Vinegar Syndrome Review: Frightmare (1981, dir: Norman Thaddeus Vane)

FRIGHTMARE
(a.k.a THE HORROR STAR, BODY SNATCHERS)

(1981, Norman Thaddeus Vane)

“There was Bela Lugosi, Boris Karloff, Lon Chaney, and Conrad Ragzoff! They were all stars who lived and died. But only one returned...”

  Fandom  takes on a whole new meaning when a group of film loving college students decide to pay the ultimate respects to their favourite horror icon, the recently deceased Conrad Radzoff (Ferdy Mayne, Barry Lyndon). How do they do this? Hold a memorial? Have a Radzoff horror marathon? Nope, they decide to steal his freshly buried body and give hime the ultimate farewell house party back in their mansion! Like most cases however, this is one of those instances were one of your heroes is actually an arsehole (Cough-Tom Savini-Cough!). You see, Radzoff had an often fatal temper. Not even a cameo from Leon Askin (The Robe) is safe! To make matters infinitely worse for our group of corpse stealing cinephiles, Mayne decides to carry on his bloody streak from beyond the grave. One by one, the students learn a valuable lesson; let sleeping corpses lie (see what I did there?, especially if they happen to be a bloodthirsty prima-donna!

  Frightmare is a somewhat unique experience. A supernatural slasher that although rather straight-faced, is still fun and doesn't take itself too seriously. That being said, in between Radzoff dying and him picking off the students, the film does plod a little. It's still a very solidly directed and written film however. There's some solid cinematography that utilises light perfectly from Joel King (The Mighty Ducks) and an atmospheric score from Jerry Mosely (Blood Tide) who should have gone on to do greater things as the score seems to take reference and pay homage to many horror film scores of yesteryear, as well as being contemporary with some fantastic synth work. All in all, aesthetically the film ticks all the boxes. The deaths, although not too graphic are staged and executed solidly thanks to the work of Jill Rockow (Pirates of the Caribbean) and Chuck E. Stewart (Con Air). The star of the show is of course Ferdy Mayne. Sure, he can be campy as hell in his performance, but it works perfectly within the context of the film. A role intended for Christopher Lee (Dracula: Prince of Darkness), Mayne fills the boots perfectly and even though we see clips of young Ragzoff, it takes a minute to realise it's actually footage of a young Christopher Lee. Although a despicable character, it's so satisfying to see him kill the group of unlikeable students. This isn't because of bad writing, it's because they are complete douchebags. Within the group of students we have performances from a young Jeffrey Combs (Re-Animator) and Luca Bercovici (Drop Zone). The film is really well cast and everyone puts in a great performance, no matter how significant their role is.

  If you're a fan of horror cinema that deals with horror cinema, this is a film you must watch. Thanks to film historian David Del Valle, the film itself is littered with actual props and memorabilia. From the poster of Lucio Fulci's Zombie Flesh Eaters to the decapitated head of Frank Zito from Maniac. There is so much to ingest in that regard. Not only that, but there are typical horror tropes and references throughout for the seasoned horror fans out there to discover. All in all, I enjoyed Frightmare more than expected. Sure, it won't change your perception of the slasher genre, but it has enough there to warrant repeat viewings. In terms of the release, I can't say I've seen the previous Troma release, but from my research, Vinegar Syndrome have done a great job upgrading this film in both a visual and audible sense. Don't get me wrong, it's not Vinegar Syndrome's greatest effort, but it's still a lot more than most labels would do. On the disc we have two commentary tracks; one from The Hysteria Continues and one from David Del Valle and David DeCoteau. There's an archival audio interview from Vane himself prior to his death, an interview with cinematographer Joel King, original theatrical trailer and reversible artwork showcasing The Horror Star artwork. It's a great release for both fans and newcomers.

Frightmare is available as a DVD & Blu-ray combo from Vinegar Syndrome and available to stream on Exploitation.tv

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Vinegar Syndrome Peekarama Review: Anticipation (1981) / Flesh Pond (1982)

ANTICIPATION
(1981, dir: Carlos Tobalina)

“Beyond Temptation...”

