Vinegar Syndrome Peekarama Review: Robin's Nest (1980) / Bella (1979)

  “There's high flying Action when the pretty little birds flock together...”

Newlyweds Alan (Eric Edwards, Laura's Toys) and Robin (Arcadia Lake, Debbie Does Dallas) spend their first day as a married couple by moving in to their new apartment. Naturally, that evening they christen said apartment like most couples would do and damn do they start married life with a bang! The perfect start to what will be a truly future? Maybe not, because fast forward six months later and the couple's bickering has lead to the pair undergoing a trial separation and Robin to move out. She decides to stay with her high society nympho of a friend; Glenna (Robin Byrd, Pleasure Palace). The pair then do some “catching up”. With her mind somewhat at ease, Robin's healing process is off to a great start! Alan on the other hand is a bumbling, scruffy mess. Thankfully, he gets cheered up by his own nympho of a friend; Larry (Paul Thomas, The Price of Desire) after a chance encounter in the local drinking hole. Unlike Glenna however, Larry is a bit of a creep who in his spare time likes to stalk a cheating housewife known as Mrs. G (Marcia Mager, Sweet Wet Lips). After a few drinks, Larry invites Alan back to his wife Lorraine's (Samantha Fox, Babylon Pink) funded swanky abode. How does he cheer up Alan? By letting him have some “consoling” of his own with Lorraine's young plaything; Honey (Crystal Day, Secrets of a Willing Wife). If things weren't complicated and ugly enough (well, depends on how you look at it.) for both Alan and Robin, the fact that Lorraine is “good friends” with Glenna may just make the situation uglier than it already is!

In a nutshell, Robin's Nest is a simple piece of melodrama with a touch of comedy thrown in for good measure. Stylistically, the film reminded me of a late 1960's piece of sexploitation cinema. After looking at Victor Bertini's filmography, that was no surprise to me as this (his final film) was his first film since a trio of late 1960's sexploitation efforts (his only other directorial credits). Of course, instead of flirty thrills, we have unsimulated sex and even though the cinematography and set layouts are reminiscent of retro cheeseball sexploitation cinema, there is a contemporary (for the time) style and set decoration. It makes for a visually intriguing experience. Overall, the film has a sense of cheapness about it, but Bertini pulls off a somewhat accomplished piece of hardcore cinema. You'd think he'd been shooting X-Rated skin flicks for years! To compliment the action, there's a great selection of music throughout and although credited to an outfit called Goldenrod, it seems more likely that it's just a tactic to hide the (wonderfully handpicked) usage of library music. To match the style, there are great performances throughout from everyone involved. Although only appearing together in a handful of scenes, there's genuine chemistry between Arcadia Lake and Eric Edwards (something I will touch upon again at the end of the review!. It's not exactly the most entertaining film of its kind, but there are some great individual gags throughout and definitely worth watching more than once. On a completely different note, it reminded me of the 1985 shot on video outing; The Initiation of Cynthia, a film I have watched recently... What do you mean you don't care!?

  “The most Classically Erotic film ever made...”With her husband Bob (Jake Teague, Cannibal Ferox) constantly away on business trips, it's no surprise that lonely housewife Susan (Diana Sloan, Dracula Exotica) would begin an affair with the local hunky handyman Tom (Eric Edwards). Unfortunately for her however, her young daughter Bella (Tracy Adams, Fascination) discovers her engaging in her dirty little hobby after returning home earlier than usual one day. Instead of confronting her mother and revealing the truth to her father upon his return, Bella is overcome by lust after witnessing Tom and his DIY skills. Thus, begins a sordid little love triangle. Bella's lust soon turns to love and obsession, but Tom is unwilling to commit. Bella's obsession combined with her jealousy leads her to take drastic measures, involving her friend and all-round unknowing participant; Patty (Arcadia Lake). With the stakes and tensions high, what happens will change everyone and everything forever. Will Bella do something she may regret or can she come to a compromise with her mother? One thing's for certain, this is probably the most hands-on work Tom has ever had to do in his life!

  Much like the previous film, Bella is a melodrama with a simple concept. It may not be the most original of concepts, but it's far from the weakest attempt at the “mother and daughter fall for the same man” plot. Things are pretty straightforward and somewhat vanilla for most of the film, but the final third REALLY stands out. It may not be the most shocking, heart-wrenching or adrenaline filled final thirds, but it definitely leaves an impression. All in all, it's a solidly paced film with only a couple of sex scenes being a few minutes too long. In terms of pornography, there's no complaints at all. Aside from Diana Sloan, the film is well acted and the characters are believable. Although the delivery of her dialogue is wooden to say the least, it doesn't detract too much from the overall film. The star of the show for me is of course the lovely Tracy Adams who really does portray the obsessed naïve lover almost perfectly. That being said, even if her performance wasn't the greatest, you really wouldn't complain. It's a travesty that this was only the second of a handful of films she starred in because she could have made a REALLY big name for herself. In terms of style, the film almost has a feel of Joe Sarno (Abigail Leslie is Back in Town) to it; solid enough erotic, yet kitchen sink drama and genuinely cinematic. It's no surprise the film is shot so wonderfully as porn veteran Carter Stevens (Punk Rock) was behind the camera with complete artistic freedom. Shots are wonderfully and thoughtfully staged and there are some great handheld and dolly shots thrown in too for good measure! You'll be hard pressed to find a film of this nature and budget that looks as good. Overall, this film has a lot to offer and can warrant repeat viewings.

Wouldn't you know? Vinegar Syndrome have done yet another great job with the restoration and presentation of these films. Aside from maybe one or two incidences with clear signs of irreversible print damage, the films look and sound great, especially when it comes to the cinematography of Carter Stevens in Bella. Speaking of Carter Stevens, the main feature on this disc is a short interview with the man himself (why has no one made a feature length documentary about him!?). He talks about his experience and freedom on the film as well as talking about Blue Underground's very own Bill Lustig and his involvement with the film. It's a fantastic little interview and I hope there's going to be much more in the future. The only other special feature is a trailer for Bella. Overall, this is a solid double feature mainly to commemorate the real life relationship between Arcadia Lake and Eric Edwards. It doesn't just work on that level because both films have the same sort of vibes and compliment each other. If you want to see character driven porn, give this release a try! Just don't let your mother find out... Robin's Nest & Bella are available as a double feature DVD release as well as being streamable on Exploitation.tv

Vinegar Syndrome Review: Too Naughty To Say No (1984, dir: Suze Randall & Victor Nye)

 

“Nasty Enough To Say Yes!”

