Vinegar Syndrome Review: Deathrow Gameshow (1987)

  “Chuck Toedan Wants You ... To Die Laughing!”

Chuck Toedan (John McCafferty) is the host of the popular yet controversial game show Live or Die in which the contestants are death row inmates who get one last shot at fame, freedom and prizes for their families (there's an idea for you President Trump!). After beheading a good old fashioned family man, Chuck is greeted by a rowdy group of protestors outside of the studio, one of which being the beautiful leader of the Women Against Anything Men Are For (WAAMAF for short or what we call feminists nowadays) group; Gloria Sternvirgin (Robyn Blythe). Their paths cross again when they guests on a chat show debating moral value of Live or Die. Their debate bleeds out in to the parking lot until they are suddenly attacked by a couple of armed goons. Making a quick getaway, Toedan makes the realisation that they are grunts from mafia trying to seek revenge for the death of the head of the Pappalardo family, a previous contestant on his electrifying game show. This puts both his and Sternvirgin's lives in danger and he is posed the biggest moral question of all – should he continue with the show or get his well groomed behind out of the picture before it's rubbed out by someone else? Well, money talks so he carries on, but when Luigi Pappalardo (Beano) is sent to finish off the job, maybe that will convince him.

  As you can tell by the concept and some of the names used in the film, this is one of those camp and off-the-wall late 80's comedies. As with a lot of these low-budget horror comedies, the humour is there, but doesn't always work. Some of the character's names did give me a giggle and there is a genuinely funny gag involving a children's crossing and a great moment of fourth wall breaking (probably my favourite segment of the film). That being said, there are many crude jokes, innuendos and all round childish gags that did make my eyes roll. As much as that aspect did often frustrate me, this film never takes itself too seriously and you do get the impression that this was a fun shoot to be involved in. The story is fairly simple, but works and is well paced. Quite well written actually. The actors put in a decent effort and have great chemistry (thanks to the fact that nearly everyone involved has worked with each other multiple times up to that point.), but there are moments that do make you cringe slightly. In terms of production value, I think everyone did a solid job. Craig Bassuk's cinematography is solid with some really nicely staged shots. Tim Shoemaker's editing is equally solid, if not better. As well as that, there's some great stunt work, practical effects and a great score / soundtrack from Gregg Cross (the film's opening theme is great and worth a listen on its own!). All in all, it's a very solidly crafted and executed piece of low-budget comedy. It may not be my cup of tea, but I can definitely see why this has a cult following.

  For fans of the film, you are in for a treat with this release from Vinegar Syndrome. The film is scanned, restored & preserved in 2k from the 35mm original camera negative in a DVD & Blu-ray combo release. The film looks and sounds great, especially the vibrant colours used throughout. As well as that, there's an introduction to film by Mark Pirro as well as a commentary track with himself, Blythe & McCafferty which I found to be both insightful and full of great trivia. To compliment that, there's the 2015 Director's Cut of the film which has some quite questionable additions and tweaks (Pirro does refer to it as a Lucas-like remaster), a trailer, TV spot, image gallery and a director bio. The main special features on this disc are the making of documentary (includes information found in the commentary as well as other entertaining nuggets) and couple of Pirro's short films. These are Buns (1978) and The Spy Who Did it Better (1979). Buns follows a serial killer who murders anyone eating a hamburger and The Spy Who Did it Better is a nice parody (correct music cues and all) of the James Bond films. Both films have the same bizarreness and often bad taste that we find in Deathrow Gameshow and are great additions to this release. I actually think The Spy Who Did it Better is my favourite thing on this disc. All of these wonderful extras are topped off with reversible artwork. All in all, this is a must for hardcore fans of the film and those who like the campy side of 80's cinema. The film wasn't great, but it was by far a dull experience and I have to give credit where credit's due; it's great to see that Pirro is still very active in low-budget scene today. How many times can you say that!?

Deathrow Gameshow is available as a DVD / BluRay Combo from Vinegar Syndrome as well as being streamable on Exploitation.tv.

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Vinegar Syndrome Review: Murder Weapon / Deadly Embrace (1989)

  “They lust for revenge... They do it at night... And they're more than lethal.”

When mobster daughters Dawn (Linnea Quigley, CREEPOZOIDS) and Amy (Karen Russell, VICE ACADEMY) by chance meet in an insane asylum, the pair hatch a plan to free themselves. They do this by manipulating and downright blackmailing their psychiatrists Dr. Randolph (Lyle Waggoner, WONDER WOMAN) and Dr. Gram (Lenny Rose, BEACH BABES FROM BEYOND). Once successfully free, the pair decide to celebrate their freedom by holding a little get together. They decide to invite their ex-boyfriends Kevin (Stephen Steward, SHOCK CINEMA VOL.4), Eric (Michael Jacobs Jr, DIE WATCHING), Cary (Allen First, AMERICAN RAMPAGE), Billy (Richard J. Sebastian, DREAM A LITTLE DEVIL), Jeff (Eric “Garbage Day!” Freeman, SILENT NIGHT, DEADLY NIGHT PART 2), Bart (Rodger Burt, LADY AVENGER) and Al (Allen Tombello, EVIL OBSESSION) to celebrate their release and hopefully get a little of welcome home action. Although something of a sausage fest, the party is going well and everyone is having a damn good time. Unfortunately however, things take a sinister turn when the boys slowly start getting picked off one by one in bloody and gory fashion by a mysterious clad killer. Is this the work of rival crime families? Maybe there's some jealousy between the male party guests? Could the father of one of the girls be involved or could it just be the girls getting their revenge on past lovers?