  Joyce (Sheila Parks, Casanova II) and Jerry (Jesse Adams, Deep Rub) are newlyweds who, after some mind numbingly awkward conversation, make love for the first time. After breaking in the cheap motel bed (how romantic!), the pair talk about Jerry's brother Steve (Joey Silvera, Carnal Haven), who apparently had problems with his parents when he announced that he was marrying a girl with a reputation by the name of Wendy (Karo Akamoto in her only role). We also find out that he is set to be released from prison for accidentally killing (or so he thought, just watch, it makes sense) the lover of his cheating wife. Once released, the brothers are reunited and introduced to their new sisters-in-law. Whilst on a trip to what looks like the coldest beach ever, Joyce and Steve begin to have forbidden thoughts for each other. Actually, so does Jerry and Wendy! After some awkwardly narrated daydreaming from everyone involved, Jerry and Steve confide in each other and their mother that they love other women. Before they can act on it, they get invited to Serena's party (seemingly playing herself, Pleasure Palace). Will their secrets be revealed? It's sure going to get messy!

  I'm just going to say it. This is possibly one of the dullest Tobalina flicks I have watched to date. The concept is great and has so much potential, but Lawrence Lance's (thankfully his only writing credit) handling of the script is uninspired and clearly rushed. To say it's paper thin is an offence to the trees that were sacrificed in order to make the napkin this tripe was written on. I won't even comment on how iff target the humour is. The only real entertainment to be had with Anticipation is the slightly worse than usual acting throughout. Not even Joey Silvera, a performer who can act, seems to be giving his all. There's some fairly standard sex throughout and yes, there's the usual orgy which goes on for way too long. There are actual instant replays in the final sex scenes that add an odd charm to the film. Look out for some very awkward, bordering on incest action at the end of the film. The only genuine quality the film has is the music selection which I believe is comprised of original music by Jay Rando (Interlude of Lust) and library tracks selected by Matt Webber (his only credited role). That being said, as much as I love great library music, not even the dirty funky bass lines can save this ultimately forgettable Tobalina quickie.

FLESH POND
(1982, dir: Carlos Tobalina)

“Consumed by pools of passion...”

Paco (Hermon Tobalina in his only role) and his unnamed friend (Reggie Gunn, Lips) have just escaped from prison. They stumble upon a quint little brothel ran by a woman named Drea (Drea, Hot Buns) and decide to hold herself and her patrons hostage. Not only that, but they demand to be entertained whilst they work their next move. Festivities begin when Rita Ricardo (as herself, My Sinful Life) has some fun with her doll companion Johnny Rubber. After that kinky warm up, the action really begins with good old Tobalina fashioned group action, under the firm dictation of the increasingly frustrated Paco. Things are going great (I guess) until Paco's friend gets caught in the crossfire, if you know what I mean? After A LOT of group bonding, Paco is forced to tell of his story to the group thanks to the persistent interest of one of the patrons, a magazine publisher (William Margold, Dracula Sucks). The convicts claim that they have been framed, to the mixed reaction of their captive audience. What's in store for the potentially innocent escapees? Will everyone come out of this situation alive? You know what? It may not be worth it.

I said that Anticipation was one of Tobalina's dullest. Well, this one has just taken that crown. Yes, this was quite frankly awful. Just like Anticipation, there is so much room for creativity. How can you mess up a scenario like this so badly!? You may find this one very hard to keep up with, not because of the complexity of the story, far from it! Everyone looks bored in this production. For such a hostile situation, everyone seems completely indifferent. I won't lie, I had my finger on the fast forward button a lot. This is essentially one continuous group scene with some lazily added 'plot' sequences and recycling of footage. Yeah, this film is more than forgetful. If it wasn't for one or two creative pieces of cinematography from Tobalina himself, the unfortunate money shot and library music, this would have been potentially the worst piece of golden age action I have seen. To Tobalina's credit though, he knows how to sell a film and is quite frugal overall. I bet he made his money back easily on this one, shame it's such a piece of crap.

This is probably the weakest Vinegar Syndrome release I have reviewed so far. I have a love / hate relationship with the films of Carlos Tobalina and these two films perfectly demonstrate why I can hate his work. It's such a shame because these are great initial premises and there are versatile themes throughout. It's just so uninspired in terms of execution. There's only really enjoyment for those looking for unintended laughs, but that's no real saving grace. Vinegar Syndrome are my favourite distribution company. Even though I found the films genuinely awful, I have no negative words to say about Vinegar Syndrome at all in terms of this release. They have dedicated a lot of time and resources releasing the filmography of Carlos Tobalina. Not every film can be a classic, it just appears that by chance, two of his weakest appear here. In terms of presentation, it's another great job with only minor defects. It doesn't help that these films were shot so badly. In terms of extras, we get theatrical trailers for both films. That I definitely approve of! Overall, this release is only really for completests and hardcore fans of Carlos Tobalina. If you're not too familiar with Tobalina's work, give this one a pass for now.

