Vinegar Syndrome Review: Trashy Lady (1985, Steve Scott)

  (1985, dir: Steve Scott)

Dutch (Harry Reems, Deep Throat) has it all! He's the money, the looks, a happening nightclub called “The Paradise Club”, the reputation and of course; the girl. That is until his girl Jessie (Cara Lott, Taboo 2) has had enough of his attitude and lack of appreciation. Fortunately for Dutch However, a new dame isn't hard to find especially in your own club! On the same night of his split, Dutch sets his sights on the young Katharine (Ginger Lynn, New Wave Hookers), a new girl in town who sells cigarettes at the club. He soon finds out that Katherine (whom he decides to call Kitty) is a little too innocent, timid and ultimately a tad inexperienced. This leads him to reach out to the tough talking Rita (Amber Lynn, Love Bites) who he enlists to loosen up and teach Kitty a few things and hopefully turn her in to a trashy lady. She is more than happy to oblige and begins to school the impressionable Kitty, who of course is a quick learner and a natural. Unfortunately for all involved however, there's a potentially fatal problem; rival gangster Louie (Herschel Savage, Debbie Does Dallas) is Rita's man. He is soon to be released from prison and he may not be too pleased that his girl is playing for (or should that be with?) the other side. Maybe Dutch should have treated his girl a little better?

I remember seeing a trailer for Trashy Lady on one of the many trailer compilations a while back and being quite apprehensive about an adult film shot towards the end of the genre's golden age that was set around the 1920's. Boy was the younger (and slightly less corrupted.) version of me very wrong. Of course, when I found out that the film was not only shot on 35mm, but was also going to get the Vinegar Syndrome treatment, I became very excited. Thankfully, the film lives up to its award-winning and cult reputation. The story is simple, yet solidly told and has gags that genuinely work. Performances are great throughout with the foul-mouthed Rita being my personal favourite. She's trashy, independent and comes out with some fantastic lines. Of course, the bigger names likes Reems, Lynn and Savage once again prove that there was acting skill back in the day. They are backed up brilliantly with much smaller support roles with performances from the likes of Tom Byron (Lust in the Fast Lane) and Rick Savage (Hollywood Vice). To match the acting, the action is also very solid with of course, Amber and Ginger stealing the show.

The biggest thing people will notice is just how cinematic the film is. Ok, Once Upon a Time in America this is not, but for a film that was shot in two weeks, there is so much scope and attention to detail. This isn't one of these cheap looking period pieces. Right from the films opening credits sequence, you know you're in for a treat! Everything from the set design and costumes to the prop newspapers and vehicles look authentic. Even the selection of music throughout is clearly thought out. That being said, some of the interior scenes also give off that “new-romantic” vibe of the time which add another layer to this already stylish piece of sinema. Overall, Trashy Lady is one of the last true greats of the genre in almost every aspect. Not only that, but it does something that films like this often don't; it has plenty of replay value and you won't be fast-forwarding through boring set pieces. Naturally, a film of this calibre has received an equally impressive treatment from Vinegar Syndrome.

First of all there is the choice of reversible artwork which only has one problem; both covers are fantastic so good luck picking which one to use! On disc there is not one, but two commentary tracks; one with DP Tom Howard (A Portrait of Desire) and David McCabe (Creepozoids) with the other coming from Herschel Savage and Bill Margold (Dracula Sucks). Both are informative and entertaining in their own way. To top off this fantastic release there is also Steve Scott's 1971 debut feature; Coming West. Unfortunately, aside from the gorgeous Maria Arnold (Flesh Gordon), Sandy Carey (Deep Jaws) and Starlyn Simone (A Touch of Sweden), I found this tale of three women daydreaming whilst on a rod trip to be a tad dull. Oh well, at least there's a lot early hardcore nookie I suppose! Honestly, it's still great to see early hardcore efforts like this being preserved and becoming easily available to my fellow sleaze-hounds. It's still a wonderful addition and the icing on an already elegantly trashy cake (it's much better than my attempts at wit, that's for sure!) As you can probably tell, this is a must-own release for anyone with an interest in the genre and also a great release for those who still don't think there was artistry in pornography.

Trashy Lady is available as a DVD & Blu-Ray combo from Vinegar Syndrome.

PDx

Vinegar Syndrome Peekarama Review: Robin's Nest (1980) / Bella (1979)

  “There's high flying Action when the pretty little birds flock together...”

Newlyweds Alan (Eric Edwards, Laura's Toys) and Robin (Arcadia Lake, Debbie Does Dallas) spend their first day as a married couple by moving in to their new apartment. Naturally, that evening they christen said apartment like most couples would do and damn do they start married life with a bang! The perfect start to what will be a truly future? Maybe not, because fast forward six months later and the couple's bickering has lead to the pair undergoing a trial separation and Robin to move out. She decides to stay with her high society nympho of a friend; Glenna (Robin Byrd, Pleasure Palace). The pair then do some “catching up”. With her mind somewhat at ease, Robin's healing process is off to a great start! Alan on the other hand is a bumbling, scruffy mess. Thankfully, he gets cheered up by his own nympho of a friend; Larry (Paul Thomas, The Price of Desire) after a chance encounter in the local drinking hole. Unlike Glenna however, Larry is a bit of a creep who in his spare time likes to stalk a cheating housewife known as Mrs. G (Marcia Mager, Sweet Wet Lips). After a few drinks, Larry invites Alan back to his wife Lorraine's (Samantha Fox, Babylon Pink) funded swanky abode. How does he cheer up Alan? By letting him have some “consoling” of his own with Lorraine's young plaything; Honey (Crystal Day, Secrets of a Willing Wife). If things weren't complicated and ugly enough (well, depends on how you look at it.) for both Alan and Robin, the fact that Lorraine is “good friends” with Glenna may just make the situation uglier than it already is!

