Severin Review: Vampyros Lesbos (1970, dir: Jess Franco)

VAMPYROS LESBOS
(1970, dir: Jess Franco)“Psycho-Sexadelic Horror Freakout!”

Young lawyer Linda (Ewa Strömberg, She Killed in Ecstasy) is haunted by an erotic recurring dream involving herself and her lover Omar (Andrea Montchal, Eugenie de Sade). The dream involves herself and Omar enjoying a stage show involving a young and beautiful seductress (Soledad Miranda, Count Dracula). After the show, Linda is beckoned, seduced and killed by the mysterious nubile. Her therapist, Dr. Seward (Dennis Price, Son of Dracula) seems to think that the recurring dream is down to Linda needing a new sexual partner. Fair enough! Unfortunately, there's no time for that as Linda is assigned to visit a woman by the name of Countess Nadine Carody, who has recently inherited property from none other than Count Dracula! Once she has arrived and settled in, it's on to business. Before she can get the Countess's signature and realise who she's dealing with, she is drugged, seduced and then bitten by the bloodthirsty Countess. As if it wasn't bad enough, Linda then finds herself with a case of amnesia and under the care of Dr. Steiner (Paul Muller, Lady Frankenstein). It's her lucky day however, as Steiner is more than just a doctor, he's also a vampire hunter. With the help of the doctor and Omar, Linda must put an end to Countess Carody's bloodthirsty reign. It's not going to be easy, but it sure is going to be bloody!

 
Where do you start with a film like Vampyros Lesbos? Jess Franco is one of my all time favourite directors and even though I find his back catalogue to be very hit and miss (with a filmography that size, it's understandable), I can safely say I enjoyed this greatly. Right off the bat, you can tell this is a Franco film. From the cinematography to the way the action is staged and played out. Some may find his overuse of the zoom to be annoying and the snobs out there will turn the nose up at the occasional out of focus shot, but these tiny things all play in to my compassion for Jess Franco. There's some absolutely gorgeous locations used here and the set design as well as the costumes are second to none. As cheaply made as this film is, Jess definitely has a good eye for style and working around budget constraints. You sometimes find yourself scratching your head when trying to follow the plot of a Franco film, but Franco with the help of Jaime Chávarri (To an Unknown God) and Anne Settimó (Jungle of Fear) have scribed a cohesive, yet abstract enough to stand out feminine retelling of Bram Stoker's Dracula, even if Chávarri now distances himself from the film. There's a real sense of atmosphere throughout that often makes the film feel almost dreamlike. The score from Sigi Schwab (The Devil Came From Akasava) and Manfred Hübler (Intercontinental Express) adds to that dreamlike atmosphere, but also ranges from haunting to out right funky. It's up there with one of Franco's best film scores and worth looking in to if you like jazz. The star of the show (both literally and metaphorically) is the Countess herself, Soledad Miranda. All she has to do is look directly in to the camera and the audience is eating out of her hands. Her performance is subtle, yet effective and fundamentally sensual. Right from the first few seconds where she is beckoning the viewer. This is her film. Don't get me wrong, everyone else puts in a good turn for the most part, even Franco himself appears as a somewhat mentally challenged and sleazy island local with his own secret, but the focus is on Miranda, even if this may not be her most demanding role. It's clear that if she hadn't had met her untimely demise, she would have made even greater waves in the film industry. Of course, those looking for bare flesh and blood will be very happy I'm sure as there is a good amount of that thrown in too. That being said, this is more classy than pure schlock or sleaze. A perfect film for the turtleneck wearing Franco fan!

