Vinegar Syndrome Peekarama Review: Anticipation (1981) / Flesh Pond (1982)

ANTICIPATION
(1981, dir: Carlos Tobalina)

“Beyond Temptation...”

  Joyce (Sheila Parks, Casanova II) and Jerry (Jesse Adams, Deep Rub) are newlyweds who, after some mind numbingly awkward conversation, make love for the first time. After breaking in the cheap motel bed (how romantic!), the pair talk about Jerry's brother Steve (Joey Silvera, Carnal Haven), who apparently had problems with his parents when he announced that he was marrying a girl with a reputation by the name of Wendy (Karo Akamoto in her only role). We also find out that he is set to be released from prison for accidentally killing (or so he thought, just watch, it makes sense) the lover of his cheating wife. Once released, the brothers are reunited and introduced to their new sisters-in-law. Whilst on a trip to what looks like the coldest beach ever, Joyce and Steve begin to have forbidden thoughts for each other. Actually, so does Jerry and Wendy! After some awkwardly narrated daydreaming from everyone involved, Jerry and Steve confide in each other and their mother that they love other women. Before they can act on it, they get invited to Serena's party (seemingly playing herself, Pleasure Palace). Will their secrets be revealed? It's sure going to get messy!

  I'm just going to say it. This is possibly one of the dullest Tobalina flicks I have watched to date. The concept is great and has so much potential, but Lawrence Lance's (thankfully his only writing credit) handling of the script is uninspired and clearly rushed. To say it's paper thin is an offence to the trees that were sacrificed in order to make the napkin this tripe was written on. I won't even comment on how iff target the humour is. The only real entertainment to be had with Anticipation is the slightly worse than usual acting throughout. Not even Joey Silvera, a performer who can act, seems to be giving his all. There's some fairly standard sex throughout and yes, there's the usual orgy which goes on for way too long. There are actual instant replays in the final sex scenes that add an odd charm to the film. Look out for some very awkward, bordering on incest action at the end of the film. The only genuine quality the film has is the music selection which I believe is comprised of original music by Jay Rando (Interlude of Lust) and library tracks selected by Matt Webber (his only credited role). That being said, as much as I love great library music, not even the dirty funky bass lines can save this ultimately forgettable Tobalina quickie.

FLESH POND
(1982, dir: Carlos Tobalina)

“Consumed by pools of passion...”

Paco (Hermon Tobalina in his only role) and his unnamed friend (Reggie Gunn, Lips) have just escaped from prison. They stumble upon a quint little brothel ran by a woman named Drea (Drea, Hot Buns) and decide to hold herself and her patrons hostage. Not only that, but they demand to be entertained whilst they work their next move. Festivities begin when Rita Ricardo (as herself, My Sinful Life) has some fun with her doll companion Johnny Rubber. After that kinky warm up, the action really begins with good old Tobalina fashioned group action, under the firm dictation of the increasingly frustrated Paco. Things are going great (I guess) until Paco's friend gets caught in the crossfire, if you know what I mean? After A LOT of group bonding, Paco is forced to tell of his story to the group thanks to the persistent interest of one of the patrons, a magazine publisher (William Margold, Dracula Sucks). The convicts claim that they have been framed, to the mixed reaction of their captive audience. What's in store for the potentially innocent escapees? Will everyone come out of this situation alive? You know what? It may not be worth it.

I said that Anticipation was one of Tobalina's dullest. Well, this one has just taken that crown. Yes, this was quite frankly awful. Just like Anticipation, there is so much room for creativity. How can you mess up a scenario like this so badly!? You may find this one very hard to keep up with, not because of the complexity of the story, far from it! Everyone looks bored in this production. For such a hostile situation, everyone seems completely indifferent. I won't lie, I had my finger on the fast forward button a lot. This is essentially one continuous group scene with some lazily added 'plot' sequences and recycling of footage. Yeah, this film is more than forgetful. If it wasn't for one or two creative pieces of cinematography from Tobalina himself, the unfortunate money shot and library music, this would have been potentially the worst piece of golden age action I have seen. To Tobalina's credit though, he knows how to sell a film and is quite frugal overall. I bet he made his money back easily on this one, shame it's such a piece of crap.