Betty (Angel, For Your Thighs Only) is your typical innocent Catholic schoolgirl. One day after studying her bible under the supervision of Sister Rose (Lisa De Leeuw, Pink Champagne) with her party loving friend Catherine (Ginger Lynne, Lust in the Fast Lane), she doses off (religion does that to you.) and finds herself in a world filled with lust, debauchery and some very questionable individuals indeed. Her adventures begin with her watching Catherine get down and dirty with an older guy (Jamie Gillis, Corruption) who thankfully has better taste in women than he does clothes! After the free show, Catherine promises her much more and instantly delivers by sending her to a brothel ran by Madame Rose (De Leeuw again). She's treated once again to a free show, but finds herself the subject of a bidding war between Senator Bribe (Eric Edwards, Laura's Toys), Nazi-like Colonel Vice (Klaus Müller in his only role), Hollywood director Stephen Swinestein (Edward Longly also in his only role) and Bishop John (Milton Ingley, Fantasyworld). Freaked out, she escapes, but things only get weirder! From crooked cops (Paul Barresi, Co-Ed Fever & Rick Cassidy, Widow Blue!) to perverted undertakers (Harry Reems, Deep Throat), Betty's journey through dreamworld is as sordid as it is erotic. Oh well, she'll have some juicy material to share at her next confession!

  Too Naughty To Say No is a naughty little film indeed. Based off characters from de Sade, taking influence from Alice in Wonderland and almost structured like Juliette et Justine, both Randall and Nye have produced a trip of an adult feature. It's not as explicit or as mean spirited as de Sade's work or as outright trippy as Alice in Wonderland, but there are some strange goings on, but the action is still sexy. That's no surprise as Randall herself directed the sex. Some scenes drag on a tiny bit, but they are wonderfully staged and shot. Plus, when you have the likes of Ginger Lynne getting down and dirty, it's OK by me! The dialogue oriented scenes are fun and well acted. Angel's portrayal of the virginal Betty slowly getting corrupted is fun to watch and hey, she's cute as a button. To compliment Angel and Ginger (the latter should have had much more screen time!), there is a very solid supporting cast. It may not be the most memorable performances from Gillis, Edwards or Reems, but they do more than get the job done in their small roles. This is one of hose films that is really quite simple, but very enjoyable. For me personally, films like this from around the mid-1980's often seem to lack charm, but there's really no complaints here aside from some of the sex scenes being a few strokes too long. All in all, this is one of the more interesting films adapted from or influenced by the writings of de Sade.

  In terms of presentation, Vinegar Syndrome deliver the goods (as if they wouldn't) once again. Not only is the film restored beautifully in 2k from 35mm source materials, but it's presented in the correct aspect ratio, a much more superior print than the previous Caballero release. The colours are vibrant and the image is sharp. The only extra is a Joe Rubin moderated audio commentary with Suze Randall, Victor Nye, Amber (of Suze Randall Productions) and Christian McLaughlin. It may be the only extra, but it's a welcome one that is informative as it is entertaining. There is a lot to be gained. Of course, a trailer would have been nice, but I am not aware if one exists, so I won't hold it against Vinegar Syndrome! All in all, this is another solid release of a film that could have been forgotten. Definitely worth picking up!

No... I won't clumsily use the title as a pun to end this review!

Too Naughty To Say No is available on DVD from Vinegar Syndrome.

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Vinegar Syndrome Review: Corruption (1983, dir: Roger Watkins)

  “One man's fantasy is another man's reality!”

Finding himself with a debt that he just can't pay off, Williams (Jamie Gillis, Dracula Sucks) is tasked by shady mafia-like Franklin (Michael Gaunt, Maraschino Cherry) with something of a retrieval mission to a mysterious warehouse containing three coloured rooms; a blue, a red and a black one, each housing a beautiful woman. Williams sends his associate Alan (George Payne, The Taming of Rebecca) to carry out the task on his behalf, but with balls of steel, Alan has taken the item for himself and has disappeared. This leads Williams to pursue him down a gaping glory... I mean rabbit hole. Frustrated and desperate, Williams visits a seedy, desolate nightclub to meet his even seedier half-brother Larry (Bobby Astyr, Punk Rock) for help. Larry offers his help as well as a spot of voyeurism, leading Williams to witness Alan indulging in a spot of necrophilia. Rightfully disgusted, Williams confronts Alan, a man now consumed by his own desires. As this is going on, Felicia (Kelly Nichols, The Toolbox Murders) the young sister of Doreen (Tiffany Clark, Oui, Girls), the girlfriend of Williams is kidnapped and raped by Franklin. With his descent in to madness consuming him, Williams seeks “comfort” literally in his mistress Erda (Vanessa Del Rio, Dominatrix Without Mercy). It will take more than just some sexual healing to get him through what will is already an unforgettable night. God help him when he discovers the true cost of selling his soul.

 
Forgive me for my somewhat truncated synopsis, but I don't think I can truly give a detailed retelling of the film I am reviewing. Not only that, if you haven't watched this gem yet, go in as blind as you possibly can! My peers had praised this film and although I tend to overhype films for myself, I have to say that this one not only met my expectations, but completely blew them out of the water! In a nutshell, Corruption is a nightmarish dive-bomb down a psychosexual rabbit hole. What strikes you straight away is the genuine sense of foreboding right from the off. I have never watched a film of this nature that has had such a genuinely sinister atmosphere. If it isn't the desolate and gloomy locations, it's the juxtaposition found when bursts of vibrant neon colour consume the scenery. You are constantly unnerved and it reminds me of Argento's masterful use of light and colour in his nightmarish masterpiece; Suspiria. I know you're probably sighing at me for making that comparison, but it's true goddamnit! Much like Suspiria, no one is who they really say they are, but instead of witches, we have sexual deviants and scumbags. Everyone has their secrets, motives and will go to great lengths to get what they want. Although Gillis is our protagonist, this is by no means a one man show. Those he comes in to contact with are just as important to the experience. With a cast consisting of the likes of Astyr, Payne, Nichols and Gaunt, it should come as no surprise. Even the small roles from Samantha Fox (Fascination), Tanya Lawson (Fleshdance) and Tiffany Clark are memorable in their own way. It's a great showcase of genuine acting talent.

