Lenzi)

  Original title “Incubo sulla città contaminata”

“The Nightmare Becomes Reality.”
Whilst waiting at an airport to interview a scientist about a recent nuclear accident, American reporter Dean Miller (Hugo Stiglitz, 357 magnum) witnesses a military plane making an illegal landing. With police and armed forces on the scene, Dean knows himself and his trusty cameraman (Antonio Mayans, Zombie Lake) are going to potentially get some juicy material. Juicy material it definitely is, bloody too. Very bloody! Inside the plane are dozens of disfigured victims of the nuclear accident. These passengers aren't just casualties of an unfortunate event, they're also blood-thirsty maniacs and almost instantly wipe out the entire military personnel. As if butchering and battering their victims in brutal fashion wasn't enough, they also like to slurp on their blood to keep themselves going. Dean manages to escape and heads back to the studio to show the world what's happening. Unfortunately for him, the suits at work won't allow it because General Murchison (Mel Ferrer, The Longest Day) over at Civil Defence doesn't want the word out. Naturally, the infected are running amuck around the city and after they invade the television studio, Dean escapes once again and heads on over to the hospital where his wife Anna (Laura Trotter, Frivolous Lola) works. As he arrives, the hospital also falls under attack, but luckily, himself and Anna escape. What follows for the pair is a fight for survival. As if you didn't know that already....

  It's actually pretty pointless giving you a synopsis of this movie because I bet you have already seen it, probably multiple times. We all know that Nightmare City is a ridiculous film, but just in case you're one of the few people yet to experience this truly cinematic wonder, I won't go in to too much detail about some of the stand out moments and shortcomings. When I say shortcomings, I mean that in the greatest possible sense. In an (amazingly dark) age where yuppy hipster directors who are borrowing a nostalgia they didn't live and are creating purposefully bad low-budget films, this is a perfect film for the Kung Fury and Birdemic (I think / hope we're collectively over The Room by now.) crowd. The story is simple, but functions in the basic sense. At its heart, it's an anti-war and nuclear film. Does it actually work in that sense? No, not really. Aside from some rather forced sounding pacifist dire tribe, the action and absurdity on screen takes precedent. You're not here for intellectual content, you're here for bad acting, non-stop action and some tasty blood and guts. There's something happening pretty much all of the time. From Hugo Stiglitz giving us an acting masterclass on how to use the same facial expression for every emotion and situation to defaced super-strengthed ghouls slicing off nipples and following dinner table etiquette by wiping their mouths after slurping down a serving of blood. Speaking of bloodshed, there's gore by the bucket loads. Sure, the camera may occasionally linger a bit too long to expose the crudeness of certain gore gags, but it's just going to make you chuckle even more.

  As I briefly touched on it earlier, acting isn't anything to shout about, especially the mighty Hugo Stiglitz. That being said, the likes of Mel Ferrer, Francisco Rabal (Speed Driver) as well as eye candy such as Maria Rosaria Omaggio (The Cop in Blue Jeans) and Sonia Viviani (Women's Camp 119) all add something to the film. Even though this is a wonderfully absurd film, one thing is for certain; Stelvio Cipriani's (A Bay of Blood) score is a genuinely accomplished and effective piece of work and actually one of Cipriani's greatest. Overall, this is another winner from Umberto Lenzi. Say what you will about him in terms of his personally and his artistic vision and capabilities, he knew how to create an entertaining film. What more can I say? I am fan of this film for the right and wrong reasons. At this point, you've probably skimmed over the review looking for the most important information; is this Arrow Films release better or worse than the Raro Video release?