This is probably the weakest Vinegar Syndrome release I have reviewed so far. I have a love / hate relationship with the films of Carlos Tobalina and these two films perfectly demonstrate why I can hate his work. It's such a shame because these are great initial premises and there are versatile themes throughout. It's just so uninspired in terms of execution. There's only really enjoyment for those looking for unintended laughs, but that's no real saving grace. Vinegar Syndrome are my favourite distribution company. Even though I found the films genuinely awful, I have no negative words to say about Vinegar Syndrome at all in terms of this release. They have dedicated a lot of time and resources releasing the filmography of Carlos Tobalina. Not every film can be a classic, it just appears that by chance, two of his weakest appear here. In terms of presentation, it's another great job with only minor defects. It doesn't help that these films were shot so badly. In terms of extras, we get theatrical trailers for both films. That I definitely approve of! Overall, this release is only really for completests and hardcore fans of Carlos Tobalina. If you're not too familiar with Tobalina's work, give this one a pass for now.

Anticipation and Flesh Pond are available as a double feature DVD from Vinegar Syndrome.

PDx

Time to Kill (2014 Short Film Review)

TIME TO KILL
(2014, dir: Justin Rettke)

As some of you may know, I am a big fan of crime and action cinema. When I was approached earlier this month to check out an exclusive online screening of the short film Time to Kill, a film following the life of a hitman, I was very excited and honoured. That being said, I always feel uneasy when I see some of my favourite concepts and genres being tackled from a comedic perspective. To save spoiling the complete story for you, here's the synopsis:
“For years, we've seen that moment. The hit man, sitting in the chair, moonlight slicing across his face, his gun pointed at his sputtering victim. Harris is such a man, so very good at what he does. What he’s not so good at is filling the time before the kill. Time he spends questioning his life, wondering if he even has one. Harris can kill anything that moves... except time.”
I always go in to films with an open mind, no matter if it's something I seek out for myself or if it's a film that has been sent over by those directly involved. Why blindfully bullshit and give a dishonest review? Thankfully, I can honestly say that I really enjoyed this 10 minute short. Watching a seemingly cold blooded hitman killing time and revealing himself to be just like you and I is a concept I don't think I have seen before. He has his problems just like us regular folk. He's got an overbearing mother, relationship issues as well as wanting more out of his life. An average Joe who just happens to make his money by being a cold blooded killer. Christoper T. Wood (Friends with Benefits) plays the hitman in a subtle, ultimately realistic way and definitely looks the part. Even though he's essentially the only character in the short, he carries the film's narrative nicely.

The film was paced nicely and fitted the 10 minut run pretty much perfectly thanks to some well executed editing from Jack Price (in his first credit) and solid directing and writing by Justin Rettke (Hawaii Five-0), T. Wood and Scott Frank (Her First Black Guy). The comedy aspect is just right. Blending some slapstick elements with juxtapositions and some genuinely witty moments. In terms of aesthetic quality, this is a high quality production with some simple, yet effective cinematography by Michael Marius Pessah (Little Erin Merryweather). It's a good looking film and the sound is equally impressive with a very fitting score by Brandon Vaccaro (Driven to Ride) that adds to mood. All in all, it's just a very polished and enjoyable short that doesn't outstay its runtime or undeliver. It's a subtle comedic character study that fans of comedy should definitely check out. Everyone involved deserves to praised. From what I saw, there's definitely room for a sequel, maybe even prequel, which I would be more than happy to check out.

It's definitely safe to see why it has received the praise and success it has had on the festival circuit.Want to check it out for yourself? Well you can! Those involved have made it available to stream online free:

Time to Kill from Cindy Hong on Vimeo.

A massive thank you to Christopher T. Wood for giving me the opportunity to check out this short prior to release!

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Vinegar Syndrome Review: Madman (1981, dir: Joe Giannone)

MADMAN
(1981, dir: Joe Giannone)

“Deep in the woods, lurks a hideous evil... Don't even whisper his name!”

Regular readers will know that I am not a big fan of the slasher genre. A lot of the times, I am just bored to tears. I would much rather watch a giallo when it's at its most convoluted, than a 'classic' slasher. That being said, I'm a fair guy. I believe every film should be watched at least once before you offer your opinion. Thankfully, the lovely folks over at Vinegar Syndrome have been sending over many films that I have never heard of and films that I wouldn't usually check out. Last year they released the slasher classic, Graduation Day. I was pleasantly surprised by the film (Christopher George hamming it up always helps). Fast forward to today, they have recently released another cult classic from the slasher genre. That film is Madman from 1981, directed by Joe Giannone. This is a film I have seen pop up in discussions for years. Thanks to Vinegar Syndrome, I can finally see what all the fuss is about. I won't bore you with a retelling of the film because I'm guessing you will have already watched it. I will however, do a good old fashioned cut and paste job of the synopsis because I am a true professional:
“Years ago, Madman Marz violently murdered his family only to escape into the woods before his execution could be completed. Legend has it that anyone who calls his name above a whisper can summon him back to continue his bloody rampage. But teenage Richie, away at camp, doesn’t believe the old legend and calls his name. As night falls, strange things start happening at camp and soon Madman Marz is back, axe in hand, to finish the killing spree he started decades ago.”