Anticipation and Flesh Pond are available as a double feature DVD from Vinegar Syndrome.

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Vinegar Syndrome Review: Madman (1981, dir: Joe Giannone)

MADMAN
(1981, dir: Joe Giannone)

“Deep in the woods, lurks a hideous evil... Don't even whisper his name!”

Regular readers will know that I am not a big fan of the slasher genre. A lot of the times, I am just bored to tears. I would much rather watch a giallo when it's at its most convoluted, than a 'classic' slasher. That being said, I'm a fair guy. I believe every film should be watched at least once before you offer your opinion. Thankfully, the lovely folks over at Vinegar Syndrome have been sending over many films that I have never heard of and films that I wouldn't usually check out. Last year they released the slasher classic, Graduation Day. I was pleasantly surprised by the film (Christopher George hamming it up always helps). Fast forward to today, they have recently released another cult classic from the slasher genre. That film is Madman from 1981, directed by Joe Giannone. This is a film I have seen pop up in discussions for years. Thanks to Vinegar Syndrome, I can finally see what all the fuss is about. I won't bore you with a retelling of the film because I'm guessing you will have already watched it. I will however, do a good old fashioned cut and paste job of the synopsis because I am a true professional:
“Years ago, Madman Marz violently murdered his family only to escape into the woods before his execution could be completed. Legend has it that anyone who calls his name above a whisper can summon him back to continue his bloody rampage. But teenage Richie, away at camp, doesn’t believe the old legend and calls his name. As night falls, strange things start happening at camp and soon Madman Marz is back, axe in hand, to finish the killing spree he started decades ago.”

Overall, I found Madman to be a very enjoyable film. The concept of an urban legend coming to life is simple, yet ingenious. Of course nowadays, it's a played out plot device. What Madman does that many films haven't managed to do for the most part, is create a mythology that actually has some weight to it. Madman Marz is a brute of a character that deserved to have a franchise just as much as Freddy, Jason or Leatherface. For the most part, it's your typical slasher film. That being said, one thing that is clearly evident is that Madman wasn't a film made out of purely cashing in on the slasher boom at the time, but a genuine passion project from all those involved. There is actual care and effort put in to what is essentially an independent horror film. Instead of a quickly shot and thoughtlessly staged effort, we have a stylish production lensed by James Lemmo (Ms.45). Although not brilliantly acted, the cast do a good job throughout, especially Frederick Neumann (Reversal of Fortune) as the camp leader and Madman Marz himself, Paul Ehlers (Ink & Steel). The film isn't as brutal as other slashers, but the kills are varied and bloody enough to satisfy the gore-hounds. One thing that stood out to me was the score which is brooding and electronic. It adds to the tension of the film. Speaking of which, Madman is full of tension and has a genuinely creepy atmospheric feel that helps the film stand out. This isn't just another schlocky slasher with a cheap gimmick and over the top gore. It's easy to see why Madman has a cult following. I've been more entertained by this film than I have by all of the bigger franchise efforts combined. It's not a perfect film and I'm not suddenly an advocate of the genre, but Madman is a competent enough effort that has charm. I was very pleasantly surprised, but then again, my expectations are always low for films like this. If you haven't seen the film before, give it a try.

In terms of picture and sound quality, the film is newly restored in 4k from the camera negative and I think have Vinegar Syndrome have once again done a stellar job. My only reference to previous releases of Madman are from screen-grabs, but boy this presentation wipes the floor with what was perviously available. A film like this shot entirely at night is always going to be a cause for concern when it comes to restoring, but fear not! The blacks are solid enough the colours are nice and crisp. Vinegar Syndrome have done one of their best restoration jobs here. The sound is also just as solid and helps lifts the synth score to another level. I'm only going off the DVD by the way, you're really in for a treat with the Blu-ray! You may want to sell off your old Anchor Bay DVD, but this release and use the change to buy some pizza and beers for a weekend screening! The best aspect of this release for me is the wealth of extra features. Naturally, you get the theatrical trailer, TV spots and vintage still gallery. There are also commentaries from The Hysteria Lives! As well as the producer, director and cast. Alongside the usual extras you get Victor Bonacore's feature length documentary The Legend Lives: 30 Years of Madman which includes a wealth of information and anecdotes. There's also featurette celebrating 35 years of Madman as well as new interviews with cast and crew, some conducted by the folks over at Deadpit Radio. To top if off, you also get a selection of songs inspired by the film which is the icing on the cake. Yep, this is as definitive of a release as you will get.