  In terms of sound and picture quality, the film has been beautifully restored and presented here. Of course, being that this is a Franco film and the source material may have not been preserved at the most optimal of levels, there are some focus issues and the sound can get a bit questionable, it shouldn't be an issue at all. Those wanting special features will be very happy in my opinion. There's an interview with Franco himself talking about the film, his relationship with producer Artur Brauner and of course Soledad. Is it just me or is it like watching your granddad telling you stories when you watch a Franco interview? Sticking with Soledad, there's an interview with Amy Brown, founder of the official Soledad Miranda website, that goes in to the life, career and death of Soledad. The final major feature is an interview with Franco scholar Stephen Thrower which gives a bit more insight in to the film. Not only that, but we also get an extra clip of Franco talking about his experience with Stuart Freeborn (Star Wars: Episode IV – A New Hope)
and his true inspiration behind the look of Yoda, original German opening title sequence and of course, the German trailer. As if that weren’t enough, the film is packaged up with some gorgeous newly-commissioned art from Wes Benscoter. All in all, this is a must own for UK lovers of Jess Franco, Soledad Miranda and of course; Vampyros Lesbos. This would also make a great starting point for newcomers!

Vampyros Lesbos is available on DVD & Blu-Ray from Severin.
PDx

Jess The Ripper - A Tribute

Yesterday (as of typing this obviously) the world of cinema lost another true hero, Jess Franco. I'm going to come right out and say it. I haven't even managed to watch a tiny fraction of Jess Franco's work and I wouldn't do my readers or Jess himself the injustice of claiming to have done so. If you want to read a much more informed and personal account of Mr. Franco I would suggest strongly you read Tim Lucas's touching and emotional posts here and here.

Love him or hate him, you can't deny that Jess Franco wasn't a hard worker. With literally hundreds of film credits under his belt all the way from directing, acting to being cinematographer and so many more jobs. The funny thing is, his IMDB Page is rather inaccurate as there are so many more projects out there that had some sort of Franco involvement! Not only was he one of the most hard working and ultra prolific figures in the world of film, Jess also was an accomplished jazz musician.

Sure, some of his films might be weak and might miss the mark but I implore you to say a bad word about a man who did what he wanted  and never succumbed to major studio pressure. I implore you to say a bad word about a man who gave the world such beauties as Lina Romay. Yeah I thought as much.

I owe a very personal thanks to Jess because Mondo Squallido would just not exist without him or his work. 99 Women was the first film I reviewed for Mondo Squallido. I won't pimp that video out here but if you want to see it, it's on my Youtube page. It's figures like Jess that keep my film watching experience a exciting one. As I said, there are some stinkers in the filmography, there in MANY directors filmographies. You can have your "perfect" multimillion dollar budget blockbusters, that bores the Hell out of me! I want a film that was shot back to back with another film, I love corners being cut, I love the schlock and imperfections of the cinema from the likes of Jess.

Well, I'm going to close this little tribute. Like I said, my experience with Jess and his work is an ongoing one and thanks to the wonders of modern technology and independent DVD labels we are discovering, rediscovering and most importantly enjoying work from one of cinema's most hard working and well loved cult directors.

Thank you so much Jess for the joy you have given me with your films.

PDx

Fulci-Fest: Remembering The King Of Gore

Today (as of writing this of course) marks 17 years since we lost the great Lucio Fulci. Fulci died just as he was experiencing how appreciated and adored he was by us horror fans. I would have been 7 years old when he died and that to me is a crazy thought. My experience with the work of Fulci is a pleasurable and he has provided me with many an hour blood soaked, flesh ripping cinema. I don't just love him for his horror work. I have seen only a fraction of his work but I can say with hand on heart (let me just check... yep, it's still there!) that I have enjoyed every film I have seen from a whole spectrum of the genres. I thought that it would make sense to spend a day watching nothing but Fulci films. As I'm writing this, Four Of The Apocalypse is playing in the background. This is one of Fulci's westerns and what a film it is but I will get to that later on.

I thought I would just spend a little time talking about Fulci and his impact on my life. The first film I watched of his was a film you the reader probably watched first too, Zombie Flesh Eaters. This was such a great experience as I had only just recently watched the original Dawn Of The Dead for the first time. This was when a film was just a film to me. I hadn't really taken an interest up until that point but as I discovered more and more Italian cinema from the 70's and 80's such as this I was hooked. I can't exactly recall my whole journey with Fulci but let me say this, I don't think I would be this interested in film if it wasn't for Fulci. His work will always have a special place in my heart and I look forward to watching more and more of his work. As I said earlier, I have spent the day watching Fulci films so I thought I would write a little about each one.