In a nutshell, Robin's Nest is a simple piece of melodrama with a touch of comedy thrown in for good measure. Stylistically, the film reminded me of a late 1960's piece of sexploitation cinema. After looking at Victor Bertini's filmography, that was no surprise to me as this (his final film) was his first film since a trio of late 1960's sexploitation efforts (his only other directorial credits). Of course, instead of flirty thrills, we have unsimulated sex and even though the cinematography and set layouts are reminiscent of retro cheeseball sexploitation cinema, there is a contemporary (for the time) style and set decoration. It makes for a visually intriguing experience. Overall, the film has a sense of cheapness about it, but Bertini pulls off a somewhat accomplished piece of hardcore cinema. You'd think he'd been shooting X-Rated skin flicks for years! To compliment the action, there's a great selection of music throughout and although credited to an outfit called Goldenrod, it seems more likely that it's just a tactic to hide the (wonderfully handpicked) usage of library music. To match the style, there are great performances throughout from everyone involved. Although only appearing together in a handful of scenes, there's genuine chemistry between Arcadia Lake and Eric Edwards (something I will touch upon again at the end of the review!. It's not exactly the most entertaining film of its kind, but there are some great individual gags throughout and definitely worth watching more than once. On a completely different note, it reminded me of the 1985 shot on video outing; The Initiation of Cynthia, a film I have watched recently... What do you mean you don't care!?

  “The most Classically Erotic film ever made...”With her husband Bob (Jake Teague, Cannibal Ferox) constantly away on business trips, it's no surprise that lonely housewife Susan (Diana Sloan, Dracula Exotica) would begin an affair with the local hunky handyman Tom (Eric Edwards). Unfortunately for her however, her young daughter Bella (Tracy Adams, Fascination) discovers her engaging in her dirty little hobby after returning home earlier than usual one day. Instead of confronting her mother and revealing the truth to her father upon his return, Bella is overcome by lust after witnessing Tom and his DIY skills. Thus, begins a sordid little love triangle. Bella's lust soon turns to love and obsession, but Tom is unwilling to commit. Bella's obsession combined with her jealousy leads her to take drastic measures, involving her friend and all-round unknowing participant; Patty (Arcadia Lake). With the stakes and tensions high, what happens will change everyone and everything forever. Will Bella do something she may regret or can she come to a compromise with her mother? One thing's for certain, this is probably the most hands-on work Tom has ever had to do in his life!

  Much like the previous film, Bella is a melodrama with a simple concept. It may not be the most original of concepts, but it's far from the weakest attempt at the “mother and daughter fall for the same man” plot. Things are pretty straightforward and somewhat vanilla for most of the film, but the final third REALLY stands out. It may not be the most shocking, heart-wrenching or adrenaline filled final thirds, but it definitely leaves an impression. All in all, it's a solidly paced film with only a couple of sex scenes being a few minutes too long. In terms of pornography, there's no complaints at all. Aside from Diana Sloan, the film is well acted and the characters are believable. Although the delivery of her dialogue is wooden to say the least, it doesn't detract too much from the overall film. The star of the show for me is of course the lovely Tracy Adams who really does portray the obsessed naïve lover almost perfectly. That being said, even if her performance wasn't the greatest, you really wouldn't complain. It's a travesty that this was only the second of a handful of films she starred in because she could have made a REALLY big name for herself. In terms of style, the film almost has a feel of Joe Sarno (Abigail Leslie is Back in Town) to it; solid enough erotic, yet kitchen sink drama and genuinely cinematic. It's no surprise the film is shot so wonderfully as porn veteran Carter Stevens (Punk Rock) was behind the camera with complete artistic freedom. Shots are wonderfully and thoughtfully staged and there are some great handheld and dolly shots thrown in too for good measure! You'll be hard pressed to find a film of this nature and budget that looks as good. Overall, this film has a lot to offer and can warrant repeat viewings.

Wouldn't you know? Vinegar Syndrome have done yet another great job with the restoration and presentation of these films. Aside from maybe one or two incidences with clear signs of irreversible print damage, the films look and sound great, especially when it comes to the cinematography of Carter Stevens in Bella. Speaking of Carter Stevens, the main feature on this disc is a short interview with the man himself (why has no one made a feature length documentary about him!?). He talks about his experience and freedom on the film as well as talking about Blue Underground's very own Bill Lustig and his involvement with the film. It's a fantastic little interview and I hope there's going to be much more in the future. The only other special feature is a trailer for Bella. Overall, this is a solid double feature mainly to commemorate the real life relationship between Arcadia Lake and Eric Edwards. It doesn't just work on that level because both films have the same sort of vibes and compliment each other. If you want to see character driven porn, give this release a try! Just don't let your mother find out... Robin's Nest & Bella are available as a double feature DVD release as well as being streamable on Exploitation.tv

Vinegar Syndrome Review: Too Naughty To Say No (1984, dir: Suze Randall & Victor Nye)

 

“Nasty Enough To Say Yes!”

Betty (Angel, For Your Thighs Only) is your typical innocent Catholic schoolgirl. One day after studying her bible under the supervision of Sister Rose (Lisa De Leeuw, Pink Champagne) with her party loving friend Catherine (Ginger Lynne, Lust in the Fast Lane), she doses off (religion does that to you.) and finds herself in a world filled with lust, debauchery and some very questionable individuals indeed. Her adventures begin with her watching Catherine get down and dirty with an older guy (Jamie Gillis, Corruption) who thankfully has better taste in women than he does clothes! After the free show, Catherine promises her much more and instantly delivers by sending her to a brothel ran by Madame Rose (De Leeuw again). She's treated once again to a free show, but finds herself the subject of a bidding war between Senator Bribe (Eric Edwards, Laura's Toys), Nazi-like Colonel Vice (Klaus Müller in his only role), Hollywood director Stephen Swinestein (Edward Longly also in his only role) and Bishop John (Milton Ingley, Fantasyworld). Freaked out, she escapes, but things only get weirder! From crooked cops (Paul Barresi, Co-Ed Fever & Rick Cassidy, Widow Blue!) to perverted undertakers (Harry Reems, Deep Throat), Betty's journey through dreamworld is as sordid as it is erotic. Oh well, she'll have some juicy material to share at her next confession!