Overall, this is an essential release for both lovers of the film as well as those wanting to experience this cult classic for the first time. Like I said, I am no real fan of slashers, but I have to thank Vinegar Syndrome for making me experience and enjoy a film I wouldn't have rushed out to see any time soon. Go buy this release, but remember to breathe his name no louder than a whisper!

Madman is available as a DVD / Blu-Ray combo from Vinegar Syndrome.

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Vinegar Syndrome Peekarama Review: Fast Cars Fast Women (1981) / Starship Eros (1979)

FAST CARS FAST WOMEN
(1981, dir: Scott McHaley)

“With Every Lap She Will Shift Your Gears!!!”

Our film opens up with a cute little blonde named Kristy, played by Sylvia Benedict (The Bitch Goddess), getting pulled over by a cop. Even though she is more than willing to 'cooperate' with the officer, she still gets the ticket! No need to worry though, she's on her way straight away because she has an appointment with the feisty Molly, head of the Davis Racing Team, played by Kay Parker (Sexworld). Before that however, she has some catching up with her old room-mate Casey, played by Carolyn Jackson (Anytime Anyplace). I think you know what I mean by 'catching up'. As they are busy being reacquainted, we meet Molly's rival. He's a sleazy piece of work named Orson, played by Al Chiurrizi (in his only starring role). His second in command is Dutch, played by Ron Jeremy (Orgazmo). He too is a sleazy piece of shit, but with added moustache! Dutch wants to buy Molly out, but she is one tough cookie. So much so, that even the blatant tampering of her cars (which lead to a fatality) won't make her succumb to his harassment. That's one hell of a woman right there! Anyway, once Kristy has met with Molly and has been warned about the potential dangers, she's on the team straight away and ready for action. Before we get to see any racing action, there's a hell of a lot 'team bonding'. Enough to make even the likes of Bernie Eccleston blush! Once we do get to the tracks, Kristy sure shows us that she knows her way around a gear stick. Will her new career take off? Will she be Dutch's next victim? Can she be bought!? Well, you're going to have to buckle yourself in and find out for yourself!

Fast Cars Fast Women is a very enjoyable piece of film. There's a great story there that has depth and is somewhat original. The acting isn't the greatest, but the likes of Ron Jeremy and Kay Parker more than make up for that. The female cast throughout (PATRIARCHY WARNING!) are very pleasing on the eye, but not only that, they are all strong characters. The racing action is well done, but is taken down a gear compared to the 'off road' action. Speaking of which, the hardcore elements of this entry are all solid and if you like a bit of lady love, there's enough here to shake a stick at. It's always a good thing seeing Kay Parker on screen! Aesthetically, this film is very competent. There's a great use of an actual racetrack and some of the cars on display are just as nice to look at as the female cast. It's shot well and stock footage is incorporated somewhat seamlessly, we are nowhere near Mattei territory in that regard! For those looking for some good laughs, there's some really spot on humour throughout. There's even a nice amount of fighting in the film. It's clear this was directed by a stuntman! All in all a solid effort that has something for everyone!

STARSHIP EROS
(1979, dir: Scott McHaley)
“A probing of sensual space...”