  Guess what? You're pretty much getting both transfers on this release. Out of the two, Arrow's new 2k restoration looks much sharper and vibrant, but suffers from irreversible print damage. The second transfer, the one Raro used for their release, is taken from a 35mm reversal dupe negative and although the print damage isn't there, it's a much softer transfer. Sound is of high quality on both versions and. Those who are privy to pointlessly complain about Arrow releases need not bother because you are warned about the damage before you even decide which version to watch. Arrow could have just lazily used the same Raro print or just use their own, but the fact you get to choose from the two is very commendable. In terms of on-disc extras there's an entertaining commentary track from former Fangoria editor Chris Alexander, interviews with Umberto Lenzi and Maria Rosaria Ommagio, Eli Roth (Hostel) unashamedly fanboying about the film and Umberto Lenzi, original theatrical trailer, alternate opening titles and a featurette about the restoration issues. Unfortunately, the lengthy interview with Lenzi that appeared on the Raro disc is nowhere to be seen, but the long list of extras here more than make up for it. As always there's wonderful newly commissioned artwork, this time from Graham Humphreys and a booklet featuring writing from John Martin (The Seduction of the Gullible: The Truth Behind the Video Nasty Scandal). The Raro booklet has a piece by Chris Alexander that doesn't appear here. All in all, the Arrow release is arguably the most definitive out there. It may be missing one or two extras, but wether this is the first time you're buying the film or the 3746328468^th time; this is a release you need to own.

Nightmare City is available as a DVD & Blu-Ray combo pack from Arrow Films.

PDx

Vinegar Syndrome Peekarama Review: Robin's Nest (1980) / Bella (1979)

  “There's high flying Action when the pretty little birds flock together...”

Newlyweds Alan (Eric Edwards, Laura's Toys) and Robin (Arcadia Lake, Debbie Does Dallas) spend their first day as a married couple by moving in to their new apartment. Naturally, that evening they christen said apartment like most couples would do and damn do they start married life with a bang! The perfect start to what will be a truly future? Maybe not, because fast forward six months later and the couple's bickering has lead to the pair undergoing a trial separation and Robin to move out. She decides to stay with her high society nympho of a friend; Glenna (Robin Byrd, Pleasure Palace). The pair then do some “catching up”. With her mind somewhat at ease, Robin's healing process is off to a great start! Alan on the other hand is a bumbling, scruffy mess. Thankfully, he gets cheered up by his own nympho of a friend; Larry (Paul Thomas, The Price of Desire) after a chance encounter in the local drinking hole. Unlike Glenna however, Larry is a bit of a creep who in his spare time likes to stalk a cheating housewife known as Mrs. G (Marcia Mager, Sweet Wet Lips). After a few drinks, Larry invites Alan back to his wife Lorraine's (Samantha Fox, Babylon Pink) funded swanky abode. How does he cheer up Alan? By letting him have some “consoling” of his own with Lorraine's young plaything; Honey (Crystal Day, Secrets of a Willing Wife). If things weren't complicated and ugly enough (well, depends on how you look at it.) for both Alan and Robin, the fact that Lorraine is “good friends” with Glenna may just make the situation uglier than it already is!

In a nutshell, Robin's Nest is a simple piece of melodrama with a touch of comedy thrown in for good measure. Stylistically, the film reminded me of a late 1960's piece of sexploitation cinema. After looking at Victor Bertini's filmography, that was no surprise to me as this (his final film) was his first film since a trio of late 1960's sexploitation efforts (his only other directorial credits). Of course, instead of flirty thrills, we have unsimulated sex and even though the cinematography and set layouts are reminiscent of retro cheeseball sexploitation cinema, there is a contemporary (for the time) style and set decoration. It makes for a visually intriguing experience. Overall, the film has a sense of cheapness about it, but Bertini pulls off a somewhat accomplished piece of hardcore cinema. You'd think he'd been shooting X-Rated skin flicks for years! To compliment the action, there's a great selection of music throughout and although credited to an outfit called Goldenrod, it seems more likely that it's just a tactic to hide the (wonderfully handpicked) usage of library music. To match the style, there are great performances throughout from everyone involved. Although only appearing together in a handful of scenes, there's genuine chemistry between Arcadia Lake and Eric Edwards (something I will touch upon again at the end of the review!. It's not exactly the most entertaining film of its kind, but there are some great individual gags throughout and definitely worth watching more than once. On a completely different note, it reminded me of the 1985 shot on video outing; The Initiation of Cynthia, a film I have watched recently... What do you mean you don't care!?

