Vinegar Syndrome Review: Murder Weapon / Deadly Embrace (1989)

  “They lust for revenge... They do it at night... And they're more than lethal.”

When mobster daughters Dawn (Linnea Quigley, CREEPOZOIDS) and Amy (Karen Russell, VICE ACADEMY) by chance meet in an insane asylum, the pair hatch a plan to free themselves. They do this by manipulating and downright blackmailing their psychiatrists Dr. Randolph (Lyle Waggoner, WONDER WOMAN) and Dr. Gram (Lenny Rose, BEACH BABES FROM BEYOND). Once successfully free, the pair decide to celebrate their freedom by holding a little get together. They decide to invite their ex-boyfriends Kevin (Stephen Steward, SHOCK CINEMA VOL.4), Eric (Michael Jacobs Jr, DIE WATCHING), Cary (Allen First, AMERICAN RAMPAGE), Billy (Richard J. Sebastian, DREAM A LITTLE DEVIL), Jeff (Eric “Garbage Day!” Freeman, SILENT NIGHT, DEADLY NIGHT PART 2), Bart (Rodger Burt, LADY AVENGER) and Al (Allen Tombello, EVIL OBSESSION) to celebrate their release and hopefully get a little of welcome home action. Although something of a sausage fest, the party is going well and everyone is having a damn good time. Unfortunately however, things take a sinister turn when the boys slowly start getting picked off one by one in bloody and gory fashion by a mysterious clad killer. Is this the work of rival crime families? Maybe there's some jealousy between the male party guests? Could the father of one of the girls be involved or could it just be the girls getting their revenge on past lovers?

  I have to say that going in to this film, I really wasn't expecting too much. Thankfully, what I got was a damn good time. First of all, the story is simple, but works well. It's a solidly written effort from Ross A. Perron (this and AMERICAN RAMPAGE being his only credits) and the use of flashbacks to further the story and answer some of the twists and turns is quite refreshing in such low-budget schlock of its time. There's not too much to some of the characters, but it doesn't matter too much and never hurts the film. Performances through may not be Oscar worthy, but again, it doesn't matter and what are you really expecting? For me, one of the greatest surprises with Murder Weapon is the violence and gore. I was expecting the occasional fit for purpose cheesy gore gags here and there, but what we have instead are a collection of genuinely nasty and quite shocking moments of gore. David P. Barton (300) and his team do a very impressive job indeed with the practical and make up effects. Another quite thing is the fact that the violence and gore is used sparingly adding that punch that most films would lack in that regard. Editing and cinematography are both solid enough and the only slight problem I had with the technological aspects was the sound. Even that is a minor gripe because the only time it was a real issue was when Del Casher's (TROPICAL HEAT) score would be playing over some of the dialogue. Like I said, a minor gripe. All in all, it's far from a perfect film, but it's a damn enjoyable one. It may be a little light on the sleaze and erotic elements, but Karen Russell and Linnea Quigley are a very potent combination so you smut peddlers out there will appreciate that aspect!

  _

“When adultery turns to obsession, the climax may be murder...”
Chris Thompson (Ken Abraham, HOBGOBLINS) is your typical teenage college student. He's got himself a stunning wannabe actress girlfriend named Michelle (Linnea Quigley) that he wants to spend the rest of his life with. One day at college after listening to a lecture from rich sleazeball Stewart Moreland (Jan-Michael Vincent, AIRWOLF), Chris finds himself getting a gardening and housekeeping job from said rich sleazeball (it's not what you know, it's who you know!). The only condition is that he has to stay at the residence which isn't too bad of a thing because Moreland's wife is the lonely and horny Charlotte (Mindi Miller, BODY DOUBLE). With her husband away and getting his jollies with his secretary DeDe (Ruth Collins, DEATH COLLECTOR), it's only natural that her cougar sights are set on the fresh meat her husband has bestow upon on her. With a heartless husband and a madly in love girlfriend thrown in to the mix, this could make for a steamy affair or even a deadly one.

