Severin Review: She Killed in Ecstasy (1971, dir: Jess Franco)

SHE KILLED IN ECSTASY
(1971, dir: Jess Franco)

 Dr. Johnson (Fred Williams, COUNT DRACULA) is a hard working scientist who has it all; his beautiful wife (Soledad Miranda, VAMPYROS LESBOS) a luxurious lifestyle and a potential scientific breakthrough that will revolutionise medicine, That's until his Dr. Huston (Paul Muller, LADY FRANKENSTEIN), Dr. Crawford (Ewa Strömberg, THE DEVIL CAME FROM AKASAVA), Dr. Donen (Jess Franco himself) and Prof. Walker (Howard Vernon, ZOMBIE LAKE) deem his work and his methods to be a crime against nature and a detriment to their own reputations. As a result they shut him down, strip his license and destroy his laboratory, hurting his wife in the process. All of this causes him to go insane. Fearing for her husbands safety, Mrs. Johnson takes him out of the city and the pair take up residency in a beautiful house on a remote island. Unfortunately, there really is trouble in paradise as the shamed doctor's mental health deteriorates leading him to take his own life. Consumed by grief, his beautiful widow has a desire to seek revenge on those responsible for her husband's downfall. She decides to do this in what she considers the cruelest of methods; seduction and cold blooded murder. She doesn't have long to pull it off as she has an inquisitive inspector (Horst Tappert, DERRICK) on the case.

What we have in She Killed in Ecstasy is a genuinely well made erotic thriller inspired by a Gabriel Marcel play Naturally, there is an element of sleaze to be found, but it's much more restrained than some would expect. The film is ultimately somber in tone. It may not be the most complex of stories, but Franco has created something that has real weight to it. Soledad's vengeful widow is genuinely sympathetic and although she carries out horrific acts, you get the sense that she's suffering internally as she is dishing out her gruesome revenge. She may be getting said revenge for her husband, but it's not something that she truly relishes. Not only does she seduce and murder, but in a style not too dissimilar to posthumous execution, she mutilates the genitalia of her male victims. From her genuinely seductive gaze to her portrayal of a woman losing her mind; Soledad's performance is nothing short of extraordinary. Had she not suffered such a terrible fate, her career would have been full of stand out performances like this, I'm sure. Those wanting to appreciate Soledad in an aesthetic sense will adore this film too. Wether she's completely naked or elegantly dressed, you won't be able to take your eyes off her. Of course, Franco regulars like Muller and Vernon put in a good performance too. Although not the bloodiest or goriest of films, the suicide and murders are staged in a somewhat shocking and impactful way. They could have either been too comically over the top or painfully tame, but thankfully that's not the case. To compliment the film, the jazz score provided by Manfred Hübler and Sigi Schwab (VAMPRYOS LESBOS) ranges from fitting the mood perfectly, to being a strange juxtaposition. Not only that, but orchestrated pieces provided / lifted from Bruno Nicolai (99 WOMEN) are used to devastating effect in the scenes involving the grieving widow and wrongly disgraced husband. This could quite possibly be one of Franco's most emotional and piercing films and being at just over 70 minutes long, it's a very easy watch for even the most critical of Franco's work.

  Speaking of which, it's such a shame that Franco was so dismissive of this film and his work, because considering this was just one in a string of swiftly produced films, the level of artistry to be found here is nothing short of mesmerising. From the use of beautiful architecture to the set and costume design, this is a film that proves just how much of an artist Franco really was. Thankfully, the picture and sound quality compliments the film perfectly. Aside from some noticeable dips in quality, there's nothing to complain about in terms of presentation. In terms of extra features, there are interviews with Jess Franco, Paul Muller and Soledead Miranda expert and Stephen Thrower. To top it off there is also the german trailer for the film. A handsome list I think you will agree! This is a must own for both seasoned Franco fans and newcomers alike. In fact, it's probably one of the few accessible Franco films. There's really no excuse for anyone falling under those categories to not add this to their collection.

She Killed in Ecstasy is available on DVD & Blu-Ray from Severin Films.

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Severin Review: Vampyros Lesbos (1970, dir: Jess Franco)

VAMPYROS LESBOS
(1970, dir: Jess Franco)“Psycho-Sexadelic Horror Freakout!”