Contraband (1980)
I started the marathon with one of my personal favourites. Contraband is a crime flick starring Fabio Testi. I won't give a full review for this or any of the films only my thoughts and why I love them. I am a massive Italian crime fan and this attempt here is just fabulous. Think of signature Fulci gore and violence mixed in with a great story about greed, treachery and violence in Naples. Some of the highlights are a great use of a Bunsen burner, a Godfather like execution montage and old school mafia bosses from another time showing that it doesn't hurt to be a gentlemen in the mafia game. A great start to the marathon I think you will agree... capiche!?

Manhattan Baby (1982)
I thought it would be only right to follow up with a film from the genre he is most known for, the horror genre. The film I picked was the criminally underrated Manhattan Baby. Yeah it might not have that level of violence most of his other films have but damn! What an atmosphere this film has! Sure, there are some insanely laughable moments but the whole Egyptian portion of the film is genuinely creepy... especially that damn blind woman! This is magnified with Fabio Frizzi's phenomenal score. If you haven't got round to watching this one, you should do right away.

Conquest (1983)

Conquest is the only film that I watched today that I hadn't seen before and unfortunately I had to watch this online here. I love cheesy post apocalyptic films from the 80's and this did not disappoint at all. Within 12 minutes of the film I was majorly confused and a woman was ripped in half... I knew I was in for a treat. I came out of this still majorly confused at what I had seen but it didn't matter. It's films like this that make me smile like a kid in a sweet shop. Film snobs need not watch because this isn't for you! Watch it anyway because it's just awesome!

Four Of The Apocalypse (1975)
I decided to finish my Fulci-thon with this gem. A story about a group of misfits who become good friends and come across many obstacles including Tomas Milian doing Captain Jack long before Mr. Depp... seriously, he looks just like him! Once again, this isn't one of Fulci's most violent outings but there are some nasty scenes in this one. The film isn't really about that sort of stuff though and it's one of Fulci's more straight faced films. Highly enjoyable and one of the few times you genuinely care about the characters on screen and not just wonder how and when they die. This also boasts a really solid score from the likes of Fabio Frizzi.

So there you have it! I didn't want to just watch the same Fulci flicks I usually go to. I adore the likes of Zombie Flesh Eaters, House By The Cemetery (possibly my favourite film in the filmography so far) or The Beyond but I wanted to watch the films I enjoyed that often get overlooked or at least hardly mentioned in peoples lists.

Thank you all for reading this and sharing the love and passion for the work of Lucio Fulci. I still have a long way to go before I have a complete collection of films but it's a journey I am absolutely loving so far. I want to also thank Lucio for providing me with hours of entertainment and inspiring me creatively. I don't care if you see him as a hack or a one trick pony, dig into his filmography and you can't help but marvel a guy who directed so many films from so many different genres and keep a high quality throughout. They don't make them like him anymore and probably one of the saddest aspects of his death is he never really got to see how adored he was my genre fans and who knows, he would probably still be making films now.

Thanks again Mr. Fulci!

PDx

Stray Cat Rock: Sex Hunter, Rapid Eye Movies Release

STRAY CAT ROCK: SEX HUNTER
(dir. Yasuharu Hasebe, 1970)
Rapid Eye Movies, Germany

Today we conclude our in depth looks at the trio of films Rapid Eye Movies kindly sent me. I would like to start by saying a massive thank you to all you guys at Rapid Eye Movies who not only produce high quality products but also provide lovers of film and fellow collectors with some great titles. Today's title is no exception. One of the films from the infamous Pinky Violence name, Stray Cat Rock: Sex Hunter. Again, we won't be looking at the film itself in terms of review as you will find countless reviews elsewhere. So without further a do, let's get this review started for all you Meiko Kaji fans out there.