  Too Naughty To Say No is a naughty little film indeed. Based off characters from de Sade, taking influence from Alice in Wonderland and almost structured like Juliette et Justine, both Randall and Nye have produced a trip of an adult feature. It's not as explicit or as mean spirited as de Sade's work or as outright trippy as Alice in Wonderland, but there are some strange goings on, but the action is still sexy. That's no surprise as Randall herself directed the sex. Some scenes drag on a tiny bit, but they are wonderfully staged and shot. Plus, when you have the likes of Ginger Lynne getting down and dirty, it's OK by me! The dialogue oriented scenes are fun and well acted. Angel's portrayal of the virginal Betty slowly getting corrupted is fun to watch and hey, she's cute as a button. To compliment Angel and Ginger (the latter should have had much more screen time!), there is a very solid supporting cast. It may not be the most memorable performances from Gillis, Edwards or Reems, but they do more than get the job done in their small roles. This is one of hose films that is really quite simple, but very enjoyable. For me personally, films like this from around the mid-1980's often seem to lack charm, but there's really no complaints here aside from some of the sex scenes being a few strokes too long. All in all, this is one of the more interesting films adapted from or influenced by the writings of de Sade.

  In terms of presentation, Vinegar Syndrome deliver the goods (as if they wouldn't) once again. Not only is the film restored beautifully in 2k from 35mm source materials, but it's presented in the correct aspect ratio, a much more superior print than the previous Caballero release. The colours are vibrant and the image is sharp. The only extra is a Joe Rubin moderated audio commentary with Suze Randall, Victor Nye, Amber (of Suze Randall Productions) and Christian McLaughlin. It may be the only extra, but it's a welcome one that is informative as it is entertaining. There is a lot to be gained. Of course, a trailer would have been nice, but I am not aware if one exists, so I won't hold it against Vinegar Syndrome! All in all, this is another solid release of a film that could have been forgotten. Definitely worth picking up!

No... I won't clumsily use the title as a pun to end this review!

Too Naughty To Say No is available on DVD from Vinegar Syndrome.

PDx

Vinegar Syndrome Peekarama Review: The New Erotic Adventures of Casanova (1977) / Casanova 2 (1982)

THE NEW EROTIC ADVENTURES OF CASANOVA (1977, dir: Carlos Tobalina)

  John Holmes (Eruption) stars as John, a man who has recently inherited and sold off the estate of his late great grandfather. Looking for something of a keepsake, he visits the antique dealer (Tory Jeffery, The Autobiography of a Flea) and is given a bottle of cologne found in a desk. The cologne belongs to great Casanova and was used to scent his love letters. He applies some to his clothes and this leads to the first of many sexual encounters, this time being with the cleaner of the motel he is staying at. Once getting dirty with cleaner, he visits his family while he's in town. Unfortunately (or fortunately, depending on your preference) the effect of the cologne rubs off on them, leading John to literally rub off on them. Yes, even his underage cousins fall foul to magic of this scent. John is telling his story to his therapist, Dr. Sharpe (Susan Silver, Casanova 2). Initially skeptical of John's story, she gives the cologne a whiff and well, we all know how this story (and in this case, the actual film) ends.

  Starting off very promising with a good sense of scope and seeming to have an actual budget thanks to costume design (always had a thing for women's costumes from this period, classical music and location photography which admittedly, is mainly thanks to footage lifted from Bud Yorkin's Start the Revolution Without Me. Yeah, Donald Sutherland (Don't Look Now) is clearly seen within the film's opening sequence. Even with that, the films has a sense of “legitimacy”. Unfortunately, the film loses its charm when we cut to present day. Don't get me wrong, John Holmes is fantastic throughout. He plays the role of Casanova so well and is genuinely smooth and charismatic, even when he's partaking in Monty Python-cum-Benny Hill sword fights! It just becomes your typical Tobalina fodder. Don't worry, there's group scenes and once again, themes like underage sex and incest are dealt in an almost tongue in cheek fashion. Thankfully seeing the likes of Jane Goodman (unfortunately her only role) and Sandy Pinney (The Pony Girls) soften the blow. All in all, this is a much more classy affair from Tobalina. The king of missed opportunities strikes again.

-----------------------

CASANOVA 2
(1982, dir: Carlos Tobalina)

  After a recap of Casanova's exploits, we find our smooth talker talking on three aggressors with his sword (ha!). After they are defeated, he discovers one is a woman (Cathy Linger in her only role). Seeing that she is still alive, he takes her to the nearest house and demands a doctor. With the outlook for the fallen swordswoman bleak, there seems to be a silver lining; the woman who fetched the doctor is named Myra (Bridgette Felina also in her only role unfortunately), who at 16 was deflowered by none other than Casanova. The pair reminisce and the swordswoman in her potentially final hours wants to be impaled once again. After this weird little threesome we are told that the swordswoman birthed Casanova’s son, Don Juan (Bjorn Beck, another one hit wonder). Fast forward to Don Juan on his own journey showing off his sword skills (in both senses, just like daddy!). He finds himself sorting out some family problems for Count de Léon (Rick Ardon, Sadie) and his wife Isabella (Jessie St. James, Vista Valley PTA). After that we fast forward to where the first film finished. John is now in a relationship with Dr. Sharpe and they decide to commercialise the cologne, which has some rather surprising effects changing John's life forever!

  Although mainly comprised of recycled and unused footage from the first film, the sequel is actually an improvement. It's nothing amazing and still has that purely for the money Tobalina feel, but the film just works better. The film takes an interesting turn and even though there is A LOT of what you could assume is previously existing and unrelated sex in the latter third, it makes sense. If Tobalina is one thing, he is shrewd. One cannot fault him that regard. Once again, John Holmes steals the show, but it's nice to see the likes of Kay Parker (Taboo) and Bill Margold (Dracula Sucks) make a brief appearance. Once again, there's a sense of scale and shows the creative potential of Tobalina. It was also surprising to see just how many cast members had only this as their credit. There is some real talent on show throughout and a lot potential big names in the making. Maybe just like Tobalina, they were looking for a quick pay-check. Overall, not a bad effort at all and one of Tobalina's better productions which surprises me because knowing of Tobalina's work and the fact that this is a sequel five years after the original, it could have been a complete mess.