Young lawyer Linda (Ewa Strömberg, She Killed in Ecstasy) is haunted by an erotic recurring dream involving herself and her lover Omar (Andrea Montchal, Eugenie de Sade). The dream involves herself and Omar enjoying a stage show involving a young and beautiful seductress (Soledad Miranda, Count Dracula). After the show, Linda is beckoned, seduced and killed by the mysterious nubile. Her therapist, Dr. Seward (Dennis Price, Son of Dracula) seems to think that the recurring dream is down to Linda needing a new sexual partner. Fair enough! Unfortunately, there's no time for that as Linda is assigned to visit a woman by the name of Countess Nadine Carody, who has recently inherited property from none other than Count Dracula! Once she has arrived and settled in, it's on to business. Before she can get the Countess's signature and realise who she's dealing with, she is drugged, seduced and then bitten by the bloodthirsty Countess. As if it wasn't bad enough, Linda then finds herself with a case of amnesia and under the care of Dr. Steiner (Paul Muller, Lady Frankenstein). It's her lucky day however, as Steiner is more than just a doctor, he's also a vampire hunter. With the help of the doctor and Omar, Linda must put an end to Countess Carody's bloodthirsty reign. It's not going to be easy, but it sure is going to be bloody!

 
Where do you start with a film like Vampyros Lesbos? Jess Franco is one of my all time favourite directors and even though I find his back catalogue to be very hit and miss (with a filmography that size, it's understandable), I can safely say I enjoyed this greatly. Right off the bat, you can tell this is a Franco film. From the cinematography to the way the action is staged and played out. Some may find his overuse of the zoom to be annoying and the snobs out there will turn the nose up at the occasional out of focus shot, but these tiny things all play in to my compassion for Jess Franco. There's some absolutely gorgeous locations used here and the set design as well as the costumes are second to none. As cheaply made as this film is, Jess definitely has a good eye for style and working around budget constraints. You sometimes find yourself scratching your head when trying to follow the plot of a Franco film, but Franco with the help of Jaime Chávarri (To an Unknown God) and Anne Settimó (Jungle of Fear) have scribed a cohesive, yet abstract enough to stand out feminine retelling of Bram Stoker's Dracula, even if Chávarri now distances himself from the film. There's a real sense of atmosphere throughout that often makes the film feel almost dreamlike. The score from Sigi Schwab (The Devil Came From Akasava) and Manfred Hübler (Intercontinental Express) adds to that dreamlike atmosphere, but also ranges from haunting to out right funky. It's up there with one of Franco's best film scores and worth looking in to if you like jazz. The star of the show (both literally and metaphorically) is the Countess herself, Soledad Miranda. All she has to do is look directly in to the camera and the audience is eating out of her hands. Her performance is subtle, yet effective and fundamentally sensual. Right from the first few seconds where she is beckoning the viewer. This is her film. Don't get me wrong, everyone else puts in a good turn for the most part, even Franco himself appears as a somewhat mentally challenged and sleazy island local with his own secret, but the focus is on Miranda, even if this may not be her most demanding role. It's clear that if she hadn't had met her untimely demise, she would have made even greater waves in the film industry. Of course, those looking for bare flesh and blood will be very happy I'm sure as there is a good amount of that thrown in too. That being said, this is more classy than pure schlock or sleaze. A perfect film for the turtleneck wearing Franco fan!

  In terms of sound and picture quality, the film has been beautifully restored and presented here. Of course, being that this is a Franco film and the source material may have not been preserved at the most optimal of levels, there are some focus issues and the sound can get a bit questionable, it shouldn't be an issue at all. Those wanting special features will be very happy in my opinion. There's an interview with Franco himself talking about the film, his relationship with producer Artur Brauner and of course Soledad. Is it just me or is it like watching your granddad telling you stories when you watch a Franco interview? Sticking with Soledad, there's an interview with Amy Brown, founder of the official Soledad Miranda website, that goes in to the life, career and death of Soledad. The final major feature is an interview with Franco scholar Stephen Thrower which gives a bit more insight in to the film. Not only that, but we also get an extra clip of Franco talking about his experience with Stuart Freeborn (Star Wars: Episode IV – A New Hope)
and his true inspiration behind the look of Yoda, original German opening title sequence and of course, the German trailer. As if that weren’t enough, the film is packaged up with some gorgeous newly-commissioned art from Wes Benscoter. All in all, this is a must own for UK lovers of Jess Franco, Soledad Miranda and of course; Vampyros Lesbos. This would also make a great starting point for newcomers!