  I'd say I hate to surprise you, but I think you know already that it will be the latter. I won't be a prick and completely ruin it for you, but I will say that the final third is probably the strongest aspect of this whole film. The problem with a film like Deadly Embrace is it's not amazing or terrible, it's juts a bit dull. Richard Gabai's (KICKBOXING ACADEMY) script is solid enough, but really doesn't do anything too unique. It's safe to say that you will have seen this film made multiple times in terms of its narrative. The build up to the finale and the psychological aspects however are satisfying, but it's too little too late. Acting is above par and actually a lot more solid than most erotic thrillers of its time and budget, the standout for me being Mindi Miller who plays the bored and lonely housewife perfectly. You sympathise her situation perfectly. The erotic elements of the film work well, mainly in that so bad it's good sort of way. There are those moments where people will be grinding against each other with underwear still clearly visible, but again seeing the likes of Quigley and Miller do make up for that (yes, I'm a pig!). All in all, there's really not too much to talk about with this film. It's your typical 80's softcore erotica, just a tiny bit bland and needing some much spice! Just how was this one of DeCoteau's biggest selling films?

Regardless of what I think of the actual films, this is another winner of a release from Vinegar Syndrome. Both films look and sound great and are presented in 2k from the original 16mm camera negatives. Films of this niche could be seen as undeserving of the restoration they receive, but I for one am thankful that labels like Vinegar Syndrome exist and do exactly this job. The only real imperfections found in the sound and visuals come mainly from the films themselves and the way they were shot, but with that being said, they are both very accomplished productions. Both films come with commentaries from DeCoteau and Quigley, director introductions, a video trailer for Murder Weapon, outtakes for Deadly Embrace and some striking original artwork with some nice gory reversible art for good measure. Yeah, Murder Weapon completely outshines Deadly Embrace for me, but if you are either a fan of DeCoteau, Quigley or cheap erotic 80's schlock – you are in for a breast, blood and cheesy synth filled treat.

Murder Weapon & Deadly Embrace are available as a DVD & Blu-Ray combo from Vinegar Syndrome.
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Vinegar Syndrome Review: Dolemite (1975, D'Urville Martin)

  "Bone-crushing, Skull-splitting, Brain-blasting ACTION!”

Dolemite (Rudy Ray Moore, The Human Tornado) has spent a couple of years behind bars after being set up by rival pimp Willie Green ( D'Urville Martin, Black Caeser). His luck changes when his madam Queen Bee (Lady Reed, Disco Godfather) pays the prison warden a visit providing evidence of Dolemite's innocence. With the warden now rightfully suspecting that Green and a few crooked cops including the hot-headed Mitchell (John Kerry, Black Dynamite) are behind Dolemite's imprisonment, he organises an early release so that Dolemite can clear his name. Unfortunately however, it's not all good news as Green is also responsible for killing Dolemite's young nephew. With revenge well and truly on his mind, Dolemite instantly (well, after some back seat limo action at least.) puts a plan in to action. No matter if it's a brother or a no-business, born insecure, honky junkyard motherfucker, Dolemite is kicking ass and taking names. It won't all be plain sailing though because the word is out and both Green's men, the slimy Mayor Daley (Hy Pyke, Blade Runner) and crooked cops alike all have Dolemite in their sights!

Where in the name of all things funky do you start with a film like Dolemite!? Well, probably it's reputation and cult status. From inspiring the likes of Quentin Tarantino (Pulp Fiction) and Snoop Dogg, to being played at drunken bad movie nights; Dolemite is a film that every cult film fan should have at least heard of. There's the infamous crude overall filmmaking techniques (BOOM IN THE SHOT!) and the even more infamous and crude dialogue spat out with comedic precision from Rudy Ray Moore. If this film is to be summed up in one word, that word has to be politically-incorrect. In this age of Social Justice Warrior culture and collectivism, there is no way in Hell that you'd be able to make this film nowadays. There's more racial tension here than a Black Lives Matter Tumblr thread! If that stuff isn't your thing, maybe you can revel in the sheer mastery that is the martial arts on show. You haven't seen anything so gloriously amateruish in your rat-soup-eatin' life! Of course, it's not just the boys having fun, there's plenty of hard hitting action from Dolemite's army of Karate Kickin' ladies. This film has it all! If you want a truly psychotronic experience that actually lives up to the reputation, you shoul stop reading this and go buy yourself a copy now, but I'm not finished yet. You dig?