Overall, I found Madman to be a very enjoyable film. The concept of an urban legend coming to life is simple, yet ingenious. Of course nowadays, it's a played out plot device. What Madman does that many films haven't managed to do for the most part, is create a mythology that actually has some weight to it. Madman Marz is a brute of a character that deserved to have a franchise just as much as Freddy, Jason or Leatherface. For the most part, it's your typical slasher film. That being said, one thing that is clearly evident is that Madman wasn't a film made out of purely cashing in on the slasher boom at the time, but a genuine passion project from all those involved. There is actual care and effort put in to what is essentially an independent horror film. Instead of a quickly shot and thoughtlessly staged effort, we have a stylish production lensed by James Lemmo (Ms.45). Although not brilliantly acted, the cast do a good job throughout, especially Frederick Neumann (Reversal of Fortune) as the camp leader and Madman Marz himself, Paul Ehlers (Ink & Steel). The film isn't as brutal as other slashers, but the kills are varied and bloody enough to satisfy the gore-hounds. One thing that stood out to me was the score which is brooding and electronic. It adds to the tension of the film. Speaking of which, Madman is full of tension and has a genuinely creepy atmospheric feel that helps the film stand out. This isn't just another schlocky slasher with a cheap gimmick and over the top gore. It's easy to see why Madman has a cult following. I've been more entertained by this film than I have by all of the bigger franchise efforts combined. It's not a perfect film and I'm not suddenly an advocate of the genre, but Madman is a competent enough effort that has charm. I was very pleasantly surprised, but then again, my expectations are always low for films like this. If you haven't seen the film before, give it a try.

In terms of picture and sound quality, the film is newly restored in 4k from the camera negative and I think have Vinegar Syndrome have once again done a stellar job. My only reference to previous releases of Madman are from screen-grabs, but boy this presentation wipes the floor with what was perviously available. A film like this shot entirely at night is always going to be a cause for concern when it comes to restoring, but fear not! The blacks are solid enough the colours are nice and crisp. Vinegar Syndrome have done one of their best restoration jobs here. The sound is also just as solid and helps lifts the synth score to another level. I'm only going off the DVD by the way, you're really in for a treat with the Blu-ray! You may want to sell off your old Anchor Bay DVD, but this release and use the change to buy some pizza and beers for a weekend screening! The best aspect of this release for me is the wealth of extra features. Naturally, you get the theatrical trailer, TV spots and vintage still gallery. There are also commentaries from The Hysteria Lives! As well as the producer, director and cast. Alongside the usual extras you get Victor Bonacore's feature length documentary The Legend Lives: 30 Years of Madman which includes a wealth of information and anecdotes. There's also featurette celebrating 35 years of Madman as well as new interviews with cast and crew, some conducted by the folks over at Deadpit Radio. To top if off, you also get a selection of songs inspired by the film which is the icing on the cake. Yep, this is as definitive of a release as you will get.

Overall, this is an essential release for both lovers of the film as well as those wanting to experience this cult classic for the first time. Like I said, I am no real fan of slashers, but I have to thank Vinegar Syndrome for making me experience and enjoy a film I wouldn't have rushed out to see any time soon. Go buy this release, but remember to breathe his name no louder than a whisper!

Madman is available as a DVD / Blu-Ray combo from Vinegar Syndrome.

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Vinegar Syndrome Peekarama Review: Fast Cars Fast Women (1981) / Starship Eros (1979)

FAST CARS FAST WOMEN
(1981, dir: Scott McHaley)

“With Every Lap She Will Shift Your Gears!!!”