  “The most Classically Erotic film ever made...”With her husband Bob (Jake Teague, Cannibal Ferox) constantly away on business trips, it's no surprise that lonely housewife Susan (Diana Sloan, Dracula Exotica) would begin an affair with the local hunky handyman Tom (Eric Edwards). Unfortunately for her however, her young daughter Bella (Tracy Adams, Fascination) discovers her engaging in her dirty little hobby after returning home earlier than usual one day. Instead of confronting her mother and revealing the truth to her father upon his return, Bella is overcome by lust after witnessing Tom and his DIY skills. Thus, begins a sordid little love triangle. Bella's lust soon turns to love and obsession, but Tom is unwilling to commit. Bella's obsession combined with her jealousy leads her to take drastic measures, involving her friend and all-round unknowing participant; Patty (Arcadia Lake). With the stakes and tensions high, what happens will change everyone and everything forever. Will Bella do something she may regret or can she come to a compromise with her mother? One thing's for certain, this is probably the most hands-on work Tom has ever had to do in his life!

  Much like the previous film, Bella is a melodrama with a simple concept. It may not be the most original of concepts, but it's far from the weakest attempt at the “mother and daughter fall for the same man” plot. Things are pretty straightforward and somewhat vanilla for most of the film, but the final third REALLY stands out. It may not be the most shocking, heart-wrenching or adrenaline filled final thirds, but it definitely leaves an impression. All in all, it's a solidly paced film with only a couple of sex scenes being a few minutes too long. In terms of pornography, there's no complaints at all. Aside from Diana Sloan, the film is well acted and the characters are believable. Although the delivery of her dialogue is wooden to say the least, it doesn't detract too much from the overall film. The star of the show for me is of course the lovely Tracy Adams who really does portray the obsessed naïve lover almost perfectly. That being said, even if her performance wasn't the greatest, you really wouldn't complain. It's a travesty that this was only the second of a handful of films she starred in because she could have made a REALLY big name for herself. In terms of style, the film almost has a feel of Joe Sarno (Abigail Leslie is Back in Town) to it; solid enough erotic, yet kitchen sink drama and genuinely cinematic. It's no surprise the film is shot so wonderfully as porn veteran Carter Stevens (Punk Rock) was behind the camera with complete artistic freedom. Shots are wonderfully and thoughtfully staged and there are some great handheld and dolly shots thrown in too for good measure! You'll be hard pressed to find a film of this nature and budget that looks as good. Overall, this film has a lot to offer and can warrant repeat viewings.

Wouldn't you know? Vinegar Syndrome have done yet another great job with the restoration and presentation of these films. Aside from maybe one or two incidences with clear signs of irreversible print damage, the films look and sound great, especially when it comes to the cinematography of Carter Stevens in Bella. Speaking of Carter Stevens, the main feature on this disc is a short interview with the man himself (why has no one made a feature length documentary about him!?). He talks about his experience and freedom on the film as well as talking about Blue Underground's very own Bill Lustig and his involvement with the film. It's a fantastic little interview and I hope there's going to be much more in the future. The only other special feature is a trailer for Bella. Overall, this is a solid double feature mainly to commemorate the real life relationship between Arcadia Lake and Eric Edwards. It doesn't just work on that level because both films have the same sort of vibes and compliment each other. If you want to see character driven porn, give this release a try! Just don't let your mother find out... Robin's Nest & Bella are available as a double feature DVD release as well as being streamable on Exploitation.tv

Vinegar Syndrome Review: Avon Triple Feature: Savage Sadists / Den of Dominance / Daughters of Discipline

  “A young innocent learns the ropes!”

A pair of armed thugs (David Christopher, TAKE OFF & Dan Stevens, PRIVATE SCHOOLGIRLS) are on the hunt for a pornographer (Martin Patton, THE STORY OF PRUNELLA) who owes their boss some money. They pay his wife (Nicole Bernard, CORRUPTION) a visit and at gun point, have some fun because who said you can't mix business with pleasure? After they have given the wife their message, she decides to visit her husband's office to warn him, but walks in on him having some fun of his own with one of his performers (Ginger Roberts, DEN OF DOMINACE; her only other role). Before she do anything about it, they are rudely interrupted by the thugs and the husband, who is clearly an honourable chap, hides under the desk essentially allowing his wife, mistress and his innocent secretary (Bibi, DEN OF DOMINANCE also being her only other role) to be held hostage and subject to sadistic acts of debauchery.