We are thrown in to the future. 1995 to be exact! We join the all female crew of the Feminist Regime Starship Eros headed by big haired Commander Venus, played by Lily Rogers (Indecent Exposure). Her crew consist of the cute and sex starved newcomer, Executive Officer Moon, played by Becky Savage (Sexloose), the nearly as cute Communications Officer Bev, played by Beth Evans (in her only starring role) and their part human / part not quite C-3PO robot assistant Quasar, played by Mike Ranger (Taboo). The new Executive Officer makes quite an 'impression' on her new colleagues. Even good ol' Quasar gets to experience her credentials hands on, even if there are the occasional wiring problems (robots can suffer too!). After the usual greetings, the team embark on their Search and Destroy mission, involving a ship piloted by raging lesbian Amazoids! Even with such an important mission ahead of her, Moon can't help but make the most of her new robotic companion, so much so that this leads to a punishment (I think) at the hands of Commander Venus. It makes Princess Lea's enslavement look like child's play... Ok, maybe not! After her punishment, the crew manage to track the damaged (oh, there was an uneventful dogfight by the way) Amazoid ship to a nearby planet. Before the crew of Starship Eros have chance to land, they manage to beam up Megan, the Amazoid captain from the ship before it explodes. Naturally, they interrogate her and show her what a man is like (poor Quasar, you'll know when you see Megan!). Yep, more 'torture' ensues! Oh well, at least Quasar's wiring problem gets sorted out and hey! Megan becomes a new member of the crew! Not even Star Trek showed us this much unity!

All in all, Starship Eros is an entertaining piece of hardcore sci-fi that is blatantly (some may say poorly) cashing in on the Star Wars and Star Trek boom of the time. McHaley has written and directed a fairly solid, if not obscenely simple story that plays second fiddle to the hardcore elements directed by producer Wesley Emmerson (Foreplay). That being said, it's clear that the story wasn't just thumbed in after hard scenes were shot. The sex, although seemingly dominating the runtime, work well within the film and are done to a high standard. If you have ever wanted to see a glorified C-3PO halloween costume getting down, you're gonna get a laugh from the scenes he stars in. Personally, I could have done with more Quasar, but oh well. Arguably the stars of the show are actually the special effects and miniatures created by McHaley and K.M. Kemper. Although crude and nowhere near as good as what we would see from the likes of Star Trek and Star Wars, they do add a level of scope to the film and add production value. The aesthetic elements of the film as a whole are impressive and are captured nicely by Pablo Lepell's (Weekend Fantasies) cinematography. All of the charm can be found within those elements. The score (I'm guessing a collection of library tracks) is the icing on the cake. As far as low budget (the film was shot within a few days in a basement) hardcore sci-fi goes, this is an enjoyable and competent enough effort. Not bad for a directorial debut from a stuntman!

Overall, both films are presented wonderfully. Aside from a few dips in picture and sound quality at times, there's nothing to complain about Vinegar Syndrome's 2k restoration. Both films are stylish in their own ways and the retoration really shows how nice these relatively low budget efforts are. Once again, for a stuntman, these are two interesting and entertaining films. In terms of special features you get the trailer and additional softcore scenes for Fast Cars Fast Women and a brief audio introduction for Starship Eros from producer Wesley Emmerson. This is definitely a unique release that showcases two films from a director whose career behind the camera was short. From both a historical and entertainment standpoint, this is a really solid release!


The DVD double feature is available from Vinegar Syndrome here, as well as your favourite online retailers.

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Vinegar Syndrome Peekarama Review: Sexual Heights (1981) / Undulations (1981)

SEXUAL HEIGHTS

(dir: Carlos Tobalina, 1981)

“Unparallelled peaks of passion...”

  Got a little fact for you all before we start. Did you know that there are more divorced men living in San Fransisco than anywhere else in the world? No? Well neither did I until watching this film. A few minutes in and we're learning something already! Anyway, we meet our main characters, a group of divorced buddies who live together. We have Joe the architect, played by Herschel Savage (JAIL BAIT, FLESHDANCE), Ron the doctor, played by Jamie Gillis (WATERPOWER, DRACULA SUCKS), Jim the Lawyer, played by Jesse Adams (MOB JOB, ULTRAFLESH) and Art the engineer, played by Michael Morrison (PURELY PHYSICAL, CORRUPTION). After watching some porn, Joe tells them the story of how he came to be divorced. It's all down to his pesky dick teasing babysitter Laurie, played by Tawny Pearl (BALLGAME, LUSTY LADIES). After talking about he nearly raped the poor thing, they come up with the plan to get revenge and let Joe have some more fun. They decide to dress up, get alcohol and lace cigarettes with some good old weed. John Holmes (PRISONER OF PARADISE, JOHNNY WADD) wants in, but Ron says she may be a bit scared by his 'presence'. Poor John, he's very understanding though and goes home to get down and dirty with Mai Lin (CRACKED ICE, ORIENTAL MADAM), so it's not all bad. With the gang suited and booted, including Joe in drag, they call Laurie, she arrives and takes advantage of the hospitality. Under the influence and watching the free porn available, she decides to play and yeah, you can see this how this will end. Well, there's a couple of nice surprises (for some) along the way!