  Dolemite is all about cheap thrills and one of those thrills is the way the film was made. Clumsily staged shots thanks to Nicholas Josef von Sternberg (Tourist Trap) are complimented brilliantly by sub-par acting. Even the boom mike puts in a memorable performance! Although a cheap looking film, there is genuine style with great set design by Rudy Ray Moore himself and wonderfully loud fashion. As well as that, there's a genuinely brilliant score and original music from Arthur Wright (Savage!) that not only elevates the film, but will have you clicking your fingers and tapping your toes. This blaxploitation gem has all the style your pathetic honky ass can handle. Dolemite is about the experience. Sure, you can invite your friends round have a good timke laughing at the film, but when you take in to consideration the time and effort put in, you can't be help appreciate this shoddy little number. Rudy Ray Moore was destined to be a star and this film put him well and truly on the map and in to the hearts of cult films. This is one groovy little number you don't want to miss!

Although the film was somewhat widely available prior to this release, Vinegar Syndrome have put together the definitive edition. The film is presented and restored in 2k and considering it's crude elements, looks and sounds fantastic. To go along with that you also get the option to watch the alternate full frame “boom mic” version of the film which should provide an extra bit of entertainment to you trash conniseurs! In terms of extras there is a wonderfully in-depth and entertaining commentary track provided by Rudy Ray Moore bigorapher, Mark Jason Murray, an equally insightful and entertaining documentary about Rudy Ray Moore and the film, an extented interview from Queen Bee, trailers for both the film and its sequel The Human Tornado, a short then and now location featurette and the reversible artwork consisting of the original poster and newly commisioned art from Jay Shaw. As you can see, this baby got back! This is a must-own release for both hardcore fans and newcomers a like. Vinegar Syndrome have once again done a wonderful job. Do yourselves a favour and find out why Dolemite is his name and why fuckin' up motherfuckers is his game!Dolemite is available as a DVD & Blu-Ray combo from Vinegar Syndrome.

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Arrow Films Review: Day of Anger (1967, Tonino Valerii)

  Original title “I giorni dell'ira”

“Lee Van Cleef has been dirty, "ugly" and downright mean... now watch him get violent.”

Poor Scott Mary (Giuliano Gemma, The Leopard) just can't seem to catch a break. If he's not carrying out back breaking and menial work, he's constantly being treated appallingly by the townsfolk. Well, except for a local prostitute named Gwen (Christa Linder, Alien Terror). Things begin to change for the better when a mysterious stranger by the name of Frank Talby (Lee Van Cleef, The Good, The Bad, The Ugly) passes through the town on his horse. After hearing about Scott's mistreatment, Frank takes pity on him and invites him to the local saloon for a drink. Whilst ordering drinks, Frank witnesses first hand just how abhorrent the townsfolk really are towards Scott and in a moment of self defence, guns down a local thug. Naturally, Frank is pardoned on the basis of self defence and Scott feels the repercussions of the event. With nowhere else to turn, Scott pursues Frank and as a result Frank decides to take him under his wing and teaches him the way of the gunslinger. What starts out as an invaluable education in both skill and self-confidence soon turns to be a detriment to Scott's already soured reputation. Things become even more complicated when it turns out that Frank was more than just a mysterious stranger passing through...

  Day of Anger is a standout entry in to what is an overly-saturated genre. There are many reasons why it is so highly regarded as it is with cult cinema fans. One of the main reasons is down to a solidly written script from Valerni himself and Ernesto Gastaldi (My Name is Nobody) based on an initial idea by a young Renzo Genta (Jungle Holocaust). Although credited as an adaptation of Rolf Becker's Der tod Ritt Dienstags (Death Rode on Tuesdays), the film only uses a handful of scenes from the book, it was at the request of the German producers that the book be credited. Although the story is simple and somewhat familiar, it's handled well and contributes to a film that flows smoothly even with a runtime of around 114 minutes in its original theatrical form. Within that script are solidly forged and believable characters. Again, theses characters are familiar, but you don't care. Van Cleef's portrayal of Talby is not too dissimilar to Eastwood's portrayal of “The man with no name”. He's a mysterious rogue that stands up with the greatest of anti-heroes. To compliment him, we have the down on his luck-cum-confident hero character of Gemma's Scott Mary. The relationship of mentor and student plays out nicely and is again, believable. Both Gemma and Van Cleef handle the material nicely and put in great performances. Even minor characters such as the corrupt Judge Cutcher (Lukas Ammann, Mark of the Devil Part 2) and local bum Blind Bill (José Calvo, A Fistful of Dollars) are well acted. Everyone puts in a good performance.