Overall, this isn't a bad pairing of films. Sure, they reek of the aspects of Tobalina that most can't stand, but this is when cutting corners and uses cheap tactics works for me. It's done well and reminds me of one of my favourite directors; Bruno Mattei. The biggest thing for me is the way the films are structured. If you were to take all the period elements of both films and edit them in to a cohesive story, you'd have a genuinely good period adult feature. You could then take all the present day story and have that edited together into a cohesive sequel. I think the films would work much better in that regard. That being said, I could happily watch this double feature again. Vinegar Syndrome have once again done a nice job on restoration and presentation. Sure, it isn't perfect, but it's much better than what some would say Tobalina deserves. In terms of extra features, you get trailers for both films. If you have become disheartened with Tobalina or have yet to experience his work, I would highly recommend this release.

The New Erotic Adventures of Casanova and Casanova 2 are available on DVD from Vinegar Syndrome or online to stream at Exploitation.tvPDx

Vinegar Syndrome Peekarama Review: Anticipation (1981) / Flesh Pond (1982)

ANTICIPATION
(1981, dir: Carlos Tobalina)

“Beyond Temptation...”

  Joyce (Sheila Parks, Casanova II) and Jerry (Jesse Adams, Deep Rub) are newlyweds who, after some mind numbingly awkward conversation, make love for the first time. After breaking in the cheap motel bed (how romantic!), the pair talk about Jerry's brother Steve (Joey Silvera, Carnal Haven), who apparently had problems with his parents when he announced that he was marrying a girl with a reputation by the name of Wendy (Karo Akamoto in her only role). We also find out that he is set to be released from prison for accidentally killing (or so he thought, just watch, it makes sense) the lover of his cheating wife. Once released, the brothers are reunited and introduced to their new sisters-in-law. Whilst on a trip to what looks like the coldest beach ever, Joyce and Steve begin to have forbidden thoughts for each other. Actually, so does Jerry and Wendy! After some awkwardly narrated daydreaming from everyone involved, Jerry and Steve confide in each other and their mother that they love other women. Before they can act on it, they get invited to Serena's party (seemingly playing herself, Pleasure Palace). Will their secrets be revealed? It's sure going to get messy!

  I'm just going to say it. This is possibly one of the dullest Tobalina flicks I have watched to date. The concept is great and has so much potential, but Lawrence Lance's (thankfully his only writing credit) handling of the script is uninspired and clearly rushed. To say it's paper thin is an offence to the trees that were sacrificed in order to make the napkin this tripe was written on. I won't even comment on how iff target the humour is. The only real entertainment to be had with Anticipation is the slightly worse than usual acting throughout. Not even Joey Silvera, a performer who can act, seems to be giving his all. There's some fairly standard sex throughout and yes, there's the usual orgy which goes on for way too long. There are actual instant replays in the final sex scenes that add an odd charm to the film. Look out for some very awkward, bordering on incest action at the end of the film. The only genuine quality the film has is the music selection which I believe is comprised of original music by Jay Rando (Interlude of Lust) and library tracks selected by Matt Webber (his only credited role). That being said, as much as I love great library music, not even the dirty funky bass lines can save this ultimately forgettable Tobalina quickie.

FLESH POND
(1982, dir: Carlos Tobalina)

“Consumed by pools of passion...”

Paco (Hermon Tobalina in his only role) and his unnamed friend (Reggie Gunn, Lips) have just escaped from prison. They stumble upon a quint little brothel ran by a woman named Drea (Drea, Hot Buns) and decide to hold herself and her patrons hostage. Not only that, but they demand to be entertained whilst they work their next move. Festivities begin when Rita Ricardo (as herself, My Sinful Life) has some fun with her doll companion Johnny Rubber. After that kinky warm up, the action really begins with good old Tobalina fashioned group action, under the firm dictation of the increasingly frustrated Paco. Things are going great (I guess) until Paco's friend gets caught in the crossfire, if you know what I mean? After A LOT of group bonding, Paco is forced to tell of his story to the group thanks to the persistent interest of one of the patrons, a magazine publisher (William Margold, Dracula Sucks). The convicts claim that they have been framed, to the mixed reaction of their captive audience. What's in store for the potentially innocent escapees? Will everyone come out of this situation alive? You know what? It may not be worth it.

I said that Anticipation was one of Tobalina's dullest. Well, this one has just taken that crown. Yes, this was quite frankly awful. Just like Anticipation, there is so much room for creativity. How can you mess up a scenario like this so badly!? You may find this one very hard to keep up with, not because of the complexity of the story, far from it! Everyone looks bored in this production. For such a hostile situation, everyone seems completely indifferent. I won't lie, I had my finger on the fast forward button a lot. This is essentially one continuous group scene with some lazily added 'plot' sequences and recycling of footage. Yeah, this film is more than forgetful. If it wasn't for one or two creative pieces of cinematography from Tobalina himself, the unfortunate money shot and library music, this would have been potentially the worst piece of golden age action I have seen. To Tobalina's credit though, he knows how to sell a film and is quite frugal overall. I bet he made his money back easily on this one, shame it's such a piece of crap.

This is probably the weakest Vinegar Syndrome release I have reviewed so far. I have a love / hate relationship with the films of Carlos Tobalina and these two films perfectly demonstrate why I can hate his work. It's such a shame because these are great initial premises and there are versatile themes throughout. It's just so uninspired in terms of execution. There's only really enjoyment for those looking for unintended laughs, but that's no real saving grace. Vinegar Syndrome are my favourite distribution company. Even though I found the films genuinely awful, I have no negative words to say about Vinegar Syndrome at all in terms of this release. They have dedicated a lot of time and resources releasing the filmography of Carlos Tobalina. Not every film can be a classic, it just appears that by chance, two of his weakest appear here. In terms of presentation, it's another great job with only minor defects. It doesn't help that these films were shot so badly. In terms of extras, we get theatrical trailers for both films. That I definitely approve of! Overall, this release is only really for completests and hardcore fans of Carlos Tobalina. If you're not too familiar with Tobalina's work, give this one a pass for now.