Vampyros Lesbos is available on DVD & Blu-Ray from Severin.
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Weisse Haut auf schwarzen Schenkeln (1976, dir: Jess Franco) Ascot Elite / Illusions UNLTD Blu-Ray Review

The film opens up on the Mondo Erotico set. You know, the obscenely small and narrow black room with the white fluffy bed. It's here we meet Marga, an exotic erotic dancer played by Diotta Fatou (DIE SKLAVINNEN). She's in the middle of one of her stage shows. In the audience we meet Robert, a wealthy middle-aged man played by Roman Huber (DAS FRAUENHAUS). He enjoys the show so much that when Marga has finished her little dance, he decides to take her back to somewhere private. The pair get down to business and instead of enjoying that wonderful post sex cigarette, Marga does the next best thing and throws herself out of the window. Yep, bitches be crazy! The next day Robert is arrested for the attempted murder and it's down to his wife Lola, played by Pilar Coll (MONDO EROTICO), to prove his innocence. She does this by tracking down the nightclub and meeting the owner and Marga's lover Lena, played by Kali Hansa (COUNTESS PERVERSE). Lena seduces Lola and takes her back to her place. The pair eventually make love and form a relationship. Lola hasn't given up her quest yet however? She loves and adores her pig husband. Lena finds a diary belonging to Marga and reads it to Lena. We find out about the rather depressing and troubled life of Marta, including her relationship with Victor, a sleazy and manipulative psychologist / hypnotist type played by Franco's go to hunk, Erik Falk (ILSA THE MAD BUTCHER). Will the diary hold the answer to this strange situation? Will Robert be set free? What dark secrets will be revealed?

Overall, I'm sorry to say that this was a rather dull film. Although a solid enough story, there's nothing really engaging at all with this one. There are some nice moments every now and then including a rather unnerving S&M dream sequence and a genuinely funny off-screen appearance from a man from Mars (you have to watch to truly understand). Those moments are completely overshadowed by long, drawn out attempts at eroticism and clumsy erotic dancing (you may get a laugh out of those scenes). Fatou has no onscreen presence at all and it pretty much looks like she had no clue what she was doing except receiving a paycheck. The scenes involving Falk, although largely unrelated to the actual story are the highlights of the film just for the sheer absurdity. Aesthetically, this rather unimpressive. Lazy set design (clearly utilising not even a handful of locations) and horrendously out of focus cinematography make this is a visually unappealing film. Not even the female cast can make up for that because aside from Coll, there's literally no talent on show that's pleasing on the eye. Sure, that's probably a pig-headed thing to say, but even though this essentially a melodrama, Franco is still trying to titillate the audience with his signature close up shots and taste for good old-fashioned lesbianism. It misses the mark completely as a piece of erotica and drama. As much as I love Jess Franco (even for his downfalls), I really have to chalk this down as one of his worst. It's little wonder that Dietrich has now finally credited the film back to Franco.

The restoration is hit and miss. Some scenes look fantastic, but a lot the blacks in the film (especially the nightclub setting) can be very blocky with clear distortion. This is a cheap film anyway, so I won't whine too much. The sound is fairly solid throughout so that's not an issue. I would say that if you're going to pick this film up, don't be worried about HAVING to buy this on Blu-Ray because the film doesn't benefit from it too much. If you can save yourself a bit money, opt for the DVD release. On the disc itself the only language options available are a German dub (presented in both DTS-HD 5.1 and Dolby Digital 2.0) and English subtitles. In terms of extras you a selection of trailers including the original theatrical trailer for the film, a photo gallery, Jess Franco audio interview (Spanish with German subtitles) and the same Erik Falk featurette that appears on Mondo Erotico's release. Overall, as much as I didn't really enjoy the film, I have to give major credit to both Ascot Elite and Illusions UNLTD for presenting the die-hard Francophiles a little-seen gem that was initially credited to producer Erwin C. Dietrich. That's the only demographic I can really recommend this film and release to. Newcomers to the world of Jess Franco will be majorly unimpressed.

Weisse Haut auf schwarzen Schenkeln is available on DVD and Blu-Ray from Ascot Elite Home Entertainment and Illusions UNLTD.