  “Bibi – Plaything in a prison of lust!”Looking for a good, quiet place to sink a beer, an unsuspecting man (Martin Patton) finds himself in a bar that instead of serving HARD liquor, offers something much more satisfying than a STIFF drink! As my clumsy (and childish) attempt at wit (kinda, but not really) suggests; this is a sex bar! Not just any old swingers drinking hole, but a hardcore BDSM paradise. After giving his credit card to the friendly Stag Magazine T-shirt wearing barkeeper (David Christopher), it's not long before he's on the receiving end of a Mimi (playing herself) cocktail! After a little taste of what's on offer, he decides to pay a visit to the club's “bizarre room” in which himself and the other patrons (Nicole Bernard & Greg Lyle in his only role) decide to watch a nice sadistic stage show from Ginger Roberts and Dan Stevens. This then inspires the happy customers to put on their own little kinky performances. Let's just hope our unsuspecting newcomer gets his money's worth because I can imagine that's quite a tab he's running up!

  After discovering their mum and dad's secret porn mag stash, Glenda (Victoria Sands, CONSENTING ADULTS) and her sister Rhoda (Robin Thorn, PAIN MANIA) get inspired and decide to indulge in a little sisterly affection. After that and being inspired once again by the magazines and their mother's whip, they decide to call up their pal John (David Christopher) and invite him over for a play date. Their little kink session gets interrupted when their parents (Dave Ruby, DOUBLE YOUR PLEASURE & Victoria Sands CONSENTING ADULTS) return home earlier than expected! Understandably, they're a little bit miffed and decide to teach their daughters some discipline in the only way they know how!

As you can see, story and plot aren't exactly major elements to this crusty trio of films. Luckily, the films are either just under or over the 40 minute mark so it's a problem. Aside from the likes of Dave Ruby and David Christopher, the cast appears to be comprised of amateurs or people just roped in with the promise of an easy lay and a few bucks. Therefore, acting isn't anything to shout about. If you're here for some hot action, you may be disappointed as the sex is about as hot as the cast. When I say that I mean it's not. Unless you are in to bondage or rough sex these films will have you about as moist as a piece of sandpaper. You may be thinking then that this is a selection of films that should be missed. Well, if you are like me and have a morbid curiosity for the shocking and nasty, this is a great example of the artistry of one of porn's dark horses; Phil Prince. Aside from Den of Dominance, you are in for a nasty little treat. There are acts and theme's throughout that some may struggle with, but those people are a bunch of pansies right? Juxtaposing the nastiness, there's humour to be found. Those looking for unintentional laughs will scoff at the dialogue, dirty talk and Dave Ruby's ridiculous sex noises. Those looking for off-kilter laughs wilt revel in aspects such as inexplicable uses of fart sound effects, fourth wall breaking and at one point someone literally making a doorbell sound off-screen. Of course, the whacky aspects of the humour come from a mixture of budgetary restraints and Prince's own warped humour. These films may be cheap, straight to the point and not for everyone's tastes or sensibilities, but I think my fellow trash lovers will enjoy this selection.

  All films have been restored in 2k from 16mm elements and considering their age, condition and overall treatment, look and sound pretty damn good. Don't get me wrong, you aren't going to be blown away, but these are cheap quickies anyway so even if the elements were kept in the most pristine condition imaginable, we probably wouldn't have a beautiful looking finished product anyway. Of course, I can't confirm the filming conditions or the condition of the 16mm elements used, but it wouldn't be such a stretch that I'm somewhere being close to right. It wouldn't matter anyway because these films aren't really supposed to stand up to the likes of The Opening of Misty Beethoven or Sexworld so the scratches and sometimes muddy sound just add to the seediness. One thing is for certain; the films look and sound better than the god awful Alpha Blue Archives release and the still amicable After Hours Cinema releases. It's definitely an upgrade in that regard and I highly doubt these films could (or should) be presented any better. Although the release has no special features, I was still excited when I heard Vinegar Syndrome were releasing films from Phil Prince and I am very happy with the end result. Overall, this is a set that is worth the upgrade and also works as a great way to experience Phil Prince at the start (Savage Sadists) and end (Daughters of Discipline) of his short lived directorial career. Fingers crossed this release means that we will not only be seeing more of Prince's work in the future, but also more films from the infamous Avon Productions. It may not have appeared on many people's best releases of 2015 lists, but it's up there for me!

The Avon Triple Feature is available on DVD from Vinegar Syndrome as well as each film being streamable on Exploitation.tv.