  I have to say that going in to this film, I really wasn't expecting too much. Thankfully, what I got was a damn good time. First of all, the story is simple, but works well. It's a solidly written effort from Ross A. Perron (this and AMERICAN RAMPAGE being his only credits) and the use of flashbacks to further the story and answer some of the twists and turns is quite refreshing in such low-budget schlock of its time. There's not too much to some of the characters, but it doesn't matter too much and never hurts the film. Performances through may not be Oscar worthy, but again, it doesn't matter and what are you really expecting? For me, one of the greatest surprises with Murder Weapon is the violence and gore. I was expecting the occasional fit for purpose cheesy gore gags here and there, but what we have instead are a collection of genuinely nasty and quite shocking moments of gore. David P. Barton (300) and his team do a very impressive job indeed with the practical and make up effects. Another quite thing is the fact that the violence and gore is used sparingly adding that punch that most films would lack in that regard. Editing and cinematography are both solid enough and the only slight problem I had with the technological aspects was the sound. Even that is a minor gripe because the only time it was a real issue was when Del Casher's (TROPICAL HEAT) score would be playing over some of the dialogue. Like I said, a minor gripe. All in all, it's far from a perfect film, but it's a damn enjoyable one. It may be a little light on the sleaze and erotic elements, but Karen Russell and Linnea Quigley are a very potent combination so you smut peddlers out there will appreciate that aspect!

  _

“When adultery turns to obsession, the climax may be murder...”
Chris Thompson (Ken Abraham, HOBGOBLINS) is your typical teenage college student. He's got himself a stunning wannabe actress girlfriend named Michelle (Linnea Quigley) that he wants to spend the rest of his life with. One day at college after listening to a lecture from rich sleazeball Stewart Moreland (Jan-Michael Vincent, AIRWOLF), Chris finds himself getting a gardening and housekeeping job from said rich sleazeball (it's not what you know, it's who you know!). The only condition is that he has to stay at the residence which isn't too bad of a thing because Moreland's wife is the lonely and horny Charlotte (Mindi Miller, BODY DOUBLE). With her husband away and getting his jollies with his secretary DeDe (Ruth Collins, DEATH COLLECTOR), it's only natural that her cougar sights are set on the fresh meat her husband has bestow upon on her. With a heartless husband and a madly in love girlfriend thrown in to the mix, this could make for a steamy affair or even a deadly one.

  I'd say I hate to surprise you, but I think you know already that it will be the latter. I won't be a prick and completely ruin it for you, but I will say that the final third is probably the strongest aspect of this whole film. The problem with a film like Deadly Embrace is it's not amazing or terrible, it's juts a bit dull. Richard Gabai's (KICKBOXING ACADEMY) script is solid enough, but really doesn't do anything too unique. It's safe to say that you will have seen this film made multiple times in terms of its narrative. The build up to the finale and the psychological aspects however are satisfying, but it's too little too late. Acting is above par and actually a lot more solid than most erotic thrillers of its time and budget, the standout for me being Mindi Miller who plays the bored and lonely housewife perfectly. You sympathise her situation perfectly. The erotic elements of the film work well, mainly in that so bad it's good sort of way. There are those moments where people will be grinding against each other with underwear still clearly visible, but again seeing the likes of Quigley and Miller do make up for that (yes, I'm a pig!). All in all, there's really not too much to talk about with this film. It's your typical 80's softcore erotica, just a tiny bit bland and needing some much spice! Just how was this one of DeCoteau's biggest selling films?

Regardless of what I think of the actual films, this is another winner of a release from Vinegar Syndrome. Both films look and sound great and are presented in 2k from the original 16mm camera negatives. Films of this niche could be seen as undeserving of the restoration they receive, but I for one am thankful that labels like Vinegar Syndrome exist and do exactly this job. The only real imperfections found in the sound and visuals come mainly from the films themselves and the way they were shot, but with that being said, they are both very accomplished productions. Both films come with commentaries from DeCoteau and Quigley, director introductions, a video trailer for Murder Weapon, outtakes for Deadly Embrace and some striking original artwork with some nice gory reversible art for good measure. Yeah, Murder Weapon completely outshines Deadly Embrace for me, but if you are either a fan of DeCoteau, Quigley or cheap erotic 80's schlock – you are in for a breast, blood and cheesy synth filled treat.

Murder Weapon & Deadly Embrace are available as a DVD & Blu-Ray combo from Vinegar Syndrome.
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Vinegar Syndrome Review: Nightmare Sisters (1988, David DeCoteau)

  “Sex isn't their only weapon...”

Melody (Linnea Quigley, SAVAGE STREETS), Marci (Brinke Stevens, SLUMBER PARTY MASSACRE) and Mickey (Michelle Bauer, LUST FOR FREEDOM) are your typical geeky college girls who just can't seem to find a man. When their fellow sorority sisters leave to have parties and spend time with their significant others, the nerdy trio are left to their own devices and decide to have a little party of their own. With slim pickings in the male department, they call the equally geeky Kevin (Richard Gabai, DEMON WIND) to come over with his friends Freddy (Marcus Vaughter, THE VISITANTS) and Duane (William Dristas in his only role). It seems perfect; three boys, three girls and a house to themselves. That is until they decide to have a séance with a crystal ball that flea market obsessed Marci bought earlier that day. The group unfortunately summon a succubus, possessing the girls in the process and turning them in to beautiful sex crazed demons who are hungry for blood. Thankfully, the boys have some breathing space when a trio of their overbearing frat housemates crash the party and find themselves on the receiving end of the beautiful yet deadly succubi. This gives them time to call rent-a-exorcist Perrin (Jim Culver, LADY AVENGER) to hopefully help them get out of this bind and defeat evil. College should be a safe space after all!

Now before I get in to what I think of the film, it should be noted that the film was shot in around four days using a script that took seven days to write and was shot using loose ends of film from DeCoteau's previous film; Sorority Babes in the Sliemball Bowl-O-Rama. With that out of the way, I have to say that Nightmare Sisters wasn't the greatest cinematic experience I've ever had. For an erotic horror comedy, it didn't really deliver on any of those aspects. Sure, there is a hearty amount of nudity, but it really didn't do too much for me, even though the female cast are easy on the eyes and probably the best thing about this movie. Although overly long, the scene involving nubile bath action did stand out however. Comedy wise, it was your typical schlock humour with more jokes missing than hitting. Aside from one genuinely clever and well executed reference to the The Exorcist, there's really nothing there that will even raise a chuckle. What this film does have going for it is a somewhat intriguing story penned by Kenneth J. Hall (CRITTERS) that ultimately suffered with pacing issues, but did bring something unique to the table. There were also moments that reminded me of Evil Dead that I got a kick out of. That's really all that I can say about this film to be honest. It's one of those films that isn't awful, but just quite dull. However, I will say that under the circumstances, they pulled off a film that actually looks like a film. So it's not all bad.