Ascot Elite Home Entertainment / Illusions UNLTD Blu-ray Review: Mondo Erotico (1976)

Mondo Erotico (In 80 Betten um die Welt)
(1976, dir: Jess Franco)

Ah, a Jess Franco Mondo film! Right off the bat I'm excited! Being a fan of efforts like Bruno Mattei's Libidomania, the idea of a sleazy Mondo film excites me and boy does uncle Jess deliver in his offering! Basically, the film is staged as a light night sex show (think Sexcetra, but miles better and hairier). Our hostess takes us around the world on a sexual journey starting in America. In New York we witness an exclusive Black Mass hosted by an overweight Siouxsie and the Banshees fan in a tiny room. Then it's a quick stop in San Fransisco to meet a prostitute awkwardly fondling and licking a flaccid dick before meeting a woman who enjoys the skin care benefits of semen (insert childish facial joke here). Once we are done with the States we travel to Copenhagen to enjoy a live sex show in the same small room clearly decorated differently. There's some audience participation done in the style of good old-fashioned bingo! Once that's over, it's time to visit Germany to meet Hamburg's most famous dominatrix. She's very open to interviews and is of course extremely modest! We get to witness one of her shows (guys may want to hold their balls for this sequence!). America and Europe is fun and all, but a change of scenery and climate is in order. Thankfully, we get treated to the golden sands of Agoa. A tropical paradise in which all the natives are pale!? Oh well, not to worry because we get to see how the locals deal with marriage. Let's just say that being a godfather has perks! Once Erik Falk (Ilsa the Mad Butcher) has his fun in the sun, we find ourselves in Amsterdam. It's time for sex education with a difference! So that's how you're supposed to masturbate! Very awkwardly! Not only that, but I know what an 'Aerodynamic Bitch' is! Once class has finished, blow up doll demonstrations and all, we finish off our journey on the Orient and experience some cosmic sexual intercourse, or is it sexual miming!?

Overall, Mondo Erotico is an odd and extremely entertaining film that is often silly and downright absurd! It's also both an intentionally and unintentionally effort. The budget was clearly tighter than the labias on show as it's clearly noticeable that both the cast and sets are used over and over. This especially entertaining with regards to the small interior set used for most of the set pieces and the Agoa sequence. Stock footage is inserted to give the impression that this is a globe-trotting effort, but you won't be fooled. The highlight for me has to be the sex education scene, I haven't been that amused in a while! If you want a trip, you're gonna love the final segment too! The film is very graphic in terms of sexual content even though it does seem that some parts are hardcore inserts shot separately, gotta love stunt cock! The film never takes itself too seriously. It's a jigsaw of elements we have come to love about Jess Franco films and the final picture is a well-rounded hardcore Mondo film that stands toe to toe with the best of them. If you are somewhat new to Jess Franco's work, this is a great example of him at his scuzziest. Don't get me wrong, it's far from 'extreme', but it's damn sleazy. That being said, there's a light-hearted tone to the film. Just a fun and enjoyable entry in to a genre that can get quite tedious (I'm looking at you Mondo Cane!).

The picture and sound quality are of a very high standard in my opinion. Of course, the nature of this production means that you are going to expect print damage, but it never detracts from the restoration. Hats off to those involved in the restoration! The film is presented in German with English subtitles. Overall, this is an extremely solid release for Francophiles and newcomers a like. In terms of extras we get a weird and wonderful featurette with Erik Falk revisiting some of his films and sharing stories as well as treating us to his philosophy on sex and sexuality. Not only that, there are plenty of trailers, a photo gallery and reversible artwork. The only downside is the Jess Franco audio interview which isn't English friendly. That being said, it's a tiny flaw which doesn't take anything away from this release at all. I have to say, of all the Ascot Elite releases, this is my favourite. A very noteworthy entry in to Jess Franco's filmography that has received a fantastic release!

Mondo Erotico is available on DVD and Blu-Ray from Ascot Elite Home Entertainment and Illusions UNLTD.