 Again, we have the slipcase housing a slim digipack. And once again, what a fantastic job has been the done. The slipcase is brilliantly designed with a section of poster artwork on the front with some gorgeous, stylish typography. On the back, really nice and simple design that compliments the front. The digipack itself is nice and simple and contains some high quality photos of the film that are just awesome (especially the front, I think you may agree) Inside, unlike the previous editions we have looked at, you don't get much in terms of artwork. You get a nice and simple orange backdrop that just really goes well with the design itself. As usual we get the postcards and flyer which are just a really nice touch. The poster is a full version of the front cover and I personally think if they would have used the complete poster artwork on the front of the slip, it would have been a lot better. The only real flaw I can see with the poster is just the lack of imagery on the back but that is just a minor flaw.

Once again, the transfer and sound for this release is top notch. Again, Japanese audio with optional German subs means that if you are outside Germany, you will pick this up more as a collectors piece and boy is it a nice one for the shelf. Special features wise, you get the trailer and various other trailers. Overall, Rapid Eye have done well with the transfer. The only other version of this film I would suggest you could get that could be better is the Pinky Violence box set which is region 1 and hard to find for a decent price.

Well guys that is it for this little trilogy of posts and videos. Hope you guys have enjoyed these posts and most of all I hope I have turned you on to a potential new addition to the collection. Rapid Eye Movies are a fantastic company that puts the film lover and collectors in mind. Being a guy who's German is still rusty, I can truly appreciate the time and effort put in to this and the other releases I have had the pleasure of checking out. I shall definitely be picking up some more titles. So guys, check out those links down below and go check out what Rapid Eye Movies are all about!

RAPID EYE MOVIES SITE
RAPID EYE MOVIES YOUTUBE

PDx

Hanzo The Razor: Sword Of Justice From Rapid Eye Movies

Hanzo The Razor: Sword Of Justice

(dir. Kenji Misumi, 1972, 90 minutes)
Rapid Eye Movies, Germany

Hello guys and girls. Today we are looking at the first of 3 films from the Nippon Classics sent to me by a German company called Rapid Eye Movies. Now first of all, these will not be reviews of the films themselves as this trilogy of posts is showcasing these releases to people who are collectors and who already know about the film. If you want a review of the films, let me know. Like I said I will just be going through the releases themselves. We will be looking at the packaging, presentation, transfer and special features. So let's get straight to it with the first in depth look, Hanzo The Razor, Sword Of Justice. Below are some snaps of this gorgeous release.

As you can see, you get a gorgeously presented edition of this film. A beautifully designed slipcover showcasing the fantastic Japanese poster for the film which houses a fantastic digipack which boasts some stills from the film. The inside showcases one of the infamous images from the film. The digipack is slim but not too slim and makes it a fantastic size for the shelf and the collection. With the addition of the slipcover, these editions will look fantastic on the shelf. When you open up the digipack you will also find a flyer showcasing other titles from the Nippon Classics selection as well as an assortment of postcards with iconic stills from various Asian cult classics, the postcards are of high quality and are a welcomed addition. Probably the best extra you get is the double sided poster which again has the original Japanes poster design on the front and a original design on the back talking about the film itself. Overall, these are really nice additions and this will please the collectors out there wether or not you decide to actually use the poster and postcards. All in all, these editions are put together brilliantly with collectors in mind. So no we have looked at the packaging and presentation, let's look at the film itself.

 As you can tell by the stills, the transfer is fantastic. The audio is great too. Now, this being a German release, this intended to be watched by either someone who knows or is Japanese or German as the only audio option you have is the original Japanese an the subtitles are only in German. This really isn't a big deal for me personally as the edition itself is what I find most exciting and you can always pick up a cheap DVD. Just remember to bare that in mind if you are going to buy this title. Special features wise, you get the trailer for the film, some information on the film and also some trailers for other releases from Rapid Eye Movies. To some, that might not be a lot but I always welcome at least a trailer on any release and from what I have gathered not many other releases have anything more than a trailer. Overall, if you know Japanese or German (I should know a lot more by now) then  this release is perfect for you.