  Although the film is something to be desired, props should be given to Vinegar Syndrome for not only giving this obscure cheapie a proper release, but for giving it a release it probably shouldn't really have. The film is presented in 2k from the original camera negative. It looks and sounds great with the only visual issues coming from some the film's actual cinematography in places. In terms of extras there's a director's introduction and an intriguing commentary from DeCoteau and Quigley that is more enjoyable than the actual film. To compliment that, there is an alternate TV version of the film that pretty much tones down the sleaze factor and uses alternate takes, an interview with Hall, outtakes, bloopers and some really cool alternate artwork. If you're a fan of this film or those involved, you probably already own this. If not, you have to buy it. Those looking for an entertaining piece of 80's teen sex comedy, you may want to give this one a miss.

Nightmare Sisters is available as a DVD / Blu-Ray combo from Vinegar Syndrome.

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Vinegar Syndrome Review: Dolemite (1975, D'Urville Martin)

  "Bone-crushing, Skull-splitting, Brain-blasting ACTION!”

Dolemite (Rudy Ray Moore, The Human Tornado) has spent a couple of years behind bars after being set up by rival pimp Willie Green ( D'Urville Martin, Black Caeser). His luck changes when his madam Queen Bee (Lady Reed, Disco Godfather) pays the prison warden a visit providing evidence of Dolemite's innocence. With the warden now rightfully suspecting that Green and a few crooked cops including the hot-headed Mitchell (John Kerry, Black Dynamite) are behind Dolemite's imprisonment, he organises an early release so that Dolemite can clear his name. Unfortunately however, it's not all good news as Green is also responsible for killing Dolemite's young nephew. With revenge well and truly on his mind, Dolemite instantly (well, after some back seat limo action at least.) puts a plan in to action. No matter if it's a brother or a no-business, born insecure, honky junkyard motherfucker, Dolemite is kicking ass and taking names. It won't all be plain sailing though because the word is out and both Green's men, the slimy Mayor Daley (Hy Pyke, Blade Runner) and crooked cops alike all have Dolemite in their sights!

Where in the name of all things funky do you start with a film like Dolemite!? Well, probably it's reputation and cult status. From inspiring the likes of Quentin Tarantino (Pulp Fiction) and Snoop Dogg, to being played at drunken bad movie nights; Dolemite is a film that every cult film fan should have at least heard of. There's the infamous crude overall filmmaking techniques (BOOM IN THE SHOT!) and the even more infamous and crude dialogue spat out with comedic precision from Rudy Ray Moore. If this film is to be summed up in one word, that word has to be politically-incorrect. In this age of Social Justice Warrior culture and collectivism, there is no way in Hell that you'd be able to make this film nowadays. There's more racial tension here than a Black Lives Matter Tumblr thread! If that stuff isn't your thing, maybe you can revel in the sheer mastery that is the martial arts on show. You haven't seen anything so gloriously amateruish in your rat-soup-eatin' life! Of course, it's not just the boys having fun, there's plenty of hard hitting action from Dolemite's army of Karate Kickin' ladies. This film has it all! If you want a truly psychotronic experience that actually lives up to the reputation, you shoul stop reading this and go buy yourself a copy now, but I'm not finished yet. You dig?

  Dolemite is all about cheap thrills and one of those thrills is the way the film was made. Clumsily staged shots thanks to Nicholas Josef von Sternberg (Tourist Trap) are complimented brilliantly by sub-par acting. Even the boom mike puts in a memorable performance! Although a cheap looking film, there is genuine style with great set design by Rudy Ray Moore himself and wonderfully loud fashion. As well as that, there's a genuinely brilliant score and original music from Arthur Wright (Savage!) that not only elevates the film, but will have you clicking your fingers and tapping your toes. This blaxploitation gem has all the style your pathetic honky ass can handle. Dolemite is about the experience. Sure, you can invite your friends round have a good timke laughing at the film, but when you take in to consideration the time and effort put in, you can't be help appreciate this shoddy little number. Rudy Ray Moore was destined to be a star and this film put him well and truly on the map and in to the hearts of cult films. This is one groovy little number you don't want to miss!

Although the film was somewhat widely available prior to this release, Vinegar Syndrome have put together the definitive edition. The film is presented and restored in 2k and considering it's crude elements, looks and sounds fantastic. To go along with that you also get the option to watch the alternate full frame “boom mic” version of the film which should provide an extra bit of entertainment to you trash conniseurs! In terms of extras there is a wonderfully in-depth and entertaining commentary track provided by Rudy Ray Moore bigorapher, Mark Jason Murray, an equally insightful and entertaining documentary about Rudy Ray Moore and the film, an extented interview from Queen Bee, trailers for both the film and its sequel The Human Tornado, a short then and now location featurette and the reversible artwork consisting of the original poster and newly commisioned art from Jay Shaw. As you can see, this baby got back! This is a must-own release for both hardcore fans and newcomers a like. Vinegar Syndrome have once again done a wonderful job. Do yourselves a favour and find out why Dolemite is his name and why fuckin' up motherfuckers is his game!Dolemite is available as a DVD & Blu-Ray combo from Vinegar Syndrome.

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Vinegar Syndrome Review: Unveiled (1986, Suze Randall)

“Your Most Sensual Secret ... Isn't a Secret Anymore.”