  The action may not be titillating (except the first scene between Gillis and Clark, there's something about the way she handles herself and Gillis), but it is well executed and performed. There are many perversions on show for all tastes and some of the dialogue is genuinely fantastic. Those who like to see women show dominance will also enjoy Payne's first trio of scenes. You may not be getting off on most of the sex, but the overall style will more than make up for the that. Larry Revene's (Barbara Broadcast) cinematography combined with Watkins' direction make for such a treat. Some could say style over substance, but I think Watkins has scribed a somewhat ambiguous story that instead of confusing the audience, makes them think, question and analyse. From what I can gather, Watkins has taken inspiration from Richard Wagner's Das Rheingold. You are blown away by the style, engrossed by the characters and ultimately longing to revisit to see what you may have missed. Who said porn can't confound and make you think? I'm sounding quite pretentious aren't I? Listen, if you like the weird and bizarre, this is a film for you! Think of David Cronenberg and David Lynch teaming up to make a porno!

  If you haven't guessed, I really enjoyed the look of this film and Vinegar Syndrome have done Roger Watkins and Larry Revene proud. The colours really pop, the image is sharp and there's just enough grain in the gloomier scenes. The sound is of equally high quality. James Flamberg's (now a big name in Hollywood) haunting synth score (which is EXTREMELY reminiscent of John Carpenter's / Ennio Moricone's collaboration on The Thing) really stands out. To go with the great presentation, the extras are top drawer too. There's the original theatrical trailer, reversible artwork, a press-book gallery, an interview with Larry Revene talking about the film and working with Roger Watkins and to top it off, there's also (on the first 2,000 pressings) a restored version of the Watkins classic; Last House on Dead End Street to be found as an easter eggs. Yes indeed. It's not a cleaned up version of the film. It's scratchy and muddy (you could argue this is THE way to watch it), but what a spectacular extra! The search for that reasonably priced Barrel Entertainment DVD on eBay can come to an end! If you aren't lucky enough to get a copy with the easter egg or you are one of these people who needs every film from yesteryear to be restored on Blu-Ray, don't worry because LHODES is getting its own release very soon! As you can see, this is a must own release for fans and newcomers a like. For me, this was one of the best releases of 2015, a great year for Vinegar Syndrome and of course; cult film fans. Will you take a trip down this seedy little rabbit hole?

Corruption is available as a DVD / Blu-Ray combo from Vinegar Syndrome as well as being available to stream on Exploitation.tv

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Vinegar Syndrome Review: Pretty Peaches (1978, dir: Alex de Renzy)

  “Introducing Desireé Costeau as 'PEACHES'”

Hugh (John Leslie, DRACULA SUCKS) is about to marry Lily (Flower, SHIELA'S PAYOFF) and he wants his bubbly daughter Peaches (Desireé Costeau, HOT RACKETS) from his first marriage, to be a part of the festivities. Thankfully the stepdaughter-stepmother relationship starts off well with the trio hitting up the nearest slot machines. Unfortunately, Peaches comes to the realisation that she now has to potentially compete for her father's love and attention. After sinking down a few shots she does the sensible thing and jumps in her jeep to let off some steam. Whilst on her little bender, Peaches is involved in an accident and subsequently left unconscious. Thankfully, however help is on hand as Kid (Joey Silvera, CARNAL HAVEN) and Jesse (Ken Scudder, CHAMPAGNE FOR BREAKFAST), two good Samaritans who are having their car problems “nurse” her back to health. Once Peaches has regained consciousness, she realises that she is suffering from amnesia. Seeking their opportunity to have their own personal plaything and the potential of making some good old fashioned ransom money, they invite her to stay with them and help her get better. Kid suggests she pay his “Uncle Percy” a visit. Instead of help, Peaches finds herself on the wrong end (as if there's a right one) of a forced enema. After such a traumatic experience, her spirits are lifted when she finds a potential job as an erotic dancer. Unfortunately, what starts out as an above board (if not slightly scuzzy) audition turns in to Peaches being forced in to an all-girl dominatrix show (it happens to best of us). Just as things are reaching breaking point for Peaches, she has a chance encounter with a handsome psychiatrist (Paul Thomas, JESUS CHRIST SUPERSTAR) who may hold the key to not only healing Peaches, but reuniting her with her worried father as well bringing her genuine happiness. No matter what the outcome, this is a de Renzy film so it's only going to get even stranger!

  Pretty Peaches is certainly a stand out film. Where else are you going to find a warped adaptation of Voltaire's Candide that plays sexual atrocities off as a goofy comedy? Yes indeed, all of the physical, emotional and psychological abuse dished out to the naïve Peaches is played for laughs! Being a de Renzy film, it wouldn't surprise me if it was purely intentional. Therefore, it may not sit right for some of the more sensitive amongst you, but it sure did make this corrupted soul smirk! From being bubbly and innocent to a complete emotional mess, Costeau plays Peaches perfectly. You really go from swooning to feeling genuine sympathy in a heartbeat. She suffers pretty much every sexual shame you could imagine; raped whilst unconscious, forced enemas, bondage... All that's missing is being shat on! The film is brilliantly cast and as well as those already mentioned, seeing the likes of Blair Harris (TROPIC OF DESIRE) and Sharon Kane (BABYLON BLUE) really help to elevate the film even more. Of course, the lovely Desireé Costeau is the star of the show (not even her bob cut hairstyle can put you off!) and steals every scene she is in. You will be eating out of her hands! All in all, this is a bizarre little comedy that will make you question your existence because of some of the things you WILL genuinely laugh at. It's a simple story that's well written and even though it's a porno with a feature length running time; you won't need to press that fast forward button. You're probably not really going to get off on the action, but it's definitely “interesting” to say the very least. The ironic thing is, de Renzy is capable of much seedier and sinister delights! There's a reason why this film is a classic. There's a reason why most consider this de Renzy's greatest film.

