“One
man's fantasy is another man's reality!”
Finding himself with a debt that he just can't pay off, Williams (Jamie Gillis, Dracula Sucks) is tasked by shady mafia-like Franklin (Michael Gaunt, Maraschino Cherry) with something of a retrieval mission to a mysterious warehouse containing three coloured rooms; a blue, a red and a black one, each housing a beautiful woman. Williams sends his associate Alan (George Payne, The Taming of Rebecca) to carry out the task on his behalf, but with balls of steel, Alan has taken the item for himself and has disappeared. This leads Williams to pursue him down a gaping glory... I mean rabbit hole. Frustrated and desperate, Williams visits a seedy, desolate nightclub to meet his even seedier half-brother Larry (Bobby Astyr, Punk Rock) for help. Larry offers his help as well as a spot of voyeurism, leading Williams to witness Alan indulging in a spot of necrophilia. Rightfully disgusted, Williams confronts Alan, a man now consumed by his own desires. As this is going on, Felicia (Kelly Nichols, The Toolbox Murders) the young sister of Doreen (Tiffany Clark, Oui, Girls), the girlfriend of Williams is kidnapped and raped by Franklin. With his descent in to madness consuming him, Williams seeks “comfort” literally in his mistress Erda (Vanessa Del Rio, Dominatrix Without Mercy). It will take more than just some sexual healing to get him through what will is already an unforgettable night. God help him when he discovers the true cost of selling his soul.
Finding himself with a debt that he just can't pay off, Williams (Jamie Gillis, Dracula Sucks) is tasked by shady mafia-like Franklin (Michael Gaunt, Maraschino Cherry) with something of a retrieval mission to a mysterious warehouse containing three coloured rooms; a blue, a red and a black one, each housing a beautiful woman. Williams sends his associate Alan (George Payne, The Taming of Rebecca) to carry out the task on his behalf, but with balls of steel, Alan has taken the item for himself and has disappeared. This leads Williams to pursue him down a gaping glory... I mean rabbit hole. Frustrated and desperate, Williams visits a seedy, desolate nightclub to meet his even seedier half-brother Larry (Bobby Astyr, Punk Rock) for help. Larry offers his help as well as a spot of voyeurism, leading Williams to witness Alan indulging in a spot of necrophilia. Rightfully disgusted, Williams confronts Alan, a man now consumed by his own desires. As this is going on, Felicia (Kelly Nichols, The Toolbox Murders) the young sister of Doreen (Tiffany Clark, Oui, Girls), the girlfriend of Williams is kidnapped and raped by Franklin. With his descent in to madness consuming him, Williams seeks “comfort” literally in his mistress Erda (Vanessa Del Rio, Dominatrix Without Mercy). It will take more than just some sexual healing to get him through what will is already an unforgettable night. God help him when he discovers the true cost of selling his soul.
Forgive me for my somewhat truncated synopsis, but I don't think I can truly give a detailed retelling of the film I am reviewing. Not only that, if you haven't watched this gem yet, go in as blind as you possibly can! My peers had praised this film and although I tend to overhype films for myself, I have to say that this one not only met my expectations, but completely blew them out of the water! In a nutshell, Corruption is a nightmarish dive-bomb down a psychosexual rabbit hole. What strikes you straight away is the genuine sense of foreboding right from the off. I have never watched a film of this nature that has had such a genuinely sinister atmosphere. If it isn't the desolate and gloomy locations, it's the juxtaposition found when bursts of vibrant neon colour consume the scenery. You are constantly unnerved and it reminds me of Argento's masterful use of light and colour in his nightmarish masterpiece; Suspiria. I know you're probably sighing at me for making that comparison, but it's true goddamnit! Much like Suspiria, no one is who they really say they are, but instead of witches, we have sexual deviants and scumbags. Everyone has their secrets, motives and will go to great lengths to get what they want. Although Gillis is our protagonist, this is by no means a one man show. Those he comes in to contact with are just as important to the experience. With a cast consisting of the likes of Astyr, Payne, Nichols and Gaunt, it should come as no surprise. Even the small roles from Samantha Fox (Fascination), Tanya Lawson (Fleshdance) and Tiffany Clark are memorable in their own way. It's a great showcase of genuine acting talent.
The
action may not be titillating (except the first scene between Gillis
and Clark, there's something about the way she handles herself and
Gillis), but it is well executed and performed. There are many
perversions on show for all tastes and some of the dialogue is
genuinely fantastic. Those who like to see women show dominance will
also enjoy Payne's first trio of scenes. You may not be getting off
on most of the sex, but the overall style will more than make up for
the that. Larry Revene's (Barbara Broadcast)
cinematography combined with Watkins' direction make for such a
treat. Some could say style over substance, but I think Watkins has
scribed a somewhat ambiguous story that instead of confusing the
audience, makes them think, question and analyse. From what I can
gather, Watkins has taken inspiration from Richard Wagner's Das
Rheingold. You are blown away by the style, engrossed by the
characters and ultimately longing to revisit to see what you may have
missed. Who said porn can't confound and make you think? I'm sounding
quite pretentious aren't I? Listen, if you like the weird and
bizarre, this is a film for you! Think of David Cronenberg and David
Lynch teaming up to make a porno!
If
you haven't guessed, I really enjoyed the look of this film and
Vinegar Syndrome have done Roger Watkins and Larry
Revene proud. The colours really pop, the image is sharp and there's
just enough grain in the gloomier scenes. The sound is of equally
high quality. James Flamberg's (now a big name in Hollywood) haunting
synth score (which is EXTREMELY reminiscent of John
Carpenter's / Ennio Moricone's collaboration on The Thing)
really stands out. To go with the great presentation, the extras are
top drawer too. There's the original theatrical trailer, reversible
artwork, a press-book gallery, an interview with Larry Revene talking
about the film and working with Roger Watkins and to top it off,
there's also (on the first 2,000 pressings) a restored version of the
Watkins classic; Last House on Dead End Street to
be found as an easter eggs. Yes indeed. It's not a cleaned up version
of the film. It's scratchy and muddy (you could argue this is THE
way to watch it), but what a spectacular extra! The search for that
reasonably priced Barrel Entertainment
DVD on eBay
can come to an end! If you aren't lucky enough to get a copy with the
easter egg or you are one of these people who needs every film from
yesteryear to be restored on Blu-Ray, don't worry because LHODES
is getting its own release very soon! As you can see, this is a must
own release for fans and newcomers a like. For me, this was one of
the best releases of 2015, a great year for Vinegar Syndrome and of
course; cult film fans. Will you take a trip down this seedy little
rabbit hole?
Corruption
is available as a DVD / Blu-Ray combo from Vinegar Syndrome as well
as being available to stream on Exploitation.tv
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