Our film opens up with a cute little blonde named Kristy, played by Sylvia Benedict (The Bitch Goddess), getting pulled over by a cop. Even though she is more than willing to 'cooperate' with the officer, she still gets the ticket! No need to worry though, she's on her way straight away because she has an appointment with the feisty Molly, head of the Davis Racing Team, played by Kay Parker (Sexworld). Before that however, she has some catching up with her old room-mate Casey, played by Carolyn Jackson (Anytime Anyplace). I think you know what I mean by 'catching up'. As they are busy being reacquainted, we meet Molly's rival. He's a sleazy piece of work named Orson, played by Al Chiurrizi (in his only starring role). His second in command is Dutch, played by Ron Jeremy (Orgazmo). He too is a sleazy piece of shit, but with added moustache! Dutch wants to buy Molly out, but she is one tough cookie. So much so, that even the blatant tampering of her cars (which lead to a fatality) won't make her succumb to his harassment. That's one hell of a woman right there! Anyway, once Kristy has met with Molly and has been warned about the potential dangers, she's on the team straight away and ready for action. Before we get to see any racing action, there's a hell of a lot 'team bonding'. Enough to make even the likes of Bernie Eccleston blush! Once we do get to the tracks, Kristy sure shows us that she knows her way around a gear stick. Will her new career take off? Will she be Dutch's next victim? Can she be bought!? Well, you're going to have to buckle yourself in and find out for yourself!

Fast Cars Fast Women is a very enjoyable piece of film. There's a great story there that has depth and is somewhat original. The acting isn't the greatest, but the likes of Ron Jeremy and Kay Parker more than make up for that. The female cast throughout (PATRIARCHY WARNING!) are very pleasing on the eye, but not only that, they are all strong characters. The racing action is well done, but is taken down a gear compared to the 'off road' action. Speaking of which, the hardcore elements of this entry are all solid and if you like a bit of lady love, there's enough here to shake a stick at. It's always a good thing seeing Kay Parker on screen! Aesthetically, this film is very competent. There's a great use of an actual racetrack and some of the cars on display are just as nice to look at as the female cast. It's shot well and stock footage is incorporated somewhat seamlessly, we are nowhere near Mattei territory in that regard! For those looking for some good laughs, there's some really spot on humour throughout. There's even a nice amount of fighting in the film. It's clear this was directed by a stuntman! All in all a solid effort that has something for everyone!

STARSHIP EROS
(1979, dir: Scott McHaley)
“A probing of sensual space...”

We are thrown in to the future. 1995 to be exact! We join the all female crew of the Feminist Regime Starship Eros headed by big haired Commander Venus, played by Lily Rogers (Indecent Exposure). Her crew consist of the cute and sex starved newcomer, Executive Officer Moon, played by Becky Savage (Sexloose), the nearly as cute Communications Officer Bev, played by Beth Evans (in her only starring role) and their part human / part not quite C-3PO robot assistant Quasar, played by Mike Ranger (Taboo). The new Executive Officer makes quite an 'impression' on her new colleagues. Even good ol' Quasar gets to experience her credentials hands on, even if there are the occasional wiring problems (robots can suffer too!). After the usual greetings, the team embark on their Search and Destroy mission, involving a ship piloted by raging lesbian Amazoids! Even with such an important mission ahead of her, Moon can't help but make the most of her new robotic companion, so much so that this leads to a punishment (I think) at the hands of Commander Venus. It makes Princess Lea's enslavement look like child's play... Ok, maybe not! After her punishment, the crew manage to track the damaged (oh, there was an uneventful dogfight by the way) Amazoid ship to a nearby planet. Before the crew of Starship Eros have chance to land, they manage to beam up Megan, the Amazoid captain from the ship before it explodes. Naturally, they interrogate her and show her what a man is like (poor Quasar, you'll know when you see Megan!). Yep, more 'torture' ensues! Oh well, at least Quasar's wiring problem gets sorted out and hey! Megan becomes a new member of the crew! Not even Star Trek showed us this much unity!