  A wonderful film like this deserves the gold star treatment and golly gosh has Vinegar Syndrome done just that! Restored fully uncut in 2k from 35mm elements, the film looks and sounds fantastic. Of course, there's some minor damage here and there, but it's only there if you are actively looking for it just to bitch on forums. Not only does the film look and sound wonderful, but there's some great special features too. There's a rare interview with Alex de Renzy himself in which he talks about the film, his career and those he had the pleasure to work with. There's also an interview with film historian Dr. Ted Mcilvenna, founder of the Institute for Advanced Study of Human Sexuality which gives us more of an insight in to the prolific de Renzy and a bit of a dick tease regarding multiple unedited documentaries from the great director. Aside from those two wonderful interviews, there are also trailers for Pretty Peaches 2, Femmes de Sade and Baby Face 2. As you can tell, it's a wonderful release and a must own.

Pretty Peaches is available as a stand alone DVD or part of a limited edition Pretty Peaches Blu-ray as well as being available on Exploitation.tv

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Vinegar Syndrome Review: Long Jeanne Silver (1978, dir: Alex deRenzy)

Before I begin ladies & gentlemen, let me take this opportunity to thank you for making 2015 a great year! I hope you all had a wonderful Christmas, a messy NYE and of course, I wish you all a happy 2016!

LONG JEANNE SILVER
(1977, dir: Alex deRenzy)

“I've Got a Secret: I fooled Mother Nature”

 Our film gets off to a great start with the titular Jeanne Silver (WATERPOWER) letting us know that she is handicapped and horny, as well as boasting about having a bigger member than the legendary John Holmes. After such an introduction, we're thrown right in to action with Jeanne enjoying a light hearted threesome with her friends Joey (Joey Silvera, EXPECTATIONS) and Amber (Amber Hunt, CRY FOR CINDY). During this little frolic, we see Jeanne's handicap for the first time. Of course, she utilises it! After that, Jeanne tells us about the almost unlimited sexual opportunities high school has to offer (I obviously went to the wrong school!) and shares her exploits with a boy from her art class who just so happens to be gay. He may not be in to girls, but Jeanne has a trick up her sleeve, I mean her trouser leg! Yes indeed. We all know what happens next! They both enjoy it so who are we to judge!? Following that party trick, Jeanne tells us about fellow students China (China Leigh, TEENY BUNS) and Lori (Lori Blue, CHOPSTIX) who are somewhat prudish. Being the giving girl that she is, Jeanne shows off her Cheri magazine photo shoot and tells them abut life and sex with her stump. Understandably intrigued, they retreat to the bedroom to see what all the fuss is about. Needless to say, their curiosity is rewarded! For her penultimate outing, Jeanne tells us of that time she was a birthday present for a chap named Paul (Paul Thomas, JESUS CHRIST SUPERSTAR) from his wife Sandy (Sandy Pinney, HER LAST FLING). It's a birthday treat that he will never forget. For her final encounter, Jeanne tells us about one of the many lesbian encounters with her horny, leather clad neighbour (I have no idea who she is). Ending on a high sapphic note for sure!

 Long Jeanne Silver is a unique experience indeed. The film is essentially a series of vignettes broken up and structured around Jeanne addressing us, the audience. To some extent, it's a rather candid documentary with dramatised reconstructions if you will. You really believe that what we are seeing is in fact the life of Jeanne Silver. The conversation between Jeanne, China and Lori especially has a real sense of legitimacy about it. Even the way some of the sex is filmed further cements that. If you have never seen the film, you probably know why this film is as well known as it is and somewhat infamous. To be honest, as much as that scene is quite shocking (a quick search on even the biggest porn site will expose you too much more extreme sexual acts) and stands out, the real star of the show is Jeanne herself. Not only is she a knockout (she's just as, if not more attractive nowadays), she's funny, carefree and downright bubbly. More importantly for me, even though this film is obviously centred around her handicap and how she utilises it, her personality and all round screen presence shine through. Considering that this is a deRenzy flick and it's centred around an amputee, it's not as sleazy or bizarre as you would think. It's really quite a sensitive and an all round human film. Jeanne isn't portrayed as a freak, she's celebrated as opposed to being exploited. Everyone else involved do a great job too, but then again, they have no need to show off their acting chops. The film might have quite a reputation, but it's so much more than that. At around 65 minutes, the film flies by and is an easy watch. Overall, it's a winner that you can go back to time and time again.

Who would have thought we would get a restored and uncut version of this gem? It may not be the greatest looking or sounding restoration job from Vinegar Syndrome, but considering it's restored from a 16mm Archival Print, that can be forgiven. In terms of special features, there's only a commentary track. As much as I would have loved a trailer (if there actually is one that exists), I am not going to complain because the commentary track (recorded over the phone so it's perfect) is from Jeanne herself who is essentially going in to the film blind. It's entertaining as it is amusing. Overall, this is a must own for fans of the film and newcomers a like. It warms my cold, almost dead heart that a film like this is now has a restored, easy to obtain and ultimately legitimate release. Not only that, but it's great to see that thanks to this release, the wonderful Jeanne Silver is now finding a new audience and getting the respect that she deserves. It's also great that most of us can now get rid of that pesky Alpha Blue Archives disc!

Long Jeanne Silver is available on DVD from Vinegar Syndrome.

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Vinegar Syndrome Peekarama Review: The New Erotic Adventures of Casanova (1977) / Casanova 2 (1982)

THE NEW EROTIC ADVENTURES OF CASANOVA (1977, dir: Carlos Tobalina)

  John Holmes (Eruption) stars as John, a man who has recently inherited and sold off the estate of his late great grandfather. Looking for something of a keepsake, he visits the antique dealer (Tory Jeffery, The Autobiography of a Flea) and is given a bottle of cologne found in a desk. The cologne belongs to great Casanova and was used to scent his love letters. He applies some to his clothes and this leads to the first of many sexual encounters, this time being with the cleaner of the motel he is staying at. Once getting dirty with cleaner, he visits his family while he's in town. Unfortunately (or fortunately, depending on your preference) the effect of the cologne rubs off on them, leading John to literally rub off on them. Yes, even his underage cousins fall foul to magic of this scent. John is telling his story to his therapist, Dr. Sharpe (Susan Silver, Casanova 2). Initially skeptical of John's story, she gives the cologne a whiff and well, we all know how this story (and in this case, the actual film) ends.