Anticipation and Flesh Pond are available as a double feature DVD from Vinegar Syndrome.

PDx

Vinegar Syndrome Peekarama Review: Fast Cars Fast Women (1981) / Starship Eros (1979)

FAST CARS FAST WOMEN
(1981, dir: Scott McHaley)

“With Every Lap She Will Shift Your Gears!!!”

Our film opens up with a cute little blonde named Kristy, played by Sylvia Benedict (The Bitch Goddess), getting pulled over by a cop. Even though she is more than willing to 'cooperate' with the officer, she still gets the ticket! No need to worry though, she's on her way straight away because she has an appointment with the feisty Molly, head of the Davis Racing Team, played by Kay Parker (Sexworld). Before that however, she has some catching up with her old room-mate Casey, played by Carolyn Jackson (Anytime Anyplace). I think you know what I mean by 'catching up'. As they are busy being reacquainted, we meet Molly's rival. He's a sleazy piece of work named Orson, played by Al Chiurrizi (in his only starring role). His second in command is Dutch, played by Ron Jeremy (Orgazmo). He too is a sleazy piece of shit, but with added moustache! Dutch wants to buy Molly out, but she is one tough cookie. So much so, that even the blatant tampering of her cars (which lead to a fatality) won't make her succumb to his harassment. That's one hell of a woman right there! Anyway, once Kristy has met with Molly and has been warned about the potential dangers, she's on the team straight away and ready for action. Before we get to see any racing action, there's a hell of a lot 'team bonding'. Enough to make even the likes of Bernie Eccleston blush! Once we do get to the tracks, Kristy sure shows us that she knows her way around a gear stick. Will her new career take off? Will she be Dutch's next victim? Can she be bought!? Well, you're going to have to buckle yourself in and find out for yourself!

Fast Cars Fast Women is a very enjoyable piece of film. There's a great story there that has depth and is somewhat original. The acting isn't the greatest, but the likes of Ron Jeremy and Kay Parker more than make up for that. The female cast throughout (PATRIARCHY WARNING!) are very pleasing on the eye, but not only that, they are all strong characters. The racing action is well done, but is taken down a gear compared to the 'off road' action. Speaking of which, the hardcore elements of this entry are all solid and if you like a bit of lady love, there's enough here to shake a stick at. It's always a good thing seeing Kay Parker on screen! Aesthetically, this film is very competent. There's a great use of an actual racetrack and some of the cars on display are just as nice to look at as the female cast. It's shot well and stock footage is incorporated somewhat seamlessly, we are nowhere near Mattei territory in that regard! For those looking for some good laughs, there's some really spot on humour throughout. There's even a nice amount of fighting in the film. It's clear this was directed by a stuntman! All in all a solid effort that has something for everyone!

STARSHIP EROS
(1979, dir: Scott McHaley)
“A probing of sensual space...”

We are thrown in to the future. 1995 to be exact! We join the all female crew of the Feminist Regime Starship Eros headed by big haired Commander Venus, played by Lily Rogers (Indecent Exposure). Her crew consist of the cute and sex starved newcomer, Executive Officer Moon, played by Becky Savage (Sexloose), the nearly as cute Communications Officer Bev, played by Beth Evans (in her only starring role) and their part human / part not quite C-3PO robot assistant Quasar, played by Mike Ranger (Taboo). The new Executive Officer makes quite an 'impression' on her new colleagues. Even good ol' Quasar gets to experience her credentials hands on, even if there are the occasional wiring problems (robots can suffer too!). After the usual greetings, the team embark on their Search and Destroy mission, involving a ship piloted by raging lesbian Amazoids! Even with such an important mission ahead of her, Moon can't help but make the most of her new robotic companion, so much so that this leads to a punishment (I think) at the hands of Commander Venus. It makes Princess Lea's enslavement look like child's play... Ok, maybe not! After her punishment, the crew manage to track the damaged (oh, there was an uneventful dogfight by the way) Amazoid ship to a nearby planet. Before the crew of Starship Eros have chance to land, they manage to beam up Megan, the Amazoid captain from the ship before it explodes. Naturally, they interrogate her and show her what a man is like (poor Quasar, you'll know when you see Megan!). Yep, more 'torture' ensues! Oh well, at least Quasar's wiring problem gets sorted out and hey! Megan becomes a new member of the crew! Not even Star Trek showed us this much unity!

All in all, Starship Eros is an entertaining piece of hardcore sci-fi that is blatantly (some may say poorly) cashing in on the Star Wars and Star Trek boom of the time. McHaley has written and directed a fairly solid, if not obscenely simple story that plays second fiddle to the hardcore elements directed by producer Wesley Emmerson (Foreplay). That being said, it's clear that the story wasn't just thumbed in after hard scenes were shot. The sex, although seemingly dominating the runtime, work well within the film and are done to a high standard. If you have ever wanted to see a glorified C-3PO halloween costume getting down, you're gonna get a laugh from the scenes he stars in. Personally, I could have done with more Quasar, but oh well. Arguably the stars of the show are actually the special effects and miniatures created by McHaley and K.M. Kemper. Although crude and nowhere near as good as what we would see from the likes of Star Trek and Star Wars, they do add a level of scope to the film and add production value. The aesthetic elements of the film as a whole are impressive and are captured nicely by Pablo Lepell's (Weekend Fantasies) cinematography. All of the charm can be found within those elements. The score (I'm guessing a collection of library tracks) is the icing on the cake. As far as low budget (the film was shot within a few days in a basement) hardcore sci-fi goes, this is an enjoyable and competent enough effort. Not bad for a directorial debut from a stuntman!