Overall, I am really impressed with this release. All the supplementary materials you get and the presentation alone make this a welcomed addition to the collection. I cannot stress enough that this release is of course aimed for a German audience so only collectors or lovers of Hanzo should really pick this up. Rapid Eye Movies have done a fantastic job with this release and have given the German public and us collectors  a great release of a film that is deserving of this treatment. You should definitely check out Rapid Eye Movies by clicking the links below and see what they have to offer and to potentially get your hands on this film. There really is nothing negative I can say about this release. Fantastic presentation and has a gorgeous DVD transfer.

RAPID EYE MOVIES SITE
RAPID EYE MOVIES YOUTUBE

PDx

My Day At The Munich Film Festival 2012

Recently, I spent the day in Munich for the Munich Film Festival 2012. The festival ran from the 29th June up until the 7th July. I went on the Thursday with my better half. It was thanks to her that i had this opportunity because she studies Film Criticism and students where able to get passes at a great discounted price. We ventured out with the intention of catching an early afternoon screening of a film called Le Cochon De Gaza ( English title not translated but under the name of When Pigs Have Wings) which was a German dubbed only version of a film about a man who lives between Israel and Palestine. He goes fishing and catches a pig.  Of course being between Palestine and Israel… Pigs aren't exactly the most "desirable" creatures, if you know what I mean. The film basically follows the guy becoming friends with the pig. Now, although that sounds hilarious, our tiredness took over so we slept for another hour. Yeah, shoot me. When we finally decided to set off, we took the train, enjoyed the scenery and finally made it to Munich which is a gorgeous city. Full of pretentious people but gorgeous all the same. After winning the battle with probably the most confusing train systems ever we finally made it to the building where we got our passes and to our joy, a nice big bag of swag.

Ooo... lovely bags o' swag!

My "Woody Allen" photo.

The cute handmade book showcasing Italian cinema.

The awesome chunky program.

 As you can see there was a hell of a lot of nice swag for Jeanny and I. Cosmetics that we could easily sell for €40+, some awesome 3D glasses from Sky, A hefty coffee table book version of the festival program, a cute little hand made notebook showcasing the Italian cinema at the festival and the mints and sweets. Not bad at all huh? That put a smile on our faces before we had even began to watch films. After marvelling at our swag for a while, we decided to work out what we wanted to watch so we could get tickets. Our main intention was to watch Killer Joe (William Friedkin) and 360 (Fernando Meirelles) as Jeanny needed to watch and critique these films for her course. Unfortunately, tickets where sold out so we had to look through the program and find some other films to watch. We found ourselves some nice little films.

WELCOME TO PINE HILL
(2012, dir: Keith Miller)

Now when you mention docudrama to me… I usually slap my face and sigh. Don't get me wrong, there are some fantastic examples out there but most of the time they are pretentious and dull. Welcome To Pine Hill however, did not fall under that description. The story follows a recently reformed drug dealer and gang member called Shannon Harper (actually played by himself) who has a somewhat steady job for an insurance company. Down the line he finds out some devastating news that makes him want to make peace with his past and the people he used to know and hang with. To tell you more about the story would do this film a real injustice. A powerful piece of film making that not only tells the devastating story of Shannon and the people in his life but also has an equally powerful message. From a technical point of view, this is a fantastically shot film, the handheld camera actually does what it intends to do and makes the audience feel (sometimes painfully and awkwardly" connected to Shannon's world. Minor complaints are some of the shots linger on too much which I understand symbolises the pain of our main character but it jet made the film run a little too long. Don't get me wrong, this film had me invested all the way through, especially with the fantastic, improvised performances from all the cast involved. Overall, this is one of the most genuinely touching and devastating films that I have seen in a long time and made me think a lot about some of the things in my life. You can't enjoy a film like this of course because the subject matter isn't enjoyable but this is a damn fine film that will have you hooked from start to finish. As far as I know, there is no information with regards to who owns the distribution rights for this film here in the UK for home release but all i can say is, there needs to be a deal done as soon as possible because people need to see this film. Thanks to this film I have also become aware of the Brooklyn Film Makers Collective. What more can I say about this film? It's not perfect by any means but it's a triumph all the same.