  When it comes to violence, the film has some good shoot-outs and set pieces. It's not the most graphic of the genre, but it doesn't matter because the film is more of a character study. The scenes involving shoot-outs and blood work well within the context of the complete film. Naturally, these scenes, as well the film as a whole are shot beautifully. Director of photography for this outing is Enzo Serafin (Chronicle of a Love) with Silvio Fraschetti (Star Odyssey) operating the camera. This collaboration captures the action and the beautiful natural landscape of Almeria wonderfully. To compliment the beautiful aesthetics, there is the score from the ever-dependable Riz Ortolani (Cannibal Holocaust). Once again, Ortolani provides one of his best scores. For me, this in fact one of the genres best scores. It has those typical western guitar vibes, but has a somewhat jazzy edge. It's one of those scores you can listen to on its own. Those who may have not seen the actual film or heard the score itself may recognise Tarantino's use of the film's title track in Django: Unchained. All in all, Day of Anger is one of the best entries in to the genre. Thankfully, Arrow Films have done a great job with their release.

  First of all, there are two versions of the film included; the longer Italian theatrical version and the shorter international version. Out of the two, I prefer the longer cut. Both versions look and sound wonderful and the Italian version can be watched in either the English or Italian soundtrack. The subtitle track is also newly-translated. In terms of extras there are interviews with Tonino Valerii, Ernesto Gastaldi and the always insightful Roberto Curti (Italian Gothic Horror Films, 1957-1969). There's a deleted scene that appears in the international cut, bit the Italian cut, a selection of trailers and a booklet with new writings from Howard Hughes (Once Upon A Time in the Italian West: The Filmgoers' Guide to Spaghetti Westerns). Of course, there's also some newly commissioned artwork, this time from Reinhard Kleist and reversible artwork. It's a great package for new and old fans a like. I can't see a better release of this film any time soon. The only thing I will say is that even though the previous Wild East release presented the film in the wrong format with an inferior transfer, there are some extras that are on that disc that would have been nice here, but that's not a detriment to Arrow themselves. Do yourself a favour and pick up this wonderful release.

Day of Anger is available as a DVD & Blu-Ray combo from Arrow Films.PDx

Arrow Films Review: 5 Dolls for an August Moon (1970, Mario Bava)

  “I'm not a man of thought. I'm a man of action.”

On a beautiful yet secluded island in an equally beautiful pop-art villa, George Stark (Teodoro Corrà, Body Puzzle) and his wife Jill (Edith Meloni, That Little Difference) are playing host to a group of their high-flying friends; Prof. Gerry Farrell (William Berger, Keoma) and his wife Trudy (Ira von Fürstenberg, The Fifth Cord). Jack Davidson (Howard Ross, The New York Ripper) and his wife Peggy (Helena Ronee, On Her Majesty's Secret Service). Nick Cherry (Maurice Poli, Rabid Dogs) and his wife Marie (Edwige Fenech, Strip Nude for Your Killer). Accompanying the well off houseguests are George's houseboy Charles (Mauro Bosco, Roy Colt and Winchester Jack) and the young and innocent Isabel (Ely Galleani, Lizard in a Woman's Skin), a girl in George's care whilst her parents are away. What starts off as a jolly get together soon becomes a tense and all-round torrid affair. Things begin to turn sour when all the husbands become involved in a bitter bidding war for the professor's sought after and revolutionary formula, the formula that drove him to take this little excursion in the first place. Of course, the professor's minor annoyance is nothing compared to fact that affairs of all types are being acted out on. To make matters infinitely worse however, starting with Charles, the houseguests are being picked off one by one. Tensions rise and paranoia kicks in. This is one swinging party that those who may or may not survive will never forget. There's me thinking LSD was a trip!