Overall, both films are presented wonderfully. Aside from a few dips in picture and sound quality at times, there's nothing to complain about Vinegar Syndrome's 2k restoration. Both films are stylish in their own ways and the retoration really shows how nice these relatively low budget efforts are. Once again, for a stuntman, these are two interesting and entertaining films. In terms of special features you get the trailer and additional softcore scenes for Fast Cars Fast Women and a brief audio introduction for Starship Eros from producer Wesley Emmerson. This is definitely a unique release that showcases two films from a director whose career behind the camera was short. From both a historical and entertainment standpoint, this is a really solid release!


The DVD double feature is available from Vinegar Syndrome here, as well as your favourite online retailers.

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Vinegar Syndrome Reekarama Review: Come Under my Spell (1979) / Lady Dynamite (1979)

COME UNDER MY SPELL

(dir: Carlos Tobalina, 1979)

“The film that will bring you up to a joy you're paying for!”

  The film opens up in hip and swinging San Fransisco and instantly we are introduced to some heavy student action. Before the memories of university life get the better of me (yeah right!), we are introduced Fernando, played by Fernando Fortes (I Am Always Ready). Fernando is a foreign exchange student who really, really like animals! Unfortunately for him, he hasn't had any human action since arriving in America. Thankfully, his friend Dave, played by Blair Harris (Teeny Buns) is on hand to try and rectify that. He sets Fernando up with a threesome, but it doesn't go to plan. Being the good friend that he is, Dave decides to cheer him up by buying a cheap copy of a sexual hypnotism book. After studying hard through the power of montage, Fernando embarks on his sexual adventure one woman at a time. He even gets to see some lesbian action! To show his gratitude, he allows Dave to join in from time to time, even if it can get messy (don't worry, you'll see!). The pair even take their creepy new trick to Dave's family at a wedding. How far will they go? How many notches will Fernando and Dave rack up? Will it get in between their friendship? You're either going to have to watch for yourself or find your own hypnotism book!

  Come Under My Spell is as innocent of a film about unwilling sex as can be I guess? The film is played as a slapstick comedy that I'm sure all the feminists and social justice warriors will adore! I found the comedy to be hit and miss. You will laugh more at the clumsy dialogue, especially when it's being delivered by Fernando. Aside from having a few memorable moments, the film does suffer from the occasional dull patch. In terms of the sex, it does deliver. That being said, you will be unintentionally balling (no pun intended) at the sight of little Fernando in nothing but his socks and his arse bouncing around, he's clearly having major fun! I often sigh at Tobalina's extended use of the orgy scene, but thankfully the one (yes, only one!) in this film is much more tolerable than usuals. Thinking about the film in terms of its rather disturbing subject matter and themes makes me chuckle (I do enjoy misguided comedy!). Overall, it's a straightforward film with a fairly solid and paced story with the added bonus of having the likes of Connie Peterson (Chopstix), Liza Dwyer (Over Easy) and Vicky Zederquist (in her only credited role) on screen. It also should be noted that the final third of the film is genuinely great.

LADY DYNAMITE

(dir: Carlos Tobalina, 1979)

“Ready to please!”

 

Colleen Brennan (Supervixens) stars as Valerie, a loyal housewife of 10 years who has just found out from her doctor (Tobalina in an uncredited cameo) that she has contracted the clap thanks to her unfaithful husband. She decides that enough is enough and once cleared up, she begins a deep and personal sexual journey. Her first stop is a wealthy executive played by Blair Harris. He has wanted her for many years and luckily for him, it's all hands on deck on his boat. After a lot of hardcore nautical action, Valerie has a party to attend, a girls only party to be exact. All the girls hit it off straight away and they proceed to get to know each other better and deeper. After some serious ice breaking, the entertainment for the evening arrives in the form of hairy manly exotic dancers. One of which instantly (and disturbingly) reminds me of 80's era Alan Parsons (yuck!). After some seriously dope dance moves, it's orgy time with some added 80's sounding synth beats thrown in for good measure! After the party, Valerie's sexual journey comes to an end and she finds herself back at home with her grovelling husband. Is this her return or the final goodbye?

 
If Lifetime or Hallmark did pornography, this is what it would look like. A very simple melodrama about a woman's personal journey after having her life ruined by someone she loves. What Valerie lacks in logic (remedying Gonorrhoea and a cheating husband by sleeping with multiple partners is completely rational) she makes up for in sass and sex appeal. That is of course thanks to Brennan's performance. Even surrounded by good looking co-stars (I'm talking about the party scene before Alan Parsons cock blocked me!), she is centre of attention. All in all, it's a well acted film with some equally well performed sex scenes (once again, Brennan shines above all!). That being said, some set pieces do tend to drag. The film is re-watchable, if only for the cheesy charm of the music, style and of course Brennan. Fans of Brennan definitely need to pick this one up. Just make sure to use precaution!

Lady Dynamite could be considered the 'better' film of the two, but Come Under My Spell was more enjoyable (albeit unintentionally) for me. Both films do have their moments and it's a better pairing of Carlos Tobalina films compared to some of the previous releases I have covered. Both films have been restored and presented wonderfully. There may be a few visual and audio niggles here and there, but it doesn't detract from Vinegar Syndrome's good work. Each film comes with a trailer, which is always a bonus. Overall, this is a solid release. They may not be Tobalina's most entertaining efforts, but they are far from his dullest. A great introduction to his work as well as an essential release for those completing their Tobalina collection.

Come Under My Spell and Lady Dynamite double feature are available directly from Vinegar Syndrome here as well as most of your favourite online retailers.

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6 Schwedinnen hinter Gittern (1980, dir: Ann Perry) Illusions UNLTD Blu-Ray Review

 Candide Royalle (Ultra Flesh) stars as Lolita Wanamaker, a young and attractive woman recently sentenced to a few years in prison. She immediately makes a good first impression. Neither the prison guards or her fellow inmates can't take their hands off her. The inmates are a close-knit group who go by the name of 'The Beavers'. When they aren't getting it on with each other, they're having their own fun with the prison staff. Seems like it's more of a holiday camp than a prison right? Wrong! You see, the girls have to live in squalid conditions and they've had enough! They do what all disgruntled prisoners usually do and sign a petition? Unfortunately for them, Warden Blowhard, played by Ian McGregor (Undercovers) is a tight-fisted and selfish chap. When he isn't being an arrogant prick, he's getting some extra service off his lovely secretary Miss Cole, played by Lisa De Leeuw (Center Spread Girls). After having a small riot, the inmates get a chance to have their voices heard properly, by having a baseball match with the prison guards who call themselves 'The Dicks'. Will the girls get their own way? Will the warden have a change of heart? You'll have to find out for yourself!