After being blown away by the screening we booked our tickets for the next film we wanted to watch but the screening was in a few hours so we decided to go for something to eat. Jeanny suggested a nice steakhouse called Maredo which is a chain in Germany. Being the hopeless, old fashioned romantic that I am, I thought it would be nice if we ate outside and absorbed the sunshine and the gorgeous architecture of Munich. That went well until we where struck by one of the most epic thunderstorms I have seen for a while. We fought the weather and finished our meal (which for me was a marinaded chicken steak with fries and a side dish of garlic bread… oh wait this isn't a food post!) like two mad people. So after defying a storm, we quickly made our way to our next screening which was a blast from the past.

The New Town Hall building and Orlando owned by the chef, Alfons Schubeck.

The "thunderous" view from Maredo.

 STORMY MONDAY
(1988, dir: Mike Figges)

As part of the film festival, one of the main events was honouring the work and career of Melanie Griffith. Aside from this film there where a few other titles being screened. Films such as Something Wild as Working Girl to name just a couple. Now, why pick a film like this to watch at a festival? Well let me put it this way. You have a cast that mainly consists of Sting, Tommy Lee Jones, Sean Bean and Melanie Griffith and it's set in Newcastle! How could we not spend the night watching a film from the 80's that stars Sting and is set in Newcastle? I won't go into much detail regarding the story as this is a fairly old film that's been reviewed time and time again by better reviewers than I. All I will say is that is a great little story about corruption, betrayal, death and jazz! You have got Sting playing as a cool, foul mouthed owner of a jazz club (yes, there is a scene with Sting playing the double bass). Sean Bean who plays as your average Joe who gets a job cleaning at Sting's club… but becomes his right hand man. Tommy Lee Jones plays as a witty, sharp Texan businessman who wants Sting's club and you have Mlelanie Griffith who plays as call girl who sleeps with people for Tommy Lee Jones but falls in love with Sean Bean. Yeah, I'm sure you can see what happens. What you have is a funny, smart drama that is worth a watch if you haven't done so already. Has that classic, late 80's English film that you all know and love. Not bad at all…. did I mention it stars Sting?

Arty shot of the lights on the screen before watching Stormy Monday.

Well, those where the films that I caught at the Munich Filmfest. Yeah, I could have gone to other days but Jeanny was away for the first few days and could you imagine me trying to navigate Germany's  rail system? I could have joined Jeanny for the Friday but let's just say my stomach decided to be a mean son of a bitch so I had to stay at home… thank goodness I have a cute cat to keep me company. Overall, I enjoyed my day there and looking through the program, I have so much inspiration for films to watch.

Please click the links below regarding the films mentioned and website for the film festival itself. Hopefully, next time I will go for more than just a day and fingers crossed I will find some more awesome festivals to go to.

Thanks,
PDx

Munich Filmfest Site
Teaser For Welcome To Pine Hill
Stormy Monday Trailer

Little Darlings (1980) Review

 Hello guys and girls. Today I thought I would review a film that I heard about a good while a go and only just recently got round to watching. Yes, after seeing this piece of amazing film I did slap myself repeatedly for being a big scuzzy dummy. Why do they I always seem to do this? I hear of so many great films on good authority and get round to them at a snails pace. Regardless, I am so happy that I did take the plunge and find a download of this gem that is yet to get a DVD release.

I first became of this film thanks to a good friend of mine, Robin Bougie who of course is the genius behind Cinema Sewer and reason why my pockets seem to be empty because of all the fantastic films he has turned me on to. However, that was last year. Recently on Facebook it was brought to my attention that this film was being shown on the TCM channel in America so of course being here in crappy old England we weren't able to see it so of course I had to the right thing to do and find a copy online so let me stop rambling on and actually let you guys know what I think.