Bob (Mike Horner, Oriental Madam) is a lawyer who has the money, unique sexual tastes and his uptight wife Cindy (Krista Lane, Sensations) who won't fulfil any of his needs. Naturally, Bob turns to his favourite hooker (Patti Petite, For Your Thighs Only) to act out his sexual fantasies. Just like his buddy Bob, Ted (Jake Scott, Flesh Tones) also likes to get his kicks away from home and wife Julie (Erica Boyer, Loose Ends). Unlike Bob however, Ted doesn't need to pay for his thrills as he utilises the “administrative skills” of his secretary (Alexis Greco, The Ultimate Lover). After a hard days “work”, Bob and Ted hit up their favourite bar leaving their wives to do some “catching up” back at Bob's place. Whilst at the bar, the conversation unsurprisingly turns to sex. Sex with each other's wives whilst they are asleep (sure would make an interesting episode of Wife Swap!). The morning after their late night antics, the guys decide to hit up their local sex club and unbeknownst to them, they'll be getting a nasty little surprise of their own!

  After the sheer joy that was Too Naughty to Say No, I have to say that I was pretty underwhelmed with Unveiled. Don't get me wrong, it's not a bad film, but I just found it to drag, especially in the final third. There's a feel of scuzziness about it, but at the same time there's also a light-hearted and almost slapstick style of humour. Horner's portrayal of Bob often reminded me of the characters Will Forte played in Tim and Eric Awesome Show, Great Job! That being said, he was a joy to watch. The stars of the show for me are Krista Lane and Erica Boyer. What they get up to whilst their husbands are away was for me, the highlight of the film. That's not to say there aren't other memorable moments. Another stand out is the mime sex show performed by Taija Rae (Urban Heat) and Horner in his alternate role. A very strange scene indeed. I think the aspect I enjoyed the most was the style. From the cheesy snyth music credited to Cinema Symphony's (Droid) to Steve Aussi's (Sky Foxes) neon and pastel set decoration; this is definitely a film for fellow 80's style enthusiasts! Aside from that, not one of the most interesting or sensual offerings I have ever seen.

Although the film lacked for me, Guido's (Fleshdance) fantastic cinematography looks even better thanks to Vinegar Syndrome's restoration and overall presentation. The colours really pop out of the screen and the sound is of equally high quality. In terms of extras, there is the original theatrical trailer and a nice video interview with Mike Horner himself. All in all, not a bad little release, especially for those who are already a fan.

Unveiled is available on DVD from Vinegar Syndrome.

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Vinegar Syndrome Review: Trashy Lady (1985, Steve Scott)

  (1985, dir: Steve Scott)

Dutch (Harry Reems, Deep Throat) has it all! He's the money, the looks, a happening nightclub called “The Paradise Club”, the reputation and of course; the girl. That is until his girl Jessie (Cara Lott, Taboo 2) has had enough of his attitude and lack of appreciation. Fortunately for Dutch However, a new dame isn't hard to find especially in your own club! On the same night of his split, Dutch sets his sights on the young Katharine (Ginger Lynn, New Wave Hookers), a new girl in town who sells cigarettes at the club. He soon finds out that Katherine (whom he decides to call Kitty) is a little too innocent, timid and ultimately a tad inexperienced. This leads him to reach out to the tough talking Rita (Amber Lynn, Love Bites) who he enlists to loosen up and teach Kitty a few things and hopefully turn her in to a trashy lady. She is more than happy to oblige and begins to school the impressionable Kitty, who of course is a quick learner and a natural. Unfortunately for all involved however, there's a potentially fatal problem; rival gangster Louie (Herschel Savage, Debbie Does Dallas) is Rita's man. He is soon to be released from prison and he may not be too pleased that his girl is playing for (or should that be with?) the other side. Maybe Dutch should have treated his girl a little better?

I remember seeing a trailer for Trashy Lady on one of the many trailer compilations a while back and being quite apprehensive about an adult film shot towards the end of the genre's golden age that was set around the 1920's. Boy was the younger (and slightly less corrupted.) version of me very wrong. Of course, when I found out that the film was not only shot on 35mm, but was also going to get the Vinegar Syndrome treatment, I became very excited. Thankfully, the film lives up to its award-winning and cult reputation. The story is simple, yet solidly told and has gags that genuinely work. Performances are great throughout with the foul-mouthed Rita being my personal favourite. She's trashy, independent and comes out with some fantastic lines. Of course, the bigger names likes Reems, Lynn and Savage once again prove that there was acting skill back in the day. They are backed up brilliantly with much smaller support roles with performances from the likes of Tom Byron (Lust in the Fast Lane) and Rick Savage (Hollywood Vice). To match the acting, the action is also very solid with of course, Amber and Ginger stealing the show.

The biggest thing people will notice is just how cinematic the film is. Ok, Once Upon a Time in America this is not, but for a film that was shot in two weeks, there is so much scope and attention to detail. This isn't one of these cheap looking period pieces. Right from the films opening credits sequence, you know you're in for a treat! Everything from the set design and costumes to the prop newspapers and vehicles look authentic. Even the selection of music throughout is clearly thought out. That being said, some of the interior scenes also give off that “new-romantic” vibe of the time which add another layer to this already stylish piece of sinema. Overall, Trashy Lady is one of the last true greats of the genre in almost every aspect. Not only that, but it does something that films like this often don't; it has plenty of replay value and you won't be fast-forwarding through boring set pieces. Naturally, a film of this calibre has received an equally impressive treatment from Vinegar Syndrome.

First of all there is the choice of reversible artwork which only has one problem; both covers are fantastic so good luck picking which one to use! On disc there is not one, but two commentary tracks; one with DP Tom Howard (A Portrait of Desire) and David McCabe (Creepozoids) with the other coming from Herschel Savage and Bill Margold (Dracula Sucks). Both are informative and entertaining in their own way. To top off this fantastic release there is also Steve Scott's 1971 debut feature; Coming West. Unfortunately, aside from the gorgeous Maria Arnold (Flesh Gordon), Sandy Carey (Deep Jaws) and Starlyn Simone (A Touch of Sweden), I found this tale of three women daydreaming whilst on a rod trip to be a tad dull. Oh well, at least there's a lot early hardcore nookie I suppose! Honestly, it's still great to see early hardcore efforts like this being preserved and becoming easily available to my fellow sleaze-hounds. It's still a wonderful addition and the icing on an already elegantly trashy cake (it's much better than my attempts at wit, that's for sure!) As you can probably tell, this is a must-own release for anyone with an interest in the genre and also a great release for those who still don't think there was artistry in pornography.