  Well ladies and gentlemen we have quite a cast here! Jamie Gillis, Herschel Savage and John Holmes. Even the wonderful Serena (BLACK LOLITA, AUNT PEG) gets a major credit. Well, I say John Holmes and Serena have a major credit, they're hardly in it! Holmes is involved in a couple of unrelated sequences and has a few lines with Gillis. Serena only appears in a girl on girl video the divorcees decide to watch (it is a lovely scene though!). Oh well, easy pay-check and it's more names to sell the film I guess? That small complaint aside, Sexual Heights is a fun watch and not just for Savage's ludicrously giant spectacles! It's an absurd story that involves an absurd plan and it's done with a purposefully slapstick tone. Seeing Herschel Savage in drag is worth admission alone. The fact that Laurie doesn't realise who's involved is humorous. Everyone puts in a great performance, I just wish John Holmes was more predominant. I will admit that towards the end, the film was beginning to drag (there's a Tobalina staple involved, you may know my thoughts on that). All in all, this is a nice and silly title that doesn't take itself too seriously. That being said, there are a couple of genuinely sinister scenes from Gillis (no surprises there) and Savage that put the icing on the cake. Not the best effort, but far from a dull entry in to Tobalina's filmography.
UNDULATIONS

(dir: Anthony Spinelli, 1981)

“The ultimate trip around the world... In motion...!”

John Holmes and Jamie Gillis return, but this time they playing themselves as guests with president of the International Male Watchers' Society, Maggie Miller, played by Kitty Shane (CHAIN LETTER, TANGERINE) on the late night talk show Undulations. The hosts are Mai Lin (also returning as herself) and Georgia Drugg, played by Suzannah French (BLAZING ZIPPERS, SKIN ON SKIN). The group discuss a whole manner of subjects from male prostitutes, women taking advantage of men when it comes to landing that all important and gay rights amongst other things. John and Jamie talk also talk about (in an actually sincere and honest sounding way) their approaches to what they do best. Each subject discussed is illustrated with a vignette including something that art lovers wish would happen to them when they find a piece that is a bit out of their price range. All of this climaxes in to, yes you guessed it... A signature Tobalina group session!

Yep, this is a simple film. It's as straightforward as Jamie's hardened pecker. A novel concept, that some may enjoy more than others. As always Holmes and Gillis put in a great performance, the female cast not so much. That being said, there's nothing too jarring about their performances so it never becomes an issue. On a purely trivial note, damn is John Holmes a flashy dresser. I need to get me a goddamn red turtleneck immediately! Overall, I did enjoy this effort too. The vignettes are also well acted and don't really outstay their welcome. The action is good and varied, especially seeing the Holmes / Gillis double team! I liked some of the 'social' aspects too. I'm not too sure if it was completely intentional, but it does cover some great civil issues and also tackles gender politics. Don't worry, you're not getting bogged down with pseudo-intellectual bullshit with this. Out of the two, this is the weaker of the films, but nothing awful and it does have replay value.

Overall, these are above average films from Carlos Tobalina. Sure, he uses the kaleidoscope effect a lot throughout and even uses the end credits of Sexual Heights for Undulations which gives it an unintentional charm. I'm guessing both films were produced back to back here. In terms of picture and sound quality, another stand up job from Vinegar Syndrome. I'm not too sure what sort of home release these titles have had in the past, but damn do they look and sound wonderful. I've said in the past that sometimes the pairings on these Peekarama releases can be pretty weak, but this is a fairly solid double feature, I can see why they';re released together. All in all, this is definitely worth your time and hey, getting to see Holmes and Gillis on home format is always a great thing! Wow, I seem to mention the male cast in classic porn a lot.... oh well!