All in all, Starship Eros is an entertaining piece of hardcore sci-fi that is blatantly (some may say poorly) cashing in on the Star Wars and Star Trek boom of the time. McHaley has written and directed a fairly solid, if not obscenely simple story that plays second fiddle to the hardcore elements directed by producer Wesley Emmerson (Foreplay). That being said, it's clear that the story wasn't just thumbed in after hard scenes were shot. The sex, although seemingly dominating the runtime, work well within the film and are done to a high standard. If you have ever wanted to see a glorified C-3PO halloween costume getting down, you're gonna get a laugh from the scenes he stars in. Personally, I could have done with more Quasar, but oh well. Arguably the stars of the show are actually the special effects and miniatures created by McHaley and K.M. Kemper. Although crude and nowhere near as good as what we would see from the likes of Star Trek and Star Wars, they do add a level of scope to the film and add production value. The aesthetic elements of the film as a whole are impressive and are captured nicely by Pablo Lepell's (Weekend Fantasies) cinematography. All of the charm can be found within those elements. The score (I'm guessing a collection of library tracks) is the icing on the cake. As far as low budget (the film was shot within a few days in a basement) hardcore sci-fi goes, this is an enjoyable and competent enough effort. Not bad for a directorial debut from a stuntman!

Overall, both films are presented wonderfully. Aside from a few dips in picture and sound quality at times, there's nothing to complain about Vinegar Syndrome's 2k restoration. Both films are stylish in their own ways and the retoration really shows how nice these relatively low budget efforts are. Once again, for a stuntman, these are two interesting and entertaining films. In terms of special features you get the trailer and additional softcore scenes for Fast Cars Fast Women and a brief audio introduction for Starship Eros from producer Wesley Emmerson. This is definitely a unique release that showcases two films from a director whose career behind the camera was short. From both a historical and entertainment standpoint, this is a really solid release!


The DVD double feature is available from Vinegar Syndrome here, as well as your favourite online retailers.

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Vinegar Syndrom Drive-In Collection DVD Review: Marsha the Erotic Housewife / For Single Swingers Only / Her Odd Tastes

FOR SINGLE SWINGERS ONLY
(1968)

“The first inside look at what really goes on inside those apartments.”

  The film is introduced by one of our main characters Gracie, a blonde Scandinavian bombshell played by Heide Andersen (in her only starring role). This is her story. Gracie and her friend Gloria, a dark haired, almost tomboyish woman played by Sharon Sanford (also in her only starring role) are looking for a new apartment. I say both, because it's mainly Gloria doing the had work as Gracie is awkwardly cleaning herself in the shower. After much frustration and loose ends, Gloria finds a classified ad for a quiet apartment complex looking for tenants who are single swingers only. After being shown round by a rather curvy, but ultimately unattractive redhead, they decide to move in right away! They make an impression on their neighbours almost instantly,especially a couple of “young” and free guys by the name of Dave and Artie. Not only are their neighbours friendly (in that typical creepy swinger sort of way), but this apartment complex has everything you would ever need, including a sauna and gym that has a strange vibrating platform thingy! Awesome! Needless to say, this place sure has seen some action over the years! With two new tenants moving in, the action sure does continue. Could this be a care free sexual haven for the young girls or is there something a bit more sinister and sordid going on?

What can I say about this one? There's bad hair, kitschy fashion and a lot more plush animals than I was expecting. Don't worry, there's plenty of ladies showering and innocent nudity. You get a nice dose of boobs and bum, but there's no intimate lady parts on display I'm afraid. There are even instances where female genitalia is blocked by awkwardly hanging towels and props. Closest thing to a close up is of a nice pair of white undies. Yep, so sexy! You also get some peeping toms, scuzzy guys who look much older than I think intended, some hints of lesbian action and damn fine awkwardly staged soft-core sex. Clumsy is THE word with this film actually. This isn't a great actors film by any means and even though Andersen seems genuinely Scandinavian, her accent sometimes sounds like a bad impression. Overall, this is a cheap and quickly shot film. It's quirky enough I guess, but I found the film overly long and quite dull. I will give it brownie points for one of the strangest and final thirds in cinema I have seen as well as an actually almost sinister ending.

HER ODD TASTES
(1969)
“A Bizarre and Intimate Journey for Adventurous Adults”

Marsha Jordan (The Golden Box) stars as Chris, a woman whose life is far from from dull! When she's not giving herself neck massages with vibrators, she likes to divulge in a tiny bit of incest with her sister Lisa, played by Capri (Executive Wives). One night as she's having some sisterly fun, Chris decides that she needs to move on. Naturally, she takes the step of becoming a vibrator saleswoman. Her work takes her to many places, but employment comes to an abrupt end when one of her demonstrations becomes fatal! Thankfully, help is only a car ride away and she befriends a publisher by the name of John, played by Michael Perrotta (The Idolmaker). After cleaning up the crime scene for Chris, he returns with the journal of her recently deceased lover. Turns out he was a sex researcher (where was that degree when I was studying at university!?) who was travelling around the world researching pain and pleasure. John offers to publish the journal if Chris carries on his research. So after a bit of fireside nookie and yet more vibrator neck massages, her journey begins. She starts by traveling to Hong Kong to find a prostitute mentioned in the journal, unfortunately for Chris, she is long gone. Thankfully, she befriends a Madam and gets a proper massage, with a happy ending of course! She then travels to South Africa and gets tricked in to a Satanic sex ritual (I hate getting tricked like that). After they've done with her, she gets dumped in the hearts of the jungle. She is saved by a hunter and his son and after causing some family rifts (the fatal kind) she ends her travels by visiting Tunisia to get oiled up with a Sheik. It's a tough job, but someone's got to do it!