  Taking influence from Agatha Christie's Ten Little Niggers (a story Bava would make the basis of his highly influential A Bay of Blood a year later.), we find a group coming together and finding themselves in a somewhat quirky whodunnit murder mystery. To some, Bava's Five Dolls for an August Moon is purely an exercise in style over substance. I can sympathise with that viewpoint, the final third of the film does get a little hectic in turns of story and pacing, but I actually think that Mario di Nardo's (Ricco the Mean Machine) story has enough there in terms of plot and narrative structure even if Bava did despise the story and do his own thing. Speaking of which, this IS for me Bava at his most stylish. A beautiful locale combined with stylish (so what if it's dated!?) décor and equally (if not more) beautiful women; there's a lot to digest. The film is lensed by Bava collaborator Antonio Rinaldi (Danger: Diabolik) and is somewhat subtle which allows the loud and vibrant design to take centre stage. There are however, some nicely incorporated handheld shots which work brilliantly with the rest of the film. The icing on the already splendid technicolour cake is Piero Umiliani's (Big Deal on Madonna Street) score. It's a mixture of the dreamlike, groovy and sinister. Not a note is out of place and it helps lift the film even more. Considering that Bava was working with a script he disliked, working with a limited budget and had a shooting schedule of just over two weeks, it's amazing what he has achieved here. It might not be a classic example of the gialli, but it still has some characteristics that we associate with the genre. There's stylishly executed kills, red herrings, a sense of tension and a good amount of twists. To me, it's more than just one of my favourite Bava films; it's one of my favourites of the genre.

In terms of presentation, Arrow have done a good job with the sound and picture. I don't have the previous Kino Lorber release to make comparisons, but it seems like it's a slight upgrade of an already good restoration. Aside from the odd scratch and pop, the film looks and sounds great. In terms of audio options, there's both the Italian and English dub, with the Italian dub being the superior. There's also an option to listen to an isolated score and effects track, a feature ported over from the Kino Lorber release. Speaking of which, Tim Lucas's commentary is also included. As well as that there's a trailer, English language opening titles and the fantastic Mario Bava: Maestro of the Macabre documentary. To go with the on disc extras there's newly commissioned art from Graham Humphreys complimented with the original poster artwork and a booklet including writings from Adrian Smith and Glenn Kenny. Overall, this is worthy release for a somewhat under-appreciated Bava outing. An essential release from Arrow for new and old fans a like. Plus, who doesn't want to see the beautiful Edwige Fenech shaking her thing?

5 Dolls for an August Moon is available as a DVD / Blu-Ray combo release from Arrow Films.

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Vinegar Syndrome Review: Luther the Geek (1988, dir: Carlton Albright)

  “A movie with a fowl bite!”

When Luther (Carlton Williams in his only role) was a young boy, he witnessed a group of rowdy locals egging on the local Geek (Tom Brittingham also in his only role) to bite the head off a chicken. This combined with him getting his teeth accidentally knocked out by one of said locals in the ruckus leads young Luther to develop a taste for blood. Naturally, this turns him in to a bloodthirsty psycho and paves the way for a life of crime. After serving 20 years and thanks to prison board member Mrs. Butler (Karen Maurise, Dark Skies), a much older and balder Luther (Edward Terry, The Children) is set free. Armed with a set of homemade metal teeth, Luther carries on from where he left off and sets off to continue his reign of terror, one neck at a time! It's not just the chickens who need to watch out. On his rampage, Luther invades the farm of Hilary (Joan Roth, In Transit) and her daughter Beth (Stacy Haiduk, Superboy). Can Beth's hunky boyfriend Rob (Thomas Mils, Bean) and / or bumbling local trooper (Jerry Clarke, Tracks) stop Luther before it's too late? You better clucking well hope so!

  I won't lie, I really found this to be quite a dull film. I know that this is a cult classic for some, but I just don't see what's so special about it. Let's get the positive out of the way; the gore. Both Mike Tristano (Evil Dead 2) and William Purcell (Invasion USA) do a fantastic job with some genuinely gruesome special effects. Unfortunately, that's really the only positive I can give for this film. OK, maybe some of the scenes including the busty Stacy Haiduk “elevated” things slightly, but boobs and blood don't always make a film. Some may be surprised by this, but Luther himself isn't really a memorable character. I mean no disrespect to Edward Terry, but his portrayal of Luther is unintentionally comical and rather camp in places. I know his constant clucking and wide eyes are supposed to inject fear in to the audience, but he seriously makes the quacking killer in The New York Ripper seem like one of horror's true greats. The only unsettling thing about Luther is that he looks like me if I was the balding offspring of Klaus Kinski. Now THAT is truly a terrifying thought! As for the rest of the film? Average in every way. The acting is pretty lame, David Knox's (Captain America: The First Avenger) cinematography is about average and the score from Vern Carlson (Vigilante) is one of those unmemorable late 80's / early 90's synth scores that just exists. Yeah, really finding it hard to even really write about this film because I don't know if I told you this, but it was just so dull! Even though the film may be nothing to shout about, the release itself is!