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Vinegar Syndrome Peekarama Review: Mai Lin VS. Serena (1981) / Oriental Hawaii (1982)

MAI LIN VS. SERENA

(dir: Carlos Tobalina, 1981)

“The Sexual Challenge of the Century"

Carlos Tobalina (THEULTIMATE PLEASURE, I AM ALWAYS READY) has a little bit of a problem. He has a new film lined up and needs to find his leading lady. His options are the cute blonde Serena (DRACULA SUCKS, PLEASURE PALACE) and fiery Mai Lin (ORIENTAL MADAM, PEEPHOLES). To help him solve his casting troubles, the pair decide to play a little game. They set off to compete against each other in the form of challenges. Starting by giving diners of a local restaurant something much tastier than the house special. Yes, this is one dining experience they will never forget! Once they have finished that, they move on to a local “kinda” gay bar and hit it off straight away with a cute lesbian couple. As a result of their public displays of  competitive affection, the pair find themselves in jail (I'm guessing, because it just happens) but, the challenge doesn't stop there. To gain their freedom, they seduce their prison guards, which doesn't go so well for all involved. After all the excitement the day has given them, the pair return home and take a bath. A bath with a difference. Yep, it's bukkake showdown time! So, will the pairs little game work off? Who was keeping score? How was this game even being scored!? Carlos has the answer and the answer is... Oh what the heck, they both win! Yay!

Forgive me for my synopsis of the film being brief. It's not my fault! The plot is simple. Under the circumstances, it kinda works. When you have Serena going head to head (strange pun intended) with Mai Lin, you don't want to get bogged down with something as trivial a plot driven film, you want the goods! Trust me, you definitely get the goods with this film. It's always great seeing Serena doing her thing! Herself and Mai Ling have good chemistry and are as charming as they are hot. There's a good cast of recognisable faces too. If you're looking for a ludicrous plot (especially in reference to the restaurant scene) that makes you ask yourself multiple questions but gives you a laugh, this is a great film to throw on. Usually, I like my Golden Age smut to have a story and some teasing of depth, but I found myself really enjoying this one for what it was, an excuse to see Serena and Mai Lin do the dirty. There's a variety of sexual acts on show and it's entertaining. I have heard some compare this to the likes of an uninspired compilation film, I think that's unfair. It's just a simple, entertaining and (sometimes unintentionally) funny film. Plus.... IT'S SERENA FOR GOD'S SAKE!
ORIENTAL HAWAII

(dir: Carlos Tobalina, 1982)

“A sensual tidal wave, Mai Lin goes... Oriental Hawaii"

 Welcome to Hawaii! Home to Sun, sea, sand and hard bodied beauties. It's also home to a financially struggling family headed by Bob, played John Leslie (WILD THINGS, CONFESSIONS) and Mildred, played by Jessie St. James (EASY, TROPIC OF DESIRE). To rake in a bit more money so they can once again eat steak every night (sounds like Heaven), they decide to rent out two rooms to local students. The advert is answered by Mai Lin and Jade Wong (PRISONER OF PARADISE, PURELY PHYSICAL). Let's just say that the family welcomes the new tenants with open arms (and legs). I think it helps when you have four fully grown kids, who enjoy a nice bit of family fun, if you know what I mean? Caring is sharing after all. Things get even weirder when Bob has a vivid dream after taking herbal medicine given to him by his new tenants. He dreams of him and the kids getting down and nasty with each other and the two new tenants. Thankfully, this leads him to having sleep-sex wife. Who says herbal remedies are crap!?

Oriental Hawaii is a fun film. You know you are in for a treat when incest is used as light hearted comedy. It's also amazing seeing John Leslie and Jessie St. James cast as parents to the likes of Jon Martin (BEHIND THE GREEN DOOR, SUZIE SUPERSTAR) and Rhonda Jo Petty (THE BABYSITTER, HOT RACKETS). There is actually more story to this film than Mai Ling Vs. Serena and it makes for an even more enjoyable experience. Just like Serena, I always love watching John Leslie on screen. Of course, Jade Wong and Mai Lin are the main attraction of the film, but John Leslie steals the show for me. The comedy works, the story is simple and the incest angle is strangely fun. Watching the brothers Jon Martin and Jesse Adams (GIRLS U.S.A, OCTOBER SILK) share their Asian roommates is entertaining in itself, for all the wrong reasons. The sex is good and varied, so it definitely delivers the goods there. The icing on the cake is the use of the Hawaiian location and the Black Bison-esque score. A lively and fun score for an equally lively and fun film.