Who would have thought incest, murder, rape, Satanism and sleazy globe trotting (of the stock footage type) could be so dull? This effort plodded on at a pace a snail would scoff at. Sure, there's a mixed array of sexual situations, but again, they're executed so clumsily and are about as attractive as a gallery of Susan Boyle nudes. Not even the unintentional comedy of the stock footage and clearly American landscape disguised as an African jungle could keep me entertained with this one. On a personal note, Marsha Jordan reminded me of a Russ Meyer styled mature Barbara Windsor, yep. All in all, this was just a very dull film when it shouldn't have been. Not a fan at all I'm afraid!

MARSHA THE EROTIC HOUSEWIFE
(1970)
“She does what she LOVES...and she LOVES what she does”

Marsha Jordan returns as Marsha, who has recently just married a chap named Gerry, played by Edward Blessington (Cuba Crossing). Things are going wonderfully for the couple, until good old Gerry decides to play away with a young redhead by the name of Natalie, played by Luanne Roberts (Thunderbolt and Lightfoot). The pair met had their first 'encounter' whilst Gerry and Marsha were enjoying their belated honeymoon. Although initially unaware, Marsha discovers Gerry's skeezy little secret and just what kind of man he really is. Understandably heartbroken and angry, Marsha decides to take the ULTIMATE revenge by not abusing Gerry's upcoming pay rise, but also bedding any man she can lay her hands on. Things come to a head at a neighbour's house party and Gerry is confronted not only by Marsha but her own secret. Is fighting fire with fire the answer? Will their relationship continue? WHAT ABOUT THE BABY!?

Overall, this is the most 'accomplished' film of the three. That being said, it's also in some respects, the dullest. If you are looking here for some good old soft-core kicks, be warned that this is more of a straight faced morality melodrama than anything else. There is some well placed humour injected throughout and the dialogue is strong compared to the previous films, but it's still scraping the bottom of the barrel on the enjoyability scale. There's nothing I can really say that I haven't said before. If you are a fan of late 60's and early sexploitation (pretty much films Something Weird would have released) then these are interesting enough pieces. I just didn't find these films entertaining at all. I wasn't expecting high class or top drawer artistry, but this was just quite vanilla and uneventful. These are cheap drive in films that I could only recommend to completists of the genre. I've never really been a big fan of these types of films and early roughies (you know the kind), but I will continue to try when they become available.

In terms of the release itself, the films are presented fairly well. The prints were clearly in bad condition as all films contain evidence of print and sound damage, but once again, Vinegar Syndrome have done as good as a job as can be done with what materials they had to use. I can't compare the prints to previous Something Weird releases, but this is the best you will probably ever see these films look. There are no extras on disc, but you are getting three films for a great price. Like I said, I can't really recommend this release to everyone. If you love this sort of thing, this is a must own. If you're getting in to this sorta cheesecake beehive hairstyle sexploitation cinema (I may trademark that), then maybe watch some of the genuine classics before picking this up. Sorry Ms. Jordan, you have wonderful breasts, but this really didn't do anything for me or Peter Junior!

This release is available directly through Vinegar Syndrome as well as your favourite online retailers.
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Vinegar Syndrome Peekarama Review: Little Sisters (1972) / Powder Burns (1971)

LITTLE SISTERS
(1972, dir: Alex deRenzy)

"The maker of Censorship in Denmark & History of the Blue Movie has reached a new plateau in adult films."