Trashy Lady is available as a DVD & Blu-Ray combo from Vinegar Syndrome.

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Vinegar Syndrome Peekarama Review: Robin's Nest (1980) / Bella (1979)

  “There's high flying Action when the pretty little birds flock together...”

Newlyweds Alan (Eric Edwards, Laura's Toys) and Robin (Arcadia Lake, Debbie Does Dallas) spend their first day as a married couple by moving in to their new apartment. Naturally, that evening they christen said apartment like most couples would do and damn do they start married life with a bang! The perfect start to what will be a truly future? Maybe not, because fast forward six months later and the couple's bickering has lead to the pair undergoing a trial separation and Robin to move out. She decides to stay with her high society nympho of a friend; Glenna (Robin Byrd, Pleasure Palace). The pair then do some “catching up”. With her mind somewhat at ease, Robin's healing process is off to a great start! Alan on the other hand is a bumbling, scruffy mess. Thankfully, he gets cheered up by his own nympho of a friend; Larry (Paul Thomas, The Price of Desire) after a chance encounter in the local drinking hole. Unlike Glenna however, Larry is a bit of a creep who in his spare time likes to stalk a cheating housewife known as Mrs. G (Marcia Mager, Sweet Wet Lips). After a few drinks, Larry invites Alan back to his wife Lorraine's (Samantha Fox, Babylon Pink) funded swanky abode. How does he cheer up Alan? By letting him have some “consoling” of his own with Lorraine's young plaything; Honey (Crystal Day, Secrets of a Willing Wife). If things weren't complicated and ugly enough (well, depends on how you look at it.) for both Alan and Robin, the fact that Lorraine is “good friends” with Glenna may just make the situation uglier than it already is!

In a nutshell, Robin's Nest is a simple piece of melodrama with a touch of comedy thrown in for good measure. Stylistically, the film reminded me of a late 1960's piece of sexploitation cinema. After looking at Victor Bertini's filmography, that was no surprise to me as this (his final film) was his first film since a trio of late 1960's sexploitation efforts (his only other directorial credits). Of course, instead of flirty thrills, we have unsimulated sex and even though the cinematography and set layouts are reminiscent of retro cheeseball sexploitation cinema, there is a contemporary (for the time) style and set decoration. It makes for a visually intriguing experience. Overall, the film has a sense of cheapness about it, but Bertini pulls off a somewhat accomplished piece of hardcore cinema. You'd think he'd been shooting X-Rated skin flicks for years! To compliment the action, there's a great selection of music throughout and although credited to an outfit called Goldenrod, it seems more likely that it's just a tactic to hide the (wonderfully handpicked) usage of library music. To match the style, there are great performances throughout from everyone involved. Although only appearing together in a handful of scenes, there's genuine chemistry between Arcadia Lake and Eric Edwards (something I will touch upon again at the end of the review!. It's not exactly the most entertaining film of its kind, but there are some great individual gags throughout and definitely worth watching more than once. On a completely different note, it reminded me of the 1985 shot on video outing; The Initiation of Cynthia, a film I have watched recently... What do you mean you don't care!?

  “The most Classically Erotic film ever made...”With her husband Bob (Jake Teague, Cannibal Ferox) constantly away on business trips, it's no surprise that lonely housewife Susan (Diana Sloan, Dracula Exotica) would begin an affair with the local hunky handyman Tom (Eric Edwards). Unfortunately for her however, her young daughter Bella (Tracy Adams, Fascination) discovers her engaging in her dirty little hobby after returning home earlier than usual one day. Instead of confronting her mother and revealing the truth to her father upon his return, Bella is overcome by lust after witnessing Tom and his DIY skills. Thus, begins a sordid little love triangle. Bella's lust soon turns to love and obsession, but Tom is unwilling to commit. Bella's obsession combined with her jealousy leads her to take drastic measures, involving her friend and all-round unknowing participant; Patty (Arcadia Lake). With the stakes and tensions high, what happens will change everyone and everything forever. Will Bella do something she may regret or can she come to a compromise with her mother? One thing's for certain, this is probably the most hands-on work Tom has ever had to do in his life!

  Much like the previous film, Bella is a melodrama with a simple concept. It may not be the most original of concepts, but it's far from the weakest attempt at the “mother and daughter fall for the same man” plot. Things are pretty straightforward and somewhat vanilla for most of the film, but the final third REALLY stands out. It may not be the most shocking, heart-wrenching or adrenaline filled final thirds, but it definitely leaves an impression. All in all, it's a solidly paced film with only a couple of sex scenes being a few minutes too long. In terms of pornography, there's no complaints at all. Aside from Diana Sloan, the film is well acted and the characters are believable. Although the delivery of her dialogue is wooden to say the least, it doesn't detract too much from the overall film. The star of the show for me is of course the lovely Tracy Adams who really does portray the obsessed naïve lover almost perfectly. That being said, even if her performance wasn't the greatest, you really wouldn't complain. It's a travesty that this was only the second of a handful of films she starred in because she could have made a REALLY big name for herself. In terms of style, the film almost has a feel of Joe Sarno (Abigail Leslie is Back in Town) to it; solid enough erotic, yet kitchen sink drama and genuinely cinematic. It's no surprise the film is shot so wonderfully as porn veteran Carter Stevens (Punk Rock) was behind the camera with complete artistic freedom. Shots are wonderfully and thoughtfully staged and there are some great handheld and dolly shots thrown in too for good measure! You'll be hard pressed to find a film of this nature and budget that looks as good. Overall, this film has a lot to offer and can warrant repeat viewings.