Overall, the double feature is solid. Two completely different kinds of film that somewhat compliment each other. Some may not like the coupling, but I think they are both solid Tobalina / Mai Ling entries. In terms of the quality, both films are presented in wide screen and restored in 2K from original negatives. It's safe to say, these films will never look or sound as good as they are presented here. The release is light on extras, aside from trailers for both films, but the affordability and quality of these films more than make up for it. Whether or not you are a newbie or a veteran to the adult genre, this set is worth in your collection. On a purely selfish note, I just adore the poster artwork for both of these films, so the DVD itself looks great on the shelf. This is typical Vinegar Syndrome quality that we should be thankful for. Oh by the way, did I mention Serena stars?

You can buy this release directly from Vinegar Syndrome here, as well as your favourite online retailers.

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Vinegar Syndrome Review: Graduation Day (DVD Review)

GRADUATION DAY

(dir: Herb Freed, 1981)

"The Midvale Track Team Will Soon Be Running For Their Lives!"

 Laura, played very briefly by Ruth Ann Llorens (THE COMEBACK KID) is a talented high school track runner who meets her demise during a race, where she collapses and dies on the spot in front of her whole school (how embarrassing! Even more so due to the fact she won!) Fingers are immediately pointed towards Coach Michaels, played by the ever charming Christopher George (CITY OF THE LIVING DEAD, THE EXTERMINATOR) because he is a determined and often ruthless son of a gun! A couple of months pass and Laura's sister Anne, played by Patch Mackenzie (SERIAL, IT'S ALIVE 3) returns home from the Navy to honour her sister's graduation. Unfortunately, someone has put a spanner in the works... The track team are slowly getting picked off one by one by a mysterious killer wearing a fencing mask. Of course, the terror of a lunatic picking off most of the upcoming graduates means the celebrations must be put on hold right? Oh hell no! This is graduation! Bring on the keg!

 Who exactly is behind the carnage? Could it be the pushy coach taking his revenge on those who question his teaching style? Could it be Anne wreaking a revenge fuelled massacre against the students? Maybe it's even the violent boyfriend of Anne, played by E. Danny Murphy (TOMBOY, FINAL MISSION) who has lost it because he has lost his high school sweetheart? Will the festivities continue, or will the killer have ruined every student's favourite moment? You'll have to watch to find out. The body count is high, there is terror among campus and the Principal sure is pissed off at this damn inconvenience, poor guy!

 I'm just going to get this out of the way, I really don't like slasher movies as a whole. I enjoy horror films and I love giallo films so you'd think I would get a kick out of 70's and 80's slashers but I just don't. Graduation is one of the examples that just cements I dislike the genre. The film has it's moments but overall, it's just pretty damn boring and not even entertaining in an ironic way. Positives first. I really enjoyed the score. The track used in the opening montage is fantastically groovy. The score by Arthur Kempel (DOUBLE IMPACT, BEHIND ENEMY LINES) is used very effectively and there are some great moments of tension. Cinematography is also an enjoyable visual treat courtesy of Daniel Yarussi (TOMBOY, CALIFORNIA HEAT), especially the slow motion segments. Christopher George is always great, Patch Mackenzie has such presence and we are also treated to Linnea Quigley's wonderfully petite chest. Oh and there were maybe one or two genuinely nice deaths (I'm not going to be pole vaulting for a while). Aside from that, it's just a very generic slasher film. I can't really pick out too many because it's not awful, just extremely dull. Even the twists and turns can be seen a track field away.

Like I said, I can't rant on because it's not the worst slasher I have seen. I also can't complain about the treatment this film has received from Vinegar Syndrome. The film has received a 4k restoration and is presented in the OAR. I haven't seen the original Troma release but from what I can gather, the film is certainly a major upgrade. Aside from the high quality presentation, there is also an abundance of extra features. We get two commentary tracks, one with wirer and producer David Baughn (BEYOND EVIL) and the other with The Hysteria Continues team. You also get video interviews with Patch Mackenzie, Herb Freed (PARADISE LOST, BEYOND EVIL) and Jay Sadoff (FRIDAY THE 13TH PART 3, PINK NARCISSUS). Finally, you also get the original theatrical trailer. I have only managed to watch the DVD portion of the combo pack but from scans I have seen of the blu-ray print... This is one hell of a clean up job. If you are a fan of this film or love slashers, this is an essential purchase. Did I mention it was region free?

You can buy the blu-ray and DVD combo directly from Vinegar Syndrome here as well as your favourite online retailers.

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