  Starting off very promising with a good sense of scope and seeming to have an actual budget thanks to costume design (always had a thing for women's costumes from this period, classical music and location photography which admittedly, is mainly thanks to footage lifted from Bud Yorkin's Start the Revolution Without Me. Yeah, Donald Sutherland (Don't Look Now) is clearly seen within the film's opening sequence. Even with that, the films has a sense of “legitimacy”. Unfortunately, the film loses its charm when we cut to present day. Don't get me wrong, John Holmes is fantastic throughout. He plays the role of Casanova so well and is genuinely smooth and charismatic, even when he's partaking in Monty Python-cum-Benny Hill sword fights! It just becomes your typical Tobalina fodder. Don't worry, there's group scenes and once again, themes like underage sex and incest are dealt in an almost tongue in cheek fashion. Thankfully seeing the likes of Jane Goodman (unfortunately her only role) and Sandy Pinney (The Pony Girls) soften the blow. All in all, this is a much more classy affair from Tobalina. The king of missed opportunities strikes again.

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CASANOVA 2
(1982, dir: Carlos Tobalina)

  After a recap of Casanova's exploits, we find our smooth talker talking on three aggressors with his sword (ha!). After they are defeated, he discovers one is a woman (Cathy Linger in her only role). Seeing that she is still alive, he takes her to the nearest house and demands a doctor. With the outlook for the fallen swordswoman bleak, there seems to be a silver lining; the woman who fetched the doctor is named Myra (Bridgette Felina also in her only role unfortunately), who at 16 was deflowered by none other than Casanova. The pair reminisce and the swordswoman in her potentially final hours wants to be impaled once again. After this weird little threesome we are told that the swordswoman birthed Casanova’s son, Don Juan (Bjorn Beck, another one hit wonder). Fast forward to Don Juan on his own journey showing off his sword skills (in both senses, just like daddy!). He finds himself sorting out some family problems for Count de Léon (Rick Ardon, Sadie) and his wife Isabella (Jessie St. James, Vista Valley PTA). After that we fast forward to where the first film finished. John is now in a relationship with Dr. Sharpe and they decide to commercialise the cologne, which has some rather surprising effects changing John's life forever!

  Although mainly comprised of recycled and unused footage from the first film, the sequel is actually an improvement. It's nothing amazing and still has that purely for the money Tobalina feel, but the film just works better. The film takes an interesting turn and even though there is A LOT of what you could assume is previously existing and unrelated sex in the latter third, it makes sense. If Tobalina is one thing, he is shrewd. One cannot fault him that regard. Once again, John Holmes steals the show, but it's nice to see the likes of Kay Parker (Taboo) and Bill Margold (Dracula Sucks) make a brief appearance. Once again, there's a sense of scale and shows the creative potential of Tobalina. It was also surprising to see just how many cast members had only this as their credit. There is some real talent on show throughout and a lot potential big names in the making. Maybe just like Tobalina, they were looking for a quick pay-check. Overall, not a bad effort at all and one of Tobalina's better productions which surprises me because knowing of Tobalina's work and the fact that this is a sequel five years after the original, it could have been a complete mess.

Overall, this isn't a bad pairing of films. Sure, they reek of the aspects of Tobalina that most can't stand, but this is when cutting corners and uses cheap tactics works for me. It's done well and reminds me of one of my favourite directors; Bruno Mattei. The biggest thing for me is the way the films are structured. If you were to take all the period elements of both films and edit them in to a cohesive story, you'd have a genuinely good period adult feature. You could then take all the present day story and have that edited together into a cohesive sequel. I think the films would work much better in that regard. That being said, I could happily watch this double feature again. Vinegar Syndrome have once again done a nice job on restoration and presentation. Sure, it isn't perfect, but it's much better than what some would say Tobalina deserves. In terms of extra features, you get trailers for both films. If you have become disheartened with Tobalina or have yet to experience his work, I would highly recommend this release.

The New Erotic Adventures of Casanova and Casanova 2 are available on DVD from Vinegar Syndrome or online to stream at Exploitation.tvPDx

Vinegar Syndrome Peekarama Review: Anticipation (1981) / Flesh Pond (1982)

ANTICIPATION
(1981, dir: Carlos Tobalina)

“Beyond Temptation...”

  Joyce (Sheila Parks, Casanova II) and Jerry (Jesse Adams, Deep Rub) are newlyweds who, after some mind numbingly awkward conversation, make love for the first time. After breaking in the cheap motel bed (how romantic!), the pair talk about Jerry's brother Steve (Joey Silvera, Carnal Haven), who apparently had problems with his parents when he announced that he was marrying a girl with a reputation by the name of Wendy (Karo Akamoto in her only role). We also find out that he is set to be released from prison for accidentally killing (or so he thought, just watch, it makes sense) the lover of his cheating wife. Once released, the brothers are reunited and introduced to their new sisters-in-law. Whilst on a trip to what looks like the coldest beach ever, Joyce and Steve begin to have forbidden thoughts for each other. Actually, so does Jerry and Wendy! After some awkwardly narrated daydreaming from everyone involved, Jerry and Steve confide in each other and their mother that they love other women. Before they can act on it, they get invited to Serena's party (seemingly playing herself, Pleasure Palace). Will their secrets be revealed? It's sure going to get messy!

  I'm just going to say it. This is possibly one of the dullest Tobalina flicks I have watched to date. The concept is great and has so much potential, but Lawrence Lance's (thankfully his only writing credit) handling of the script is uninspired and clearly rushed. To say it's paper thin is an offence to the trees that were sacrificed in order to make the napkin this tripe was written on. I won't even comment on how iff target the humour is. The only real entertainment to be had with Anticipation is the slightly worse than usual acting throughout. Not even Joey Silvera, a performer who can act, seems to be giving his all. There's some fairly standard sex throughout and yes, there's the usual orgy which goes on for way too long. There are actual instant replays in the final sex scenes that add an odd charm to the film. Look out for some very awkward, bordering on incest action at the end of the film. The only genuine quality the film has is the music selection which I believe is comprised of original music by Jay Rando (Interlude of Lust) and library tracks selected by Matt Webber (his only credited role). That being said, as much as I love great library music, not even the dirty funky bass lines can save this ultimately forgettable Tobalina quickie.