Wouldn't you know? Vinegar Syndrome have done yet another great job with the restoration and presentation of these films. Aside from maybe one or two incidences with clear signs of irreversible print damage, the films look and sound great, especially when it comes to the cinematography of Carter Stevens in Bella. Speaking of Carter Stevens, the main feature on this disc is a short interview with the man himself (why has no one made a feature length documentary about him!?). He talks about his experience and freedom on the film as well as talking about Blue Underground's very own Bill Lustig and his involvement with the film. It's a fantastic little interview and I hope there's going to be much more in the future. The only other special feature is a trailer for Bella. Overall, this is a solid double feature mainly to commemorate the real life relationship between Arcadia Lake and Eric Edwards. It doesn't just work on that level because both films have the same sort of vibes and compliment each other. If you want to see character driven porn, give this release a try! Just don't let your mother find out... Robin's Nest & Bella are available as a double feature DVD release as well as being streamable on Exploitation.tv

Vinegar Syndrome Review: Luther the Geek (1988, dir: Carlton Albright)

  “A movie with a fowl bite!”

When Luther (Carlton Williams in his only role) was a young boy, he witnessed a group of rowdy locals egging on the local Geek (Tom Brittingham also in his only role) to bite the head off a chicken. This combined with him getting his teeth accidentally knocked out by one of said locals in the ruckus leads young Luther to develop a taste for blood. Naturally, this turns him in to a bloodthirsty psycho and paves the way for a life of crime. After serving 20 years and thanks to prison board member Mrs. Butler (Karen Maurise, Dark Skies), a much older and balder Luther (Edward Terry, The Children) is set free. Armed with a set of homemade metal teeth, Luther carries on from where he left off and sets off to continue his reign of terror, one neck at a time! It's not just the chickens who need to watch out. On his rampage, Luther invades the farm of Hilary (Joan Roth, In Transit) and her daughter Beth (Stacy Haiduk, Superboy). Can Beth's hunky boyfriend Rob (Thomas Mils, Bean) and / or bumbling local trooper (Jerry Clarke, Tracks) stop Luther before it's too late? You better clucking well hope so!

  I won't lie, I really found this to be quite a dull film. I know that this is a cult classic for some, but I just don't see what's so special about it. Let's get the positive out of the way; the gore. Both Mike Tristano (Evil Dead 2) and William Purcell (Invasion USA) do a fantastic job with some genuinely gruesome special effects. Unfortunately, that's really the only positive I can give for this film. OK, maybe some of the scenes including the busty Stacy Haiduk “elevated” things slightly, but boobs and blood don't always make a film. Some may be surprised by this, but Luther himself isn't really a memorable character. I mean no disrespect to Edward Terry, but his portrayal of Luther is unintentionally comical and rather camp in places. I know his constant clucking and wide eyes are supposed to inject fear in to the audience, but he seriously makes the quacking killer in The New York Ripper seem like one of horror's true greats. The only unsettling thing about Luther is that he looks like me if I was the balding offspring of Klaus Kinski. Now THAT is truly a terrifying thought! As for the rest of the film? Average in every way. The acting is pretty lame, David Knox's (Captain America: The First Avenger) cinematography is about average and the score from Vern Carlson (Vigilante) is one of those unmemorable late 80's / early 90's synth scores that just exists. Yeah, really finding it hard to even really write about this film because I don't know if I told you this, but it was just so dull! Even though the film may be nothing to shout about, the release itself is!

  You got it folks! This is Vinegar Syndrome once again taking a Troma property and giving it a must own release for fans of the film. The film is scanned and restored in 2k from the original 35mm camera negative and looks and sounds great. To top off another great restoration job there are a whole bunch of extras. All of the extras from previous Troma releases are included as well as an introduction and commentary from Carlton Albright himself, there's a video interview with Jerry Clarke, reversible artwork and the original theatrical trailer. It's a bumper package and even though I am really not a fan of the film itself, listening to Albright talk about the film and those involved is insightful and entertaining. It's one of those instances were the extras are actually much more entertaining than the actual film! If you are already a fan of this film, there's no reason why you shouldn't pick this up. For those wanting to experience Luther the Geek for the first time, this is also a release you should check out, just be warned about the actual film.

Luther the Geek is available as a DVD / Blu-Ray combo from Vinegar Syndrome.

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Vinegar Syndrome Review: Too Naughty To Say No (1984, dir: Suze Randall & Victor Nye)

 

“Nasty Enough To Say Yes!”

Betty (Angel, For Your Thighs Only) is your typical innocent Catholic schoolgirl. One day after studying her bible under the supervision of Sister Rose (Lisa De Leeuw, Pink Champagne) with her party loving friend Catherine (Ginger Lynne, Lust in the Fast Lane), she doses off (religion does that to you.) and finds herself in a world filled with lust, debauchery and some very questionable individuals indeed. Her adventures begin with her watching Catherine get down and dirty with an older guy (Jamie Gillis, Corruption) who thankfully has better taste in women than he does clothes! After the free show, Catherine promises her much more and instantly delivers by sending her to a brothel ran by Madame Rose (De Leeuw again). She's treated once again to a free show, but finds herself the subject of a bidding war between Senator Bribe (Eric Edwards, Laura's Toys), Nazi-like Colonel Vice (Klaus Müller in his only role), Hollywood director Stephen Swinestein (Edward Longly also in his only role) and Bishop John (Milton Ingley, Fantasyworld). Freaked out, she escapes, but things only get weirder! From crooked cops (Paul Barresi, Co-Ed Fever & Rick Cassidy, Widow Blue!) to perverted undertakers (Harry Reems, Deep Throat), Betty's journey through dreamworld is as sordid as it is erotic. Oh well, she'll have some juicy material to share at her next confession!

  Too Naughty To Say No is a naughty little film indeed. Based off characters from de Sade, taking influence from Alice in Wonderland and almost structured like Juliette et Justine, both Randall and Nye have produced a trip of an adult feature. It's not as explicit or as mean spirited as de Sade's work or as outright trippy as Alice in Wonderland, but there are some strange goings on, but the action is still sexy. That's no surprise as Randall herself directed the sex. Some scenes drag on a tiny bit, but they are wonderfully staged and shot. Plus, when you have the likes of Ginger Lynne getting down and dirty, it's OK by me! The dialogue oriented scenes are fun and well acted. Angel's portrayal of the virginal Betty slowly getting corrupted is fun to watch and hey, she's cute as a button. To compliment Angel and Ginger (the latter should have had much more screen time!), there is a very solid supporting cast. It may not be the most memorable performances from Gillis, Edwards or Reems, but they do more than get the job done in their small roles. This is one of hose films that is really quite simple, but very enjoyable. For me personally, films like this from around the mid-1980's often seem to lack charm, but there's really no complaints here aside from some of the sex scenes being a few strokes too long. All in all, this is one of the more interesting films adapted from or influenced by the writings of de Sade.