PDx

Vinegar Syndrome Review: Demonoid (1980, dir: Alfredo Zacarias)

DEMONOID
(1980, dir: Alfredo Zacarias)
“Up from the depths of hell comes the ultimate horror!”

  Samantha Eggar (The Brood) stars as Jennifer Baines a woman who is visiting her wealthy industrialist husband Mark (Roy Jenson, Soylent Green) in the small city of Guanajuato, Mexico. Mark is currently planning to reopen a mine which is is rich in silver. Unfortunately for him, his workforce is comprised of superstitious locals who refuse to go deep in to the mine. To prove everything is fine, Jennifer suggests that the pair go deep down in to the mine, but they get more than what they bargained for; a severed hand. “The Devil's Hand” to be precise, with their workforce even more terrified, things surely can't get any worse can they? Yes. Yes indeed! It becomes infinitely (and fatally) worse! You see, the severed hand has the power to not only posses the left hand of its victim, but the person themselves. Eventually turning them in to a bloodthirsty, super strong killing machine. After Mark is taken over by the demonic force, he kills himself in the hopes of stopping the curse. With her husband dead, Jennifer travels back home to L.A where he is buried only to find he has risen from the grave and the demonic force is on the loose. With the help of Father Cunningham (Stuart Whitman, Night of the Lepus), the priest whose cemetery Mark was buried in, Jennifer begins her quest to conquer over evil and put an end to demonic forces once and for all. Let the obscene battle between good and evil begin!

First things first. What you just read was an abridged version of what happens in this film. I'm not one of those reviewers who gives a play by play record of events because what's the point if you know too much? With a film like this, you will thank for me for being somewhat vague. If you thought the basic plot for this film was absurd, just you wait until you actually watch the film. To say there are some obscene moments would be an understatement. Get ready for wonderful deaths, some absurd moments and twists that will do nothing but please. A film like this naturally has some wonderful acting on display and the script; penned by four separate writers, will have you balling. Yeah, this is a film that's to be taken as seriously as a clowns' funeral! How the heck the likes of Samantha Eggar got involved in a film like this is beyond me, but I am very thankful for it! Aesthetically, the film isn't anything to shout about. It's pretty much by the numbers in terms of cinematography, not one of Alex Phillips Jr's (King Solomon's Mines) most memorable efforts. Editing from Sandy Nervig (Pocahontas) serves it purpose, but what does stand out is the fantastic score composed by Richard Gillis (The Bees) and the effects from Robert A. Burns (The Hills Have Eyes) and Chubby Cordero (their only credit). Both of these aspects add so much charm and could be argued as the most accomplished aspects of the production. The score and effects range from being charmingly simple to outright imaginative and well executed. Overall, this is a hokey sort of film that should be experienced even by the exploitation fan who has seen everything.I think this would be a great film to watch alongside Raw Force! I should also mention that Russ Meyer fans will appreciate seeing the lovely Haji (Supervixens) make an appearance!

 Overall, Vinegar Syndrome have done a great job with the restoration and presentation of the film. Of course, it's not perfect due to either the condition of the negatives used or the actual cinematography itself (I hope I don't sound like I'm shitting on a guy like Alex Phillips Jr!). That being said, it's no issue at all because hey, this is the first official DVD / Blu-ray release of this film! In terms of extras you also get the complete international cut of the film; Macabra. This is a completely different and extended experience. It loses some of the gore as well as the intro and replaces it with more dialogue, story and an extended ending. The score is also different in places. It's a great extra to have and has gone under the same high quality restoration and presentation processes.Not only that, but you get the option of French or English dubs, with subtitles of course. Alongside that there is an insightful interview from the director himself as well as a selection of trailers, a TV spot and reversible artwork. All in all, it's a great package for a film that surprised and entertained this jaded horror fan. It's a great upgrade to that bootleg you used to own as well as being a great release for someone experiencing the film for the first time.

Demonoid is available as a DVD / Blu-Ray dual format release from Vinegar Syndrome and can be streamed on Exploitation.tv.
PDx

Champagne for Breakfast (1980) Review (Vinegar Syndrome DVD)

CHAMPAGNE FOR BREAKFAST

1980, dir: Chris Warfield

“The called her “Champ”... and she was!”