As you can see, there is no written review for Little Sisters. I have however, recorded an episode of Mondo Squallido looking at the film. Find out what I think of it by clicking this lovely video:

POWDER BURNS
(1971, dir: Alex deRenzy)

"OUTLAW MEN - WILD WOMEN"

  After a montage of the vastness of the desert (we're nearly in Herzogian territory here!) we are thrown balls deep in to a small shoot out. Yep, welcome to the Old West! Well, not exactly! Aside from cowboys, horses and fitting music, we also have chaps wearing aviator shades and scrapped cars laying about. The year is actually 1969 and we're in the small town of Sewer Pipe Creek. The local sheriff (and barkeep) is having a spot of trouble with the pesky McNasty Brothers, a trio of brothers who like to cause chaos in the town for a couple of weeks once a year. Our hero runs the scum out of town and as a result, his saloon girls aren't too happy because although a troublesome threesome, they spend more money in the town in two weeks they are gallivanting than the locals do in a whole month. Cut to a year a later and we see the now former sheriff pondering on his career and life as he knows it. After trying to unsuccessfully woo his only remaining saloon girl, a new face appears in town. A young and curvy blonde go-go dancer nicknamed “The Golden Dream”. She struts her stuff (and what a lovely pair they are!) for the barkeep and his pals. She is an instant hit, sparking the barkeep to dream of the business opportunities his new dancer can bring to town. As he's drooling over his new busty business venture, the McNasty Brothers are padding out the run time by slowly (I mean VERY slowly) roaming the desert and causing yet more mischief. They eventually return to Sewer Pipe Creek. Will history repeat itself? Well, after some innocent enough drinking and frolicking with the new dancers (that was quick barkeep!), a fight breaks out between the brothers and a couple of locals, resulting in another shootout in which all those involved are killed (even though you can clearly see them still breathing) leaving the girls to rob the corpses! Yep, your guess is as good as mine?

 

What can I say about Powder Burns? Not that much actually. What we have here is an ultimately unforgettable film. A clumsily staged and acted outing that has more unintentional entertainment that intentional. Don't get me wrong, the comedy element works with some genuinely funny dialogue from our sheriff / barkeep. There's some nice talent on show too. Unfortunately, none of the girls are really credited, which is a shame because even though the film lacks in terms of story (an almost porn take on Samuel Fuller's Forty Guns if you will), acting and visually appealing technical elements (with the exception of the occasionally interesting use of handheld cinematography), the girls are very nice indeed and I want to see more! There are some rather odd elements too, including an extended and sped up sequence of people drinking at the bar. I have no idea why that's included, but it is and I suppose it adds to the charm (if a deRenzy film can be charming!) of the film. It's inoffensive enough, but I could see some people having major problems with some of the out of place and odd sequences. If you're here for the porn element, you may also be disappointed as the small amount of actual sex is clumped together within the final third. Yep, this is an unconventional (just like a deRenzy film should be) piece of early porno to say the least. I didn't hate the film at all, I was just expecting much more. I mean, it's Alex deRenzy making a meta western porno! It should have been more entertaining than it was.

Overall, Little Sisters is the better of the two films. Powder Burns just completely pales in comparison. That being said, how can I be too harsh when we are presented with two of deRenzy's earlier works on one disc? It's great that we are getting his work on legitimate disc in the first place! Both films are quirky and unconventional in their own way so folks looking for a different adult experience should give these a try. If you are a fan of deRenzy, chances are you already own this release. If you want a fun experience, then this is a nice double feature that is sure to go down a treat at a drunken gathering! Both films are presented in their original aspect ratio and have been cleaned up as best as possible by Vinegar Syndrome. There is clear print and sound damage, but you have to remember that chances are the original prints were probably not in the best shape. The bottom line is this is the best presentation of these films we will ever get. There are no special features on the disc, but like I said, these are two early deRenzy films so we should be thankful we have them widely available. Let's not forget that the Peekarama series is always brilliantly priced, so you are definitely getting your money's worth. This is a must own release and I look forward to what deRenzy treats we will get from Vinegar Syndrome in the future!

The Little Sisters and Powder Burns double feature is available from Vinegar Syndrome here as well as your favourite online retailers.

Vinegar Syndrome Reekarama Review: Come Under my Spell (1979) / Lady Dynamite (1979)

COME UNDER MY SPELL

(dir: Carlos Tobalina, 1979)

“The film that will bring you up to a joy you're paying for!”