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Ascot Elite Jess Franco Golden Goya Collection DVD Review: Downtown

DOWNTOWN - DIE NACKTEN PUPPEN DER UNTERWELT

(dir. Jess Franco, 1975)

Jess Franco (99 WOMEN, VAMPYROS LESBOS) stars as Al Pereia, a private detective who is down on his luck and waiting for that next big job. Thankfully for him, he gets a job from a glamorous young woman by the name of Cynthia, played by the ever lovely Lina Romay (FEMALE VAMPIRE, LORNA THE EXORCIST). She wants him to photograph her husband Carlos Rivas, a nightclub owner played by Erik Falk (BARBED WIRE DOLLS, SEXY SISTERS) who has an eye for the ladies. Good old Al accepts and begins his newest assignment. Unfortunately, things get a little complicated when Carlos is found dead. Al becomes the prime suspect and on his quest to clear his name, discovers that Cynthia isn’t actually the wife of Carlos. It turns out that she and her lover Lola played by Martine Stedil (WOMEN BEHIND BARS, SWEDISH NYMPHO SLAVES) are working for Carlos’s real wife Olga, played by Monica Swinn (LOVE CAMP, EAST OF BERLIN). Will the police believe Al? Who killed Carlos Rivas? How many close ups of female genitalia will we have the joy of seeing? Well, it’s a Franco film so that last question should be easily answered. As for the others, you’re just going to have to watch aren’t you?

Downtown is a nice gem within Franco’s vast filmography. Once again he shows that he is a man of many talents by directing, writing, shooting and starring in the film. Overall, it’s an enjoyable outing with a solid story that has some nice twists throughout. Not only that, but the comedic aspects of the film work very well too. Of course, being a Franco film, there are moments that are somewhat clumsy, but it all adds to the overall charm and although not one of Franco's more classier efforts, the score from the Swiss composer Walter Baumgartner (ROLLS-ROYCE BABY, JACK THE RIPPER) is toe tappingly wonderful in places. Lina Romay is fabulous as ever, her scenes with scissor sister Martine Stedil are sexy, yet awkward at the same time, which makes for a positive all in its own (some of their dialogue is priceless).Even Franco gets in on the act with the ladies, it’s a tough job being a director sometimes! If you are looking for a lesser known, but competent Franco film, this is a great one to try. If you are a fan of Jess Franco, you already own this right?

Ascot Elite have done a great job with this release. Going of the DVD version, the transfer is as nice as we will probably get of this film so if you are a Bluray collector, you’re in for a treat with this one. The film is presented in German with English subtitles. In terms of extras you are treated to a photo gallery which has some fantastic shots and a selection of trailers from Ascot Elite’s Jess Franco Goya collection. It’s humble, but at least it’s something. Overall, Ascot Elite have done a great job. Like I said, it’s a great release for those discovering the weird and eclectic world of Jess Franco and for fans of Franco’s work, this is a must.

You can buy the DVD version from Amazon.de here and the Bluray version here as well as from your favourite online retailers.

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Jess The Ripper - A Tribute

Yesterday (as of typing this obviously) the world of cinema lost another true hero, Jess Franco. I'm going to come right out and say it. I haven't even managed to watch a tiny fraction of Jess Franco's work and I wouldn't do my readers or Jess himself the injustice of claiming to have done so. If you want to read a much more informed and personal account of Mr. Franco I would suggest strongly you read Tim Lucas's touching and emotional posts here and here.

Love him or hate him, you can't deny that Jess Franco wasn't a hard worker. With literally hundreds of film credits under his belt all the way from directing, acting to being cinematographer and so many more jobs. The funny thing is, his IMDB Page is rather inaccurate as there are so many more projects out there that had some sort of Franco involvement! Not only was he one of the most hard working and ultra prolific figures in the world of film, Jess also was an accomplished jazz musician.

Sure, some of his films might be weak and might miss the mark but I implore you to say a bad word about a man who did what he wanted  and never succumbed to major studio pressure. I implore you to say a bad word about a man who gave the world such beauties as Lina Romay. Yeah I thought as much.

I owe a very personal thanks to Jess because Mondo Squallido would just not exist without him or his work. 99 Women was the first film I reviewed for Mondo Squallido. I won't pimp that video out here but if you want to see it, it's on my Youtube page. It's figures like Jess that keep my film watching experience a exciting one. As I said, there are some stinkers in the filmography, there in MANY directors filmographies. You can have your "perfect" multimillion dollar budget blockbusters, that bores the Hell out of me! I want a film that was shot back to back with another film, I love corners being cut, I love the schlock and imperfections of the cinema from the likes of Jess.

Well, I'm going to close this little tribute. Like I said, my experience with Jess and his work is an ongoing one and thanks to the wonders of modern technology and independent DVD labels we are discovering, rediscovering and most importantly enjoying work from one of cinema's most hard working and well loved cult directors.

Thank you so much Jess for the joy you have given me with your films.

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