FLESH POND
(1982, dir: Carlos Tobalina)

“Consumed by pools of passion...”

Paco (Hermon Tobalina in his only role) and his unnamed friend (Reggie Gunn, Lips) have just escaped from prison. They stumble upon a quint little brothel ran by a woman named Drea (Drea, Hot Buns) and decide to hold herself and her patrons hostage. Not only that, but they demand to be entertained whilst they work their next move. Festivities begin when Rita Ricardo (as herself, My Sinful Life) has some fun with her doll companion Johnny Rubber. After that kinky warm up, the action really begins with good old Tobalina fashioned group action, under the firm dictation of the increasingly frustrated Paco. Things are going great (I guess) until Paco's friend gets caught in the crossfire, if you know what I mean? After A LOT of group bonding, Paco is forced to tell of his story to the group thanks to the persistent interest of one of the patrons, a magazine publisher (William Margold, Dracula Sucks). The convicts claim that they have been framed, to the mixed reaction of their captive audience. What's in store for the potentially innocent escapees? Will everyone come out of this situation alive? You know what? It may not be worth it.

I said that Anticipation was one of Tobalina's dullest. Well, this one has just taken that crown. Yes, this was quite frankly awful. Just like Anticipation, there is so much room for creativity. How can you mess up a scenario like this so badly!? You may find this one very hard to keep up with, not because of the complexity of the story, far from it! Everyone looks bored in this production. For such a hostile situation, everyone seems completely indifferent. I won't lie, I had my finger on the fast forward button a lot. This is essentially one continuous group scene with some lazily added 'plot' sequences and recycling of footage. Yeah, this film is more than forgetful. If it wasn't for one or two creative pieces of cinematography from Tobalina himself, the unfortunate money shot and library music, this would have been potentially the worst piece of golden age action I have seen. To Tobalina's credit though, he knows how to sell a film and is quite frugal overall. I bet he made his money back easily on this one, shame it's such a piece of crap.

This is probably the weakest Vinegar Syndrome release I have reviewed so far. I have a love / hate relationship with the films of Carlos Tobalina and these two films perfectly demonstrate why I can hate his work. It's such a shame because these are great initial premises and there are versatile themes throughout. It's just so uninspired in terms of execution. There's only really enjoyment for those looking for unintended laughs, but that's no real saving grace. Vinegar Syndrome are my favourite distribution company. Even though I found the films genuinely awful, I have no negative words to say about Vinegar Syndrome at all in terms of this release. They have dedicated a lot of time and resources releasing the filmography of Carlos Tobalina. Not every film can be a classic, it just appears that by chance, two of his weakest appear here. In terms of presentation, it's another great job with only minor defects. It doesn't help that these films were shot so badly. In terms of extras, we get theatrical trailers for both films. That I definitely approve of! Overall, this release is only really for completests and hardcore fans of Carlos Tobalina. If you're not too familiar with Tobalina's work, give this one a pass for now.

Anticipation and Flesh Pond are available as a double feature DVD from Vinegar Syndrome.

PDx

Vinegar Syndrome Peekarama Review: Fast Cars Fast Women (1981) / Starship Eros (1979)

FAST CARS FAST WOMEN
(1981, dir: Scott McHaley)

“With Every Lap She Will Shift Your Gears!!!”

Our film opens up with a cute little blonde named Kristy, played by Sylvia Benedict (The Bitch Goddess), getting pulled over by a cop. Even though she is more than willing to 'cooperate' with the officer, she still gets the ticket! No need to worry though, she's on her way straight away because she has an appointment with the feisty Molly, head of the Davis Racing Team, played by Kay Parker (Sexworld). Before that however, she has some catching up with her old room-mate Casey, played by Carolyn Jackson (Anytime Anyplace). I think you know what I mean by 'catching up'. As they are busy being reacquainted, we meet Molly's rival. He's a sleazy piece of work named Orson, played by Al Chiurrizi (in his only starring role). His second in command is Dutch, played by Ron Jeremy (Orgazmo). He too is a sleazy piece of shit, but with added moustache! Dutch wants to buy Molly out, but she is one tough cookie. So much so, that even the blatant tampering of her cars (which lead to a fatality) won't make her succumb to his harassment. That's one hell of a woman right there! Anyway, once Kristy has met with Molly and has been warned about the potential dangers, she's on the team straight away and ready for action. Before we get to see any racing action, there's a hell of a lot 'team bonding'. Enough to make even the likes of Bernie Eccleston blush! Once we do get to the tracks, Kristy sure shows us that she knows her way around a gear stick. Will her new career take off? Will she be Dutch's next victim? Can she be bought!? Well, you're going to have to buckle yourself in and find out for yourself!

Fast Cars Fast Women is a very enjoyable piece of film. There's a great story there that has depth and is somewhat original. The acting isn't the greatest, but the likes of Ron Jeremy and Kay Parker more than make up for that. The female cast throughout (PATRIARCHY WARNING!) are very pleasing on the eye, but not only that, they are all strong characters. The racing action is well done, but is taken down a gear compared to the 'off road' action. Speaking of which, the hardcore elements of this entry are all solid and if you like a bit of lady love, there's enough here to shake a stick at. It's always a good thing seeing Kay Parker on screen! Aesthetically, this film is very competent. There's a great use of an actual racetrack and some of the cars on display are just as nice to look at as the female cast. It's shot well and stock footage is incorporated somewhat seamlessly, we are nowhere near Mattei territory in that regard! For those looking for some good laughs, there's some really spot on humour throughout. There's even a nice amount of fighting in the film. It's clear this was directed by a stuntman! All in all a solid effort that has something for everyone!

STARSHIP EROS
(1979, dir: Scott McHaley)
“A probing of sensual space...”