 

Leslie Bovee (Maraschino Cherry) stars as Champagne, a young, attractive and majorly successful advertising executive and vice president of her fathers cosmetic company. She's on the search for a new chauffeur. Thankfully, she may be in luck. Enter Harry ((he'll be doing that a lot), a simple everyday Joe, played by John Leslie (Dracula Sucks). Harry works as a small time chauffeur, but also applies to be a bouncer at a strip joint. Even though he makes a GREAT first impression with his new potential employer and her friend, John puts professionalism before leisure and pleas to his employment agent Gladys Whitmore, played by Kay Parker (Untamed), that his job provides him with too many horny women! Unfortunately for him, Gladys is also a bit of a 'freak'. Sick of it all, Harry hears of Champagne's search and does what any sensible person would do. Yes, you guessed it! Pretend to be gay to secure the job! It obviously works (take notes everyone!) and he's given the job. Straight away he's tasked with driving her to a local bar for a little pick-me-up. Aside from driving her from sexual liaison to sexual liaison, he also takes the role of being her bouncer, masseur and all round gay BFF. Of course, being so hands on with the lovely Champagne leads Harry to develop some strong feelings and sexual urges of his own. Can Harry keep up with his 'professional' work ethos? Will he get found out? What capers will he and Champagne get in to on the way? You're going to have to get yourself comfortable, pour yourself a glass of bubbly and find out for yourself. You Devil you!

  Overall, Champagne for Breakfast is a thoroughly enjoyable piece of comedic porno chic. Chris Warfield (Sexworld) has crafted a genuinely stylish and funny film. This comes as no surprise as the film has an intelligent and witty script penned by John Hayes (Baby Rosemary), as well as great performances from both Leslie and Bovee. Leslie's portrayal of a gay character is never over the top or a misfired caraicature. He is instantly likeable and you are happy to follow his story. Bovee's Champagne is a strong minded woman who is elegant and has an innocence that makes her steal nearly every scene that she is in. Credit also has to go to the supporting cast. The likes of Kay Parker, Bonnie Holiday (Fantasies), Paul Thomas (Pretty Peaches) and Sharon Kane (Babylon Blue), to name just a few, all put in great performances (no matter how big or small) and make this a star-studded event. Not only that, but Elton Fuller's (Purely Physical) cinematography and the overall art direction from Vincent Earle (TheRibald Tales of Canterbury) and related crew make this a very aesthetically pleasing piece of film. There is also a great use of both interior and exterior locations. These stylish aesthetic touches, as well as the theme tune from Jack Stern (C.H.O.M.P.S) and the library music score make this film really stand out. If you want comedy in a porno setting that genuinely works, this film delivers. It's witty when it needs to be, just as it's slapstick when it needs to be. There's also a great segment of dark humour involving Paul Thomas that will have smiling from cheek to cheek (you sicko! You know who you are!). Naturally, with cast that this film has, the sex is of the highest quality and very varied. Champagne gets involved with a group of rent boys, a builder and of course a female friend. There's also some good action for Harry involving a car wash with a difference. With a runtime of around 102 minutes, there's thankfully a great balance of high quality smut and genuine story. This is a very stylish, funny and satisfying film that would go great as a double feature with the likes of Maraschino Cherry or Barbara Broadcast.

The film is presented in the original aspect ratio and has been restored in 2k from the original 35mm negative. It's safe to say that the film looks and sounds great. It's definitely an upgrade from Alpha Blue's Kay Parker Double Feature DVD (as if that would be a surprise!). In terms of special features you get both hard and soft trailers as well scenes from the soft version of the film. If you are a fan of this film, this is an essential upgrade to say the least. If you are looking to get in to the world of porno chic, this is also an essential release as the film stands up with the best of them. I have to raise a glass (I HAD to include another pun) to Vinegar Syndrome for this release. A beautiful restoration job of a genuine gem of a film. Go out and buy this one as soon as you can!

Champagne for Breakfast is available directly from Vinegar Syndrome here and most of your favourite online retailers.

PDx

Little Darlings (1980) Review

 Hello guys and girls. Today I thought I would review a film that I heard about a good while a go and only just recently got round to watching. Yes, after seeing this piece of amazing film I did slap myself repeatedly for being a big scuzzy dummy. Why do they I always seem to do this? I hear of so many great films on good authority and get round to them at a snails pace. Regardless, I am so happy that I did take the plunge and find a download of this gem that is yet to get a DVD release.