Overall, 6 Schwedinnen hinter Gittern (known to most as Ballgame) is light-hearted Women in Prison flick with a simple premise. Aside from some of the talent on show, this is a pretty uneventful film. The comedy is hokey and feels dated for even for when the film was produced. The likes of Candid Royalle, Herschel Savage (Debbie Does Dallas) and Tawny Pearl (Taboo) are really the only memorable aspects of the film. Not even the sex really held my interest. That being said, this film does have quite possibly the hottest training montage sequences I have seen in a long time (combining squat exercises with face sitting is something I want to see more!). I do also have to give props to the selection of library music used throughout. There are some fun and genuinely great songs for those who like that sort of thing (I certainly do!). Yeah, in terms of a Women in Prison film, it doesn't really deliver. As a piece of pornography, it's pretty hit and miss. Aside from the typical lesbian scenes, you may find yourself fast forwarding a few times. The film could have been trimmed down about 10 minutes to make it a 60 minute feature. Some may appreciate the film more than I did and I certainly know a lot of people who will love this.

Unfortunately, the Blu-ray transfer isn't fantastic. The picture is quite grainy and doesn't actually look like it's a Blu-Ray you are watching. To go with that, the English language track (the version I watched) is very muddy in places and a buzzing sound can be heard quite a lot throughout. That being said, the film also comes with a much superior German language track and English subtitles so that's not a problem. This is however a much better presentation than the Caballero disc so get rid of that one and buy this if you want to see this film. In terms of special features you get a trailer for the film, a photo gallery and a selection of other trailers (some great viewing there). Overall, it's a pretty standard release, but definitely worth looking in to if you are a fan of the genre. Just take in to account that you may be better off buying the DVD version of the film. Either way, hats off to Illusions UNTLD for presenting this film in an affordable way.

6 Schwedinnen hinter Gittern is available on DVD and Blu-Ray from Illusions UNLTD.

Vinegar Syndrome Review: Hot & Saucy Pizza Girls (1978, dir: Bob Chinn)

HOT & SAUCY PIZZA GIRLS

(dir: Bob Chinn, 1978)

“We Deliver!!!”

 

We all love pizza right? Sometimes there's nothing better than kicking back on a lazy weekend evening, sinking some beers and ordering from your nearest pizza joint. Sometimes the service can be quite lousy, but every now and then they go above and beyond to deliver customer satisfaction. Thankfully, John over at Country Girl Pizza does exactly just that. John, played by John Holmes (ERUPTION, JOHNNY WADD) not only provides you with inches of pleasure (the puns in the film are worse), but also uses his pizza parlour as a front for his escort service. Yep, it's service with a smile and happy ending if you're willing to tip! His hot pant and rollerblading clad staff include Gina, Shakey, Celeste and bubbly newcomer Ann Chovy (get it?) played by Candida Royalle (JUNGLE BLUE, MASTERPIECE), Laurien Dominique (DOING IT!, CALENDER GIRL), Christine De Shaffer (BLACK LOLITA, EAGER BEAVER) and Desiree Cousteau (PRETTY PEACHES, HOT RACKETS) respectively. Business is going great for John, but it's all put in jeopardy thanks to a creepy trench coat wearing inspector played by John Seeman (NIGHT PLEASURES, FANTASY IN BLUE) who is hot on the case of the illegal operation. To make matters worse, Berkeley is a fried chicken kinda city so a couple of big boys in the fast food business aren't happy and enlist the help of the infamous Night Chicken to send a message to John and his girls. Yep, the cards aren't exactly in John's favour. Will he and his band of scantily clad cuties overcome the fuzz and the infamous chicken rapist? Or will his hopes and dreams be burnt to a crisp?

  Hot & Saucy Pizza Girls is a thoroughly enjoyable piece of adult comedy. The film never takes itself too seriously and is light hearted. Sure, the comedy is low brow and there are plenty of puns, but I did find myself genuinely laughing and smiling at the humour. The story is solid with a few absurd twists and turns that work. Sometimes, the action in films like this can get in the way, but as with a lot of Chinn's work, the actual sex aspect plays in to the actual story as opposed to being a story shoe horned in between sex. Speaking of which, the action is of high quality and never overly long. As much as I love classic adult cinema, I do tend to get bored when scenes linger on too long. Thankfully, Chinn knows how to craft an actual film. The performances are good, Cousteau plays naive and bubbly perfectly, some may say that it's a bit too campy or hammy, but for the film it works perfectly. The talent on display is very pleasing on the eye indeed, but Costeau unsurprisingly steals the show. Seeing her go on and on whilst she's tending to a customer is a fun highlight. Another aspect I enjoy is this is more than just a film shot in the same place just dressed differently for each scene, Chinn utilises a genuine looking pizza place and the locations are dressed like actual domestic locations.

  Overall, the film is yet another solid effort from Bob Chinn. The film has a lot to offer and does exactly what it sets out to do, entertain and titillate. Everyone involved puts in a great effort and I would say the film is a legitimate comedy. I could definitely see this working as an R-rated film as well as a piece of porn (not too sure if there was a softer version available). It may not be for everyone, but if you want a light hearted effort, this is definitely a film you should seek out. If you are a newcomer to the genre or Chinn's work, this is a great starting point. There's a genuine sense of art to it. You also get the likes of John Holmes and Desiree Cousteau, which can never be a bad thing! This is one of those rare occasions were I see myself watching this film again multiple times in the future.