  In terms of presentation, Vinegar Syndrome deliver the goods (as if they wouldn't) once again. Not only is the film restored beautifully in 2k from 35mm source materials, but it's presented in the correct aspect ratio, a much more superior print than the previous Caballero release. The colours are vibrant and the image is sharp. The only extra is a Joe Rubin moderated audio commentary with Suze Randall, Victor Nye, Amber (of Suze Randall Productions) and Christian McLaughlin. It may be the only extra, but it's a welcome one that is informative as it is entertaining. There is a lot to be gained. Of course, a trailer would have been nice, but I am not aware if one exists, so I won't hold it against Vinegar Syndrome! All in all, this is another solid release of a film that could have been forgotten. Definitely worth picking up!

No... I won't clumsily use the title as a pun to end this review!

Too Naughty To Say No is available on DVD from Vinegar Syndrome.

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Vinegar Syndrome Review: Corruption (1983, dir: Roger Watkins)

  “One man's fantasy is another man's reality!”

Finding himself with a debt that he just can't pay off, Williams (Jamie Gillis, Dracula Sucks) is tasked by shady mafia-like Franklin (Michael Gaunt, Maraschino Cherry) with something of a retrieval mission to a mysterious warehouse containing three coloured rooms; a blue, a red and a black one, each housing a beautiful woman. Williams sends his associate Alan (George Payne, The Taming of Rebecca) to carry out the task on his behalf, but with balls of steel, Alan has taken the item for himself and has disappeared. This leads Williams to pursue him down a gaping glory... I mean rabbit hole. Frustrated and desperate, Williams visits a seedy, desolate nightclub to meet his even seedier half-brother Larry (Bobby Astyr, Punk Rock) for help. Larry offers his help as well as a spot of voyeurism, leading Williams to witness Alan indulging in a spot of necrophilia. Rightfully disgusted, Williams confronts Alan, a man now consumed by his own desires. As this is going on, Felicia (Kelly Nichols, The Toolbox Murders) the young sister of Doreen (Tiffany Clark, Oui, Girls), the girlfriend of Williams is kidnapped and raped by Franklin. With his descent in to madness consuming him, Williams seeks “comfort” literally in his mistress Erda (Vanessa Del Rio, Dominatrix Without Mercy). It will take more than just some sexual healing to get him through what will is already an unforgettable night. God help him when he discovers the true cost of selling his soul.

 
Forgive me for my somewhat truncated synopsis, but I don't think I can truly give a detailed retelling of the film I am reviewing. Not only that, if you haven't watched this gem yet, go in as blind as you possibly can! My peers had praised this film and although I tend to overhype films for myself, I have to say that this one not only met my expectations, but completely blew them out of the water! In a nutshell, Corruption is a nightmarish dive-bomb down a psychosexual rabbit hole. What strikes you straight away is the genuine sense of foreboding right from the off. I have never watched a film of this nature that has had such a genuinely sinister atmosphere. If it isn't the desolate and gloomy locations, it's the juxtaposition found when bursts of vibrant neon colour consume the scenery. You are constantly unnerved and it reminds me of Argento's masterful use of light and colour in his nightmarish masterpiece; Suspiria. I know you're probably sighing at me for making that comparison, but it's true goddamnit! Much like Suspiria, no one is who they really say they are, but instead of witches, we have sexual deviants and scumbags. Everyone has their secrets, motives and will go to great lengths to get what they want. Although Gillis is our protagonist, this is by no means a one man show. Those he comes in to contact with are just as important to the experience. With a cast consisting of the likes of Astyr, Payne, Nichols and Gaunt, it should come as no surprise. Even the small roles from Samantha Fox (Fascination), Tanya Lawson (Fleshdance) and Tiffany Clark are memorable in their own way. It's a great showcase of genuine acting talent.

  The action may not be titillating (except the first scene between Gillis and Clark, there's something about the way she handles herself and Gillis), but it is well executed and performed. There are many perversions on show for all tastes and some of the dialogue is genuinely fantastic. Those who like to see women show dominance will also enjoy Payne's first trio of scenes. You may not be getting off on most of the sex, but the overall style will more than make up for the that. Larry Revene's (Barbara Broadcast) cinematography combined with Watkins' direction make for such a treat. Some could say style over substance, but I think Watkins has scribed a somewhat ambiguous story that instead of confusing the audience, makes them think, question and analyse. From what I can gather, Watkins has taken inspiration from Richard Wagner's Das Rheingold. You are blown away by the style, engrossed by the characters and ultimately longing to revisit to see what you may have missed. Who said porn can't confound and make you think? I'm sounding quite pretentious aren't I? Listen, if you like the weird and bizarre, this is a film for you! Think of David Cronenberg and David Lynch teaming up to make a porno!

  If you haven't guessed, I really enjoyed the look of this film and Vinegar Syndrome have done Roger Watkins and Larry Revene proud. The colours really pop, the image is sharp and there's just enough grain in the gloomier scenes. The sound is of equally high quality. James Flamberg's (now a big name in Hollywood) haunting synth score (which is EXTREMELY reminiscent of John Carpenter's / Ennio Moricone's collaboration on The Thing) really stands out. To go with the great presentation, the extras are top drawer too. There's the original theatrical trailer, reversible artwork, a press-book gallery, an interview with Larry Revene talking about the film and working with Roger Watkins and to top it off, there's also (on the first 2,000 pressings) a restored version of the Watkins classic; Last House on Dead End Street to be found as an easter eggs. Yes indeed. It's not a cleaned up version of the film. It's scratchy and muddy (you could argue this is THE way to watch it), but what a spectacular extra! The search for that reasonably priced Barrel Entertainment DVD on eBay can come to an end! If you aren't lucky enough to get a copy with the easter egg or you are one of these people who needs every film from yesteryear to be restored on Blu-Ray, don't worry because LHODES is getting its own release very soon! As you can see, this is a must own release for fans and newcomers a like. For me, this was one of the best releases of 2015, a great year for Vinegar Syndrome and of course; cult film fans. Will you take a trip down this seedy little rabbit hole?