We are thrown in to the future. 1995 to be exact! We join the all female crew of the Feminist Regime Starship Eros headed by big haired Commander Venus, played by Lily Rogers (Indecent Exposure). Her crew consist of the cute and sex starved newcomer, Executive Officer Moon, played by Becky Savage (Sexloose), the nearly as cute Communications Officer Bev, played by Beth Evans (in her only starring role) and their part human / part not quite C-3PO robot assistant Quasar, played by Mike Ranger (Taboo). The new Executive Officer makes quite an 'impression' on her new colleagues. Even good ol' Quasar gets to experience her credentials hands on, even if there are the occasional wiring problems (robots can suffer too!). After the usual greetings, the team embark on their Search and Destroy mission, involving a ship piloted by raging lesbian Amazoids! Even with such an important mission ahead of her, Moon can't help but make the most of her new robotic companion, so much so that this leads to a punishment (I think) at the hands of Commander Venus. It makes Princess Lea's enslavement look like child's play... Ok, maybe not! After her punishment, the crew manage to track the damaged (oh, there was an uneventful dogfight by the way) Amazoid ship to a nearby planet. Before the crew of Starship Eros have chance to land, they manage to beam up Megan, the Amazoid captain from the ship before it explodes. Naturally, they interrogate her and show her what a man is like (poor Quasar, you'll know when you see Megan!). Yep, more 'torture' ensues! Oh well, at least Quasar's wiring problem gets sorted out and hey! Megan becomes a new member of the crew! Not even Star Trek showed us this much unity!

All in all, Starship Eros is an entertaining piece of hardcore sci-fi that is blatantly (some may say poorly) cashing in on the Star Wars and Star Trek boom of the time. McHaley has written and directed a fairly solid, if not obscenely simple story that plays second fiddle to the hardcore elements directed by producer Wesley Emmerson (Foreplay). That being said, it's clear that the story wasn't just thumbed in after hard scenes were shot. The sex, although seemingly dominating the runtime, work well within the film and are done to a high standard. If you have ever wanted to see a glorified C-3PO halloween costume getting down, you're gonna get a laugh from the scenes he stars in. Personally, I could have done with more Quasar, but oh well. Arguably the stars of the show are actually the special effects and miniatures created by McHaley and K.M. Kemper. Although crude and nowhere near as good as what we would see from the likes of Star Trek and Star Wars, they do add a level of scope to the film and add production value. The aesthetic elements of the film as a whole are impressive and are captured nicely by Pablo Lepell's (Weekend Fantasies) cinematography. All of the charm can be found within those elements. The score (I'm guessing a collection of library tracks) is the icing on the cake. As far as low budget (the film was shot within a few days in a basement) hardcore sci-fi goes, this is an enjoyable and competent enough effort. Not bad for a directorial debut from a stuntman!

Overall, both films are presented wonderfully. Aside from a few dips in picture and sound quality at times, there's nothing to complain about Vinegar Syndrome's 2k restoration. Both films are stylish in their own ways and the retoration really shows how nice these relatively low budget efforts are. Once again, for a stuntman, these are two interesting and entertaining films. In terms of special features you get the trailer and additional softcore scenes for Fast Cars Fast Women and a brief audio introduction for Starship Eros from producer Wesley Emmerson. This is definitely a unique release that showcases two films from a director whose career behind the camera was short. From both a historical and entertainment standpoint, this is a really solid release!


The DVD double feature is available from Vinegar Syndrome here, as well as your favourite online retailers.

PDx

Vinegar Syndrome Peekarama Review: Little Sisters (1972) / Powder Burns (1971)

LITTLE SISTERS
(1972, dir: Alex deRenzy)

"The maker of Censorship in Denmark & History of the Blue Movie has reached a new plateau in adult films."

As you can see, there is no written review for Little Sisters. I have however, recorded an episode of Mondo Squallido looking at the film. Find out what I think of it by clicking this lovely video:

POWDER BURNS
(1971, dir: Alex deRenzy)

"OUTLAW MEN - WILD WOMEN"

  After a montage of the vastness of the desert (we're nearly in Herzogian territory here!) we are thrown balls deep in to a small shoot out. Yep, welcome to the Old West! Well, not exactly! Aside from cowboys, horses and fitting music, we also have chaps wearing aviator shades and scrapped cars laying about. The year is actually 1969 and we're in the small town of Sewer Pipe Creek. The local sheriff (and barkeep) is having a spot of trouble with the pesky McNasty Brothers, a trio of brothers who like to cause chaos in the town for a couple of weeks once a year. Our hero runs the scum out of town and as a result, his saloon girls aren't too happy because although a troublesome threesome, they spend more money in the town in two weeks they are gallivanting than the locals do in a whole month. Cut to a year a later and we see the now former sheriff pondering on his career and life as he knows it. After trying to unsuccessfully woo his only remaining saloon girl, a new face appears in town. A young and curvy blonde go-go dancer nicknamed “The Golden Dream”. She struts her stuff (and what a lovely pair they are!) for the barkeep and his pals. She is an instant hit, sparking the barkeep to dream of the business opportunities his new dancer can bring to town. As he's drooling over his new busty business venture, the McNasty Brothers are padding out the run time by slowly (I mean VERY slowly) roaming the desert and causing yet more mischief. They eventually return to Sewer Pipe Creek. Will history repeat itself? Well, after some innocent enough drinking and frolicking with the new dancers (that was quick barkeep!), a fight breaks out between the brothers and a couple of locals, resulting in another shootout in which all those involved are killed (even though you can clearly see them still breathing) leaving the girls to rob the corpses! Yep, your guess is as good as mine?

 

What can I say about Powder Burns? Not that much actually. What we have here is an ultimately unforgettable film. A clumsily staged and acted outing that has more unintentional entertainment that intentional. Don't get me wrong, the comedy element works with some genuinely funny dialogue from our sheriff / barkeep. There's some nice talent on show too. Unfortunately, none of the girls are really credited, which is a shame because even though the film lacks in terms of story (an almost porn take on Samuel Fuller's Forty Guns if you will), acting and visually appealing technical elements (with the exception of the occasionally interesting use of handheld cinematography), the girls are very nice indeed and I want to see more! There are some rather odd elements too, including an extended and sped up sequence of people drinking at the bar. I have no idea why that's included, but it is and I suppose it adds to the charm (if a deRenzy film can be charming!) of the film. It's inoffensive enough, but I could see some people having major problems with some of the out of place and odd sequences. If you're here for the porn element, you may also be disappointed as the small amount of actual sex is clumped together within the final third. Yep, this is an unconventional (just like a deRenzy film should be) piece of early porno to say the least. I didn't hate the film at all, I was just expecting much more. I mean, it's Alex deRenzy making a meta western porno! It should have been more entertaining than it was.