 Little Darlings was made in 1980 and directed by Ronald F. Maxwell who hasn't really got that much worth mentioning to his credit aside from the T.V movie; Parent Trap 2. The stars of the show are Tatum O'Neal and Kristy McNichol who star as two 15 year old girls. Kristy plays as Angel. Angel is your typical street wise kid who likes nothing more than a good old smoke and has a smart mouth to boot. Tatum however plays as Ferris who is the cute rich kid. Both girls are being sent to a summer camp called Camp Little Wolf. Aside from our main stars there is also a strong supporting cast including a young Matt Dillon who comes into play about halfway through the film.

 The main premise of this film is basically Angel and Ferris trying to lose their virginity while at camp. The conversation comes up about virginity and a bet is made involving Angel and Ferris... a nice little betting racket, take note pre teens! Of course in typical movie fashion, our two main characters don't like each other so the bet is almost just as important for them as it is for the other girls. We also now have team Angel and team Ferris as the remaining girls try and aid their chosen competitor by giving them advice on such things as who and what to look for.

 After the girls have found their potential cherry poppers this is where their trials and tribulations begin. Ferris picks Gary who is the mature camp counsellor played by Armand Assante. Angel sets her sights on the handsome, long haired rebel Randy who is played by Matt Dillon. What happens over the next few scenes mixes between some really well written and genuinely funny banter between all the girls who you can just tell where having just as much fun in character and behind the scenes and of course the equally well written and played courtship between the girls and their chosen men. Both however have completely different success.

 With Ferris trying to get the older guy, you know already that her chances are pretty darn slim but does she give up? No way! In fact some of her actions in these parts are enough to melt any boys hearts, imagine if I saw this when I was 15... oh boy. Angel however has great success with Randy but as it progresses and comes up to the big moment you can really feel how scared she is about the big moment and you do genuinely feel for her. You feel for both characters. It's a beautiful thing when a film comes along and the majority of the characters are likeable. Not only that but I'm pretty sure a lot of you guys can relate to everyone in this film.

 I won't ruin what happens for you guys because you really do have to check this out for yourselves. One thing I love about this film is how the characters develop. Seeing the different dynamics of each character, seeing the characters evolve. Right from the start you know that Angel and Ferris will become friends but the film handles t so well that it's refreshing and not just "well she's going to do that... she's going to say this... then they will do this.." Of course there are a lot of things that happen along the way but experiencing them for yourself is part of the journey of this film. It's a great story that has been told countless times but again, the way it's handled is brilliant. Full of some great banter between the girls too. A film that has it's funny parts and it's sad parts but touching all the way through.

 Another thing about this film is the soundtrack. I'm pretty sure I heard the theme tune from The Warriors playing faintly in the background during one of the first cabin scenes with all the girls but that's not the best of it. There are songs by Blondie, John Lennon, Supertramp to name a few. It all just gells really well with the film. If you like your teen comedies then you should give it a go. Think of Meatballs mixed in with a pinch of Stand By Me and Goonies and a faint hint of Hardbodies and you have Little Darlings. It's not a teen comedy that uses dick jokes and gross out gags to get the laughs. In fact there is really none of that in this film. This is how a teen film should be like. It's got a story and characters that people can relate too. It has a real feel good mood to it thrown in with some touching, dramatic moments as if the film is almost a 15 year old kid itself.

So there you have it guys. I could say more and go in to detail but what would the point be? Why ruin the experience? All you need to know is that this is a must see. A story that deals with a lot of quite serious topics even if some are small plot points and film that really shows the meaning of true friendship. Even with it's 15 rated certificate, I do think that this film can be enjoyed by young and old a like. So if you want to laugh, cry and even be taken back to when you where fifteen or even if you want to relate to a character, this is a film for you. A great cast, great story and well directed. I could watch this film over and over again. This really does need a DVD release right NOW!

PDx