Corruption is available as a DVD / Blu-Ray combo from Vinegar Syndrome as well as being available to stream on Exploitation.tv

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Vinegar Syndrome Review: Avon Triple Feature: Savage Sadists / Den of Dominance / Daughters of Discipline

  “A young innocent learns the ropes!”

A pair of armed thugs (David Christopher, TAKE OFF & Dan Stevens, PRIVATE SCHOOLGIRLS) are on the hunt for a pornographer (Martin Patton, THE STORY OF PRUNELLA) who owes their boss some money. They pay his wife (Nicole Bernard, CORRUPTION) a visit and at gun point, have some fun because who said you can't mix business with pleasure? After they have given the wife their message, she decides to visit her husband's office to warn him, but walks in on him having some fun of his own with one of his performers (Ginger Roberts, DEN OF DOMINACE; her only other role). Before she do anything about it, they are rudely interrupted by the thugs and the husband, who is clearly an honourable chap, hides under the desk essentially allowing his wife, mistress and his innocent secretary (Bibi, DEN OF DOMINANCE also being her only other role) to be held hostage and subject to sadistic acts of debauchery.

  “Bibi – Plaything in a prison of lust!”Looking for a good, quiet place to sink a beer, an unsuspecting man (Martin Patton) finds himself in a bar that instead of serving HARD liquor, offers something much more satisfying than a STIFF drink! As my clumsy (and childish) attempt at wit (kinda, but not really) suggests; this is a sex bar! Not just any old swingers drinking hole, but a hardcore BDSM paradise. After giving his credit card to the friendly Stag Magazine T-shirt wearing barkeeper (David Christopher), it's not long before he's on the receiving end of a Mimi (playing herself) cocktail! After a little taste of what's on offer, he decides to pay a visit to the club's “bizarre room” in which himself and the other patrons (Nicole Bernard & Greg Lyle in his only role) decide to watch a nice sadistic stage show from Ginger Roberts and Dan Stevens. This then inspires the happy customers to put on their own little kinky performances. Let's just hope our unsuspecting newcomer gets his money's worth because I can imagine that's quite a tab he's running up!

  After discovering their mum and dad's secret porn mag stash, Glenda (Victoria Sands, CONSENTING ADULTS) and her sister Rhoda (Robin Thorn, PAIN MANIA) get inspired and decide to indulge in a little sisterly affection. After that and being inspired once again by the magazines and their mother's whip, they decide to call up their pal John (David Christopher) and invite him over for a play date. Their little kink session gets interrupted when their parents (Dave Ruby, DOUBLE YOUR PLEASURE & Victoria Sands CONSENTING ADULTS) return home earlier than expected! Understandably, they're a little bit miffed and decide to teach their daughters some discipline in the only way they know how!

As you can see, story and plot aren't exactly major elements to this crusty trio of films. Luckily, the films are either just under or over the 40 minute mark so it's a problem. Aside from the likes of Dave Ruby and David Christopher, the cast appears to be comprised of amateurs or people just roped in with the promise of an easy lay and a few bucks. Therefore, acting isn't anything to shout about. If you're here for some hot action, you may be disappointed as the sex is about as hot as the cast. When I say that I mean it's not. Unless you are in to bondage or rough sex these films will have you about as moist as a piece of sandpaper. You may be thinking then that this is a selection of films that should be missed. Well, if you are like me and have a morbid curiosity for the shocking and nasty, this is a great example of the artistry of one of porn's dark horses; Phil Prince. Aside from Den of Dominance, you are in for a nasty little treat. There are acts and theme's throughout that some may struggle with, but those people are a bunch of pansies right? Juxtaposing the nastiness, there's humour to be found. Those looking for unintentional laughs will scoff at the dialogue, dirty talk and Dave Ruby's ridiculous sex noises. Those looking for off-kilter laughs wilt revel in aspects such as inexplicable uses of fart sound effects, fourth wall breaking and at one point someone literally making a doorbell sound off-screen. Of course, the whacky aspects of the humour come from a mixture of budgetary restraints and Prince's own warped humour. These films may be cheap, straight to the point and not for everyone's tastes or sensibilities, but I think my fellow trash lovers will enjoy this selection.

  All films have been restored in 2k from 16mm elements and considering their age, condition and overall treatment, look and sound pretty damn good. Don't get me wrong, you aren't going to be blown away, but these are cheap quickies anyway so even if the elements were kept in the most pristine condition imaginable, we probably wouldn't have a beautiful looking finished product anyway. Of course, I can't confirm the filming conditions or the condition of the 16mm elements used, but it wouldn't be such a stretch that I'm somewhere being close to right. It wouldn't matter anyway because these films aren't really supposed to stand up to the likes of The Opening of Misty Beethoven or Sexworld so the scratches and sometimes muddy sound just add to the seediness. One thing is for certain; the films look and sound better than the god awful Alpha Blue Archives release and the still amicable After Hours Cinema releases. It's definitely an upgrade in that regard and I highly doubt these films could (or should) be presented any better. Although the release has no special features, I was still excited when I heard Vinegar Syndrome were releasing films from Phil Prince and I am very happy with the end result. Overall, this is a set that is worth the upgrade and also works as a great way to experience Phil Prince at the start (Savage Sadists) and end (Daughters of Discipline) of his short lived directorial career. Fingers crossed this release means that we will not only be seeing more of Prince's work in the future, but also more films from the infamous Avon Productions. It may not have appeared on many people's best releases of 2015 lists, but it's up there for me!

The Avon Triple Feature is available on DVD from Vinegar Syndrome as well as each film being streamable on Exploitation.tv.

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