I first became of this film thanks to a good friend of mine, Robin Bougie who of course is the genius behind Cinema Sewer and reason why my pockets seem to be empty because of all the fantastic films he has turned me on to. However, that was last year. Recently on Facebook it was brought to my attention that this film was being shown on the TCM channel in America so of course being here in crappy old England we weren't able to see it so of course I had to the right thing to do and find a copy online so let me stop rambling on and actually let you guys know what I think.

 Little Darlings was made in 1980 and directed by Ronald F. Maxwell who hasn't really got that much worth mentioning to his credit aside from the T.V movie; Parent Trap 2. The stars of the show are Tatum O'Neal and Kristy McNichol who star as two 15 year old girls. Kristy plays as Angel. Angel is your typical street wise kid who likes nothing more than a good old smoke and has a smart mouth to boot. Tatum however plays as Ferris who is the cute rich kid. Both girls are being sent to a summer camp called Camp Little Wolf. Aside from our main stars there is also a strong supporting cast including a young Matt Dillon who comes into play about halfway through the film.

 The main premise of this film is basically Angel and Ferris trying to lose their virginity while at camp. The conversation comes up about virginity and a bet is made involving Angel and Ferris... a nice little betting racket, take note pre teens! Of course in typical movie fashion, our two main characters don't like each other so the bet is almost just as important for them as it is for the other girls. We also now have team Angel and team Ferris as the remaining girls try and aid their chosen competitor by giving them advice on such things as who and what to look for.

 After the girls have found their potential cherry poppers this is where their trials and tribulations begin. Ferris picks Gary who is the mature camp counsellor played by Armand Assante. Angel sets her sights on the handsome, long haired rebel Randy who is played by Matt Dillon. What happens over the next few scenes mixes between some really well written and genuinely funny banter between all the girls who you can just tell where having just as much fun in character and behind the scenes and of course the equally well written and played courtship between the girls and their chosen men. Both however have completely different success.

 With Ferris trying to get the older guy, you know already that her chances are pretty darn slim but does she give up? No way! In fact some of her actions in these parts are enough to melt any boys hearts, imagine if I saw this when I was 15... oh boy. Angel however has great success with Randy but as it progresses and comes up to the big moment you can really feel how scared she is about the big moment and you do genuinely feel for her. You feel for both characters. It's a beautiful thing when a film comes along and the majority of the characters are likeable. Not only that but I'm pretty sure a lot of you guys can relate to everyone in this film.

 I won't ruin what happens for you guys because you really do have to check this out for yourselves. One thing I love about this film is how the characters develop. Seeing the different dynamics of each character, seeing the characters evolve. Right from the start you know that Angel and Ferris will become friends but the film handles t so well that it's refreshing and not just "well she's going to do that... she's going to say this... then they will do this.." Of course there are a lot of things that happen along the way but experiencing them for yourself is part of the journey of this film. It's a great story that has been told countless times but again, the way it's handled is brilliant. Full of some great banter between the girls too. A film that has it's funny parts and it's sad parts but touching all the way through.

 Another thing about this film is the soundtrack. I'm pretty sure I heard the theme tune from The Warriors playing faintly in the background during one of the first cabin scenes with all the girls but that's not the best of it. There are songs by Blondie, John Lennon, Supertramp to name a few. It all just gells really well with the film. If you like your teen comedies then you should give it a go. Think of Meatballs mixed in with a pinch of Stand By Me and Goonies and a faint hint of Hardbodies and you have Little Darlings. It's not a teen comedy that uses dick jokes and gross out gags to get the laughs. In fact there is really none of that in this film. This is how a teen film should be like. It's got a story and characters that people can relate too. It has a real feel good mood to it thrown in with some touching, dramatic moments as if the film is almost a 15 year old kid itself.

So there you have it guys. I could say more and go in to detail but what would the point be? Why ruin the experience? All you need to know is that this is a must see. A story that deals with a lot of quite serious topics even if some are small plot points and film that really shows the meaning of true friendship. Even with it's 15 rated certificate, I do think that this film can be enjoyed by young and old a like. So if you want to laugh, cry and even be taken back to when you where fifteen or even if you want to relate to a character, this is a film for you. A great cast, great story and well directed. I could watch this film over and over again. This really does need a DVD release right NOW!

PDx