  The film opens up in hip and swinging San Fransisco and instantly we are introduced to some heavy student action. Before the memories of university life get the better of me (yeah right!), we are introduced Fernando, played by Fernando Fortes (I Am Always Ready). Fernando is a foreign exchange student who really, really like animals! Unfortunately for him, he hasn't had any human action since arriving in America. Thankfully, his friend Dave, played by Blair Harris (Teeny Buns) is on hand to try and rectify that. He sets Fernando up with a threesome, but it doesn't go to plan. Being the good friend that he is, Dave decides to cheer him up by buying a cheap copy of a sexual hypnotism book. After studying hard through the power of montage, Fernando embarks on his sexual adventure one woman at a time. He even gets to see some lesbian action! To show his gratitude, he allows Dave to join in from time to time, even if it can get messy (don't worry, you'll see!). The pair even take their creepy new trick to Dave's family at a wedding. How far will they go? How many notches will Fernando and Dave rack up? Will it get in between their friendship? You're either going to have to watch for yourself or find your own hypnotism book!

  Come Under My Spell is as innocent of a film about unwilling sex as can be I guess? The film is played as a slapstick comedy that I'm sure all the feminists and social justice warriors will adore! I found the comedy to be hit and miss. You will laugh more at the clumsy dialogue, especially when it's being delivered by Fernando. Aside from having a few memorable moments, the film does suffer from the occasional dull patch. In terms of the sex, it does deliver. That being said, you will be unintentionally balling (no pun intended) at the sight of little Fernando in nothing but his socks and his arse bouncing around, he's clearly having major fun! I often sigh at Tobalina's extended use of the orgy scene, but thankfully the one (yes, only one!) in this film is much more tolerable than usuals. Thinking about the film in terms of its rather disturbing subject matter and themes makes me chuckle (I do enjoy misguided comedy!). Overall, it's a straightforward film with a fairly solid and paced story with the added bonus of having the likes of Connie Peterson (Chopstix), Liza Dwyer (Over Easy) and Vicky Zederquist (in her only credited role) on screen. It also should be noted that the final third of the film is genuinely great.

LADY DYNAMITE

(dir: Carlos Tobalina, 1979)

“Ready to please!”

 

Colleen Brennan (Supervixens) stars as Valerie, a loyal housewife of 10 years who has just found out from her doctor (Tobalina in an uncredited cameo) that she has contracted the clap thanks to her unfaithful husband. She decides that enough is enough and once cleared up, she begins a deep and personal sexual journey. Her first stop is a wealthy executive played by Blair Harris. He has wanted her for many years and luckily for him, it's all hands on deck on his boat. After a lot of hardcore nautical action, Valerie has a party to attend, a girls only party to be exact. All the girls hit it off straight away and they proceed to get to know each other better and deeper. After some serious ice breaking, the entertainment for the evening arrives in the form of hairy manly exotic dancers. One of which instantly (and disturbingly) reminds me of 80's era Alan Parsons (yuck!). After some seriously dope dance moves, it's orgy time with some added 80's sounding synth beats thrown in for good measure! After the party, Valerie's sexual journey comes to an end and she finds herself back at home with her grovelling husband. Is this her return or the final goodbye?

 
If Lifetime or Hallmark did pornography, this is what it would look like. A very simple melodrama about a woman's personal journey after having her life ruined by someone she loves. What Valerie lacks in logic (remedying Gonorrhoea and a cheating husband by sleeping with multiple partners is completely rational) she makes up for in sass and sex appeal. That is of course thanks to Brennan's performance. Even surrounded by good looking co-stars (I'm talking about the party scene before Alan Parsons cock blocked me!), she is centre of attention. All in all, it's a well acted film with some equally well performed sex scenes (once again, Brennan shines above all!). That being said, some set pieces do tend to drag. The film is re-watchable, if only for the cheesy charm of the music, style and of course Brennan. Fans of Brennan definitely need to pick this one up. Just make sure to use precaution!

Lady Dynamite could be considered the 'better' film of the two, but Come Under My Spell was more enjoyable (albeit unintentionally) for me. Both films do have their moments and it's a better pairing of Carlos Tobalina films compared to some of the previous releases I have covered. Both films have been restored and presented wonderfully. There may be a few visual and audio niggles here and there, but it doesn't detract from Vinegar Syndrome's good work. Each film comes with a trailer, which is always a bonus. Overall, this is a solid release. They may not be Tobalina's most entertaining efforts, but they are far from his dullest. A great introduction to his work as well as an essential release for those completing their Tobalina collection.

Come Under My Spell and Lady Dynamite double feature are available directly from Vinegar Syndrome here as well as most of your favourite online retailers.

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