Overall, Little Sisters is the better of the two films. Powder Burns just completely pales in comparison. That being said, how can I be too harsh when we are presented with two of deRenzy's earlier works on one disc? It's great that we are getting his work on legitimate disc in the first place! Both films are quirky and unconventional in their own way so folks looking for a different adult experience should give these a try. If you are a fan of deRenzy, chances are you already own this release. If you want a fun experience, then this is a nice double feature that is sure to go down a treat at a drunken gathering! Both films are presented in their original aspect ratio and have been cleaned up as best as possible by Vinegar Syndrome. There is clear print and sound damage, but you have to remember that chances are the original prints were probably not in the best shape. The bottom line is this is the best presentation of these films we will ever get. There are no special features on the disc, but like I said, these are two early deRenzy films so we should be thankful we have them widely available. Let's not forget that the Peekarama series is always brilliantly priced, so you are definitely getting your money's worth. This is a must own release and I look forward to what deRenzy treats we will get from Vinegar Syndrome in the future!

The Little Sisters and Powder Burns double feature is available from Vinegar Syndrome here as well as your favourite online retailers.

Vinegar Syndrome Reekarama Review: Come Under my Spell (1979) / Lady Dynamite (1979)

COME UNDER MY SPELL

(dir: Carlos Tobalina, 1979)

“The film that will bring you up to a joy you're paying for!”

  The film opens up in hip and swinging San Fransisco and instantly we are introduced to some heavy student action. Before the memories of university life get the better of me (yeah right!), we are introduced Fernando, played by Fernando Fortes (I Am Always Ready). Fernando is a foreign exchange student who really, really like animals! Unfortunately for him, he hasn't had any human action since arriving in America. Thankfully, his friend Dave, played by Blair Harris (Teeny Buns) is on hand to try and rectify that. He sets Fernando up with a threesome, but it doesn't go to plan. Being the good friend that he is, Dave decides to cheer him up by buying a cheap copy of a sexual hypnotism book. After studying hard through the power of montage, Fernando embarks on his sexual adventure one woman at a time. He even gets to see some lesbian action! To show his gratitude, he allows Dave to join in from time to time, even if it can get messy (don't worry, you'll see!). The pair even take their creepy new trick to Dave's family at a wedding. How far will they go? How many notches will Fernando and Dave rack up? Will it get in between their friendship? You're either going to have to watch for yourself or find your own hypnotism book!

  Come Under My Spell is as innocent of a film about unwilling sex as can be I guess? The film is played as a slapstick comedy that I'm sure all the feminists and social justice warriors will adore! I found the comedy to be hit and miss. You will laugh more at the clumsy dialogue, especially when it's being delivered by Fernando. Aside from having a few memorable moments, the film does suffer from the occasional dull patch. In terms of the sex, it does deliver. That being said, you will be unintentionally balling (no pun intended) at the sight of little Fernando in nothing but his socks and his arse bouncing around, he's clearly having major fun! I often sigh at Tobalina's extended use of the orgy scene, but thankfully the one (yes, only one!) in this film is much more tolerable than usuals. Thinking about the film in terms of its rather disturbing subject matter and themes makes me chuckle (I do enjoy misguided comedy!). Overall, it's a straightforward film with a fairly solid and paced story with the added bonus of having the likes of Connie Peterson (Chopstix), Liza Dwyer (Over Easy) and Vicky Zederquist (in her only credited role) on screen. It also should be noted that the final third of the film is genuinely great.

LADY DYNAMITE

(dir: Carlos Tobalina, 1979)

“Ready to please!”

 

Colleen Brennan (Supervixens) stars as Valerie, a loyal housewife of 10 years who has just found out from her doctor (Tobalina in an uncredited cameo) that she has contracted the clap thanks to her unfaithful husband. She decides that enough is enough and once cleared up, she begins a deep and personal sexual journey. Her first stop is a wealthy executive played by Blair Harris. He has wanted her for many years and luckily for him, it's all hands on deck on his boat. After a lot of hardcore nautical action, Valerie has a party to attend, a girls only party to be exact. All the girls hit it off straight away and they proceed to get to know each other better and deeper. After some serious ice breaking, the entertainment for the evening arrives in the form of hairy manly exotic dancers. One of which instantly (and disturbingly) reminds me of 80's era Alan Parsons (yuck!). After some seriously dope dance moves, it's orgy time with some added 80's sounding synth beats thrown in for good measure! After the party, Valerie's sexual journey comes to an end and she finds herself back at home with her grovelling husband. Is this her return or the final goodbye?

 
If Lifetime or Hallmark did pornography, this is what it would look like. A very simple melodrama about a woman's personal journey after having her life ruined by someone she loves. What Valerie lacks in logic (remedying Gonorrhoea and a cheating husband by sleeping with multiple partners is completely rational) she makes up for in sass and sex appeal. That is of course thanks to Brennan's performance. Even surrounded by good looking co-stars (I'm talking about the party scene before Alan Parsons cock blocked me!), she is centre of attention. All in all, it's a well acted film with some equally well performed sex scenes (once again, Brennan shines above all!). That being said, some set pieces do tend to drag. The film is re-watchable, if only for the cheesy charm of the music, style and of course Brennan. Fans of Brennan definitely need to pick this one up. Just make sure to use precaution!

Lady Dynamite could be considered the 'better' film of the two, but Come Under My Spell was more enjoyable (albeit unintentionally) for me. Both films do have their moments and it's a better pairing of Carlos Tobalina films compared to some of the previous releases I have covered. Both films have been restored and presented wonderfully. There may be a few visual and audio niggles here and there, but it doesn't detract from Vinegar Syndrome's good work. Each film comes with a trailer, which is always a bonus. Overall, this is a solid release. They may not be Tobalina's most entertaining efforts, but they are far from his dullest. A great introduction to his work as well as an essential release for those completing their Tobalina collection.

Come Under My Spell and Lady Dynamite double feature are available directly from Vinegar Syndrome here as well as most of your favourite online retailers.

PDx