Once again, Vinegar Syndrome has done a great job with this release. The film is presented in 1.85:1 and has been restored for the first time completely uncut on DVD. The film looks and sounds great and compliments the high quality of the original production. In terms of extras we also get the theatrical trailer and a rather insightful and entertaining interview with Damon Christian (RHINESTONE COWGIRLS, BUBBLE GUM), the executive producer of the film. All in all, it's another win from Vinegar Syndrome. Go buy it now, maybe even order yourself a pizza! Luckily there is Thai massage parlour and pizza joint nearby, maybe I can experience Hot & Saucy Pizza Girls for myself? Wait! What!?

Hot & Saucy Pizza Girls is available directly from Vinegar Syndrome here as well as your favourite online retailers.

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Vinegar Syndrome Peekarama Review: Sexual Heights (1981) / Undulations (1981)

SEXUAL HEIGHTS

(dir: Carlos Tobalina, 1981)

“Unparallelled peaks of passion...”

  Got a little fact for you all before we start. Did you know that there are more divorced men living in San Fransisco than anywhere else in the world? No? Well neither did I until watching this film. A few minutes in and we're learning something already! Anyway, we meet our main characters, a group of divorced buddies who live together. We have Joe the architect, played by Herschel Savage (JAIL BAIT, FLESHDANCE), Ron the doctor, played by Jamie Gillis (WATERPOWER, DRACULA SUCKS), Jim the Lawyer, played by Jesse Adams (MOB JOB, ULTRAFLESH) and Art the engineer, played by Michael Morrison (PURELY PHYSICAL, CORRUPTION). After watching some porn, Joe tells them the story of how he came to be divorced. It's all down to his pesky dick teasing babysitter Laurie, played by Tawny Pearl (BALLGAME, LUSTY LADIES). After talking about he nearly raped the poor thing, they come up with the plan to get revenge and let Joe have some more fun. They decide to dress up, get alcohol and lace cigarettes with some good old weed. John Holmes (PRISONER OF PARADISE, JOHNNY WADD) wants in, but Ron says she may be a bit scared by his 'presence'. Poor John, he's very understanding though and goes home to get down and dirty with Mai Lin (CRACKED ICE, ORIENTAL MADAM), so it's not all bad. With the gang suited and booted, including Joe in drag, they call Laurie, she arrives and takes advantage of the hospitality. Under the influence and watching the free porn available, she decides to play and yeah, you can see this how this will end. Well, there's a couple of nice surprises (for some) along the way!

  Well ladies and gentlemen we have quite a cast here! Jamie Gillis, Herschel Savage and John Holmes. Even the wonderful Serena (BLACK LOLITA, AUNT PEG) gets a major credit. Well, I say John Holmes and Serena have a major credit, they're hardly in it! Holmes is involved in a couple of unrelated sequences and has a few lines with Gillis. Serena only appears in a girl on girl video the divorcees decide to watch (it is a lovely scene though!). Oh well, easy pay-check and it's more names to sell the film I guess? That small complaint aside, Sexual Heights is a fun watch and not just for Savage's ludicrously giant spectacles! It's an absurd story that involves an absurd plan and it's done with a purposefully slapstick tone. Seeing Herschel Savage in drag is worth admission alone. The fact that Laurie doesn't realise who's involved is humorous. Everyone puts in a great performance, I just wish John Holmes was more predominant. I will admit that towards the end, the film was beginning to drag (there's a Tobalina staple involved, you may know my thoughts on that). All in all, this is a nice and silly title that doesn't take itself too seriously. That being said, there are a couple of genuinely sinister scenes from Gillis (no surprises there) and Savage that put the icing on the cake. Not the best effort, but far from a dull entry in to Tobalina's filmography.
UNDULATIONS

(dir: Anthony Spinelli, 1981)

“The ultimate trip around the world... In motion...!”

John Holmes and Jamie Gillis return, but this time they playing themselves as guests with president of the International Male Watchers' Society, Maggie Miller, played by Kitty Shane (CHAIN LETTER, TANGERINE) on the late night talk show Undulations. The hosts are Mai Lin (also returning as herself) and Georgia Drugg, played by Suzannah French (BLAZING ZIPPERS, SKIN ON SKIN). The group discuss a whole manner of subjects from male prostitutes, women taking advantage of men when it comes to landing that all important and gay rights amongst other things. John and Jamie talk also talk about (in an actually sincere and honest sounding way) their approaches to what they do best. Each subject discussed is illustrated with a vignette including something that art lovers wish would happen to them when they find a piece that is a bit out of their price range. All of this climaxes in to, yes you guessed it... A signature Tobalina group session!

Yep, this is a simple film. It's as straightforward as Jamie's hardened pecker. A novel concept, that some may enjoy more than others. As always Holmes and Gillis put in a great performance, the female cast not so much. That being said, there's nothing too jarring about their performances so it never becomes an issue. On a purely trivial note, damn is John Holmes a flashy dresser. I need to get me a goddamn red turtleneck immediately! Overall, I did enjoy this effort too. The vignettes are also well acted and don't really outstay their welcome. The action is good and varied, especially seeing the Holmes / Gillis double team! I liked some of the 'social' aspects too. I'm not too sure if it was completely intentional, but it does cover some great civil issues and also tackles gender politics. Don't worry, you're not getting bogged down with pseudo-intellectual bullshit with this. Out of the two, this is the weaker of the films, but nothing awful and it does have replay value.

Overall, these are above average films from Carlos Tobalina. Sure, he uses the kaleidoscope effect a lot throughout and even uses the end credits of Sexual Heights for Undulations which gives it an unintentional charm. I'm guessing both films were produced back to back here. In terms of picture and sound quality, another stand up job from Vinegar Syndrome. I'm not too sure what sort of home release these titles have had in the past, but damn do they look and sound wonderful. I've said in the past that sometimes the pairings on these Peekarama releases can be pretty weak, but this is a fairly solid double feature, I can see why they';re released together. All in all, this is definitely worth your time and hey, getting to see Holmes and Gillis on home format is always a great thing! Wow, I seem to mention the male cast in classic porn a lot.... oh well!

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