  You got it folks! This is Vinegar Syndrome once again taking a Troma property and giving it a must own release for fans of the film. The film is scanned and restored in 2k from the original 35mm camera negative and looks and sounds great. To top off another great restoration job there are a whole bunch of extras. All of the extras from previous Troma releases are included as well as an introduction and commentary from Carlton Albright himself, there's a video interview with Jerry Clarke, reversible artwork and the original theatrical trailer. It's a bumper package and even though I am really not a fan of the film itself, listening to Albright talk about the film and those involved is insightful and entertaining. It's one of those instances were the extras are actually much more entertaining than the actual film! If you are already a fan of this film, there's no reason why you shouldn't pick this up. For those wanting to experience Luther the Geek for the first time, this is also a release you should check out, just be warned about the actual film.

Luther the Geek is available as a DVD / Blu-Ray combo from Vinegar Syndrome.

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Vinegar Syndrome Review: Corruption (1983, dir: Roger Watkins)

  “One man's fantasy is another man's reality!”

Finding himself with a debt that he just can't pay off, Williams (Jamie Gillis, Dracula Sucks) is tasked by shady mafia-like Franklin (Michael Gaunt, Maraschino Cherry) with something of a retrieval mission to a mysterious warehouse containing three coloured rooms; a blue, a red and a black one, each housing a beautiful woman. Williams sends his associate Alan (George Payne, The Taming of Rebecca) to carry out the task on his behalf, but with balls of steel, Alan has taken the item for himself and has disappeared. This leads Williams to pursue him down a gaping glory... I mean rabbit hole. Frustrated and desperate, Williams visits a seedy, desolate nightclub to meet his even seedier half-brother Larry (Bobby Astyr, Punk Rock) for help. Larry offers his help as well as a spot of voyeurism, leading Williams to witness Alan indulging in a spot of necrophilia. Rightfully disgusted, Williams confronts Alan, a man now consumed by his own desires. As this is going on, Felicia (Kelly Nichols, The Toolbox Murders) the young sister of Doreen (Tiffany Clark, Oui, Girls), the girlfriend of Williams is kidnapped and raped by Franklin. With his descent in to madness consuming him, Williams seeks “comfort” literally in his mistress Erda (Vanessa Del Rio, Dominatrix Without Mercy). It will take more than just some sexual healing to get him through what will is already an unforgettable night. God help him when he discovers the true cost of selling his soul.

 
Forgive me for my somewhat truncated synopsis, but I don't think I can truly give a detailed retelling of the film I am reviewing. Not only that, if you haven't watched this gem yet, go in as blind as you possibly can! My peers had praised this film and although I tend to overhype films for myself, I have to say that this one not only met my expectations, but completely blew them out of the water! In a nutshell, Corruption is a nightmarish dive-bomb down a psychosexual rabbit hole. What strikes you straight away is the genuine sense of foreboding right from the off. I have never watched a film of this nature that has had such a genuinely sinister atmosphere. If it isn't the desolate and gloomy locations, it's the juxtaposition found when bursts of vibrant neon colour consume the scenery. You are constantly unnerved and it reminds me of Argento's masterful use of light and colour in his nightmarish masterpiece; Suspiria. I know you're probably sighing at me for making that comparison, but it's true goddamnit! Much like Suspiria, no one is who they really say they are, but instead of witches, we have sexual deviants and scumbags. Everyone has their secrets, motives and will go to great lengths to get what they want. Although Gillis is our protagonist, this is by no means a one man show. Those he comes in to contact with are just as important to the experience. With a cast consisting of the likes of Astyr, Payne, Nichols and Gaunt, it should come as no surprise. Even the small roles from Samantha Fox (Fascination), Tanya Lawson (Fleshdance) and Tiffany Clark are memorable in their own way. It's a great showcase of genuine acting talent.

  The action may not be titillating (except the first scene between Gillis and Clark, there's something about the way she handles herself and Gillis), but it is well executed and performed. There are many perversions on show for all tastes and some of the dialogue is genuinely fantastic. Those who like to see women show dominance will also enjoy Payne's first trio of scenes. You may not be getting off on most of the sex, but the overall style will more than make up for the that. Larry Revene's (Barbara Broadcast) cinematography combined with Watkins' direction make for such a treat. Some could say style over substance, but I think Watkins has scribed a somewhat ambiguous story that instead of confusing the audience, makes them think, question and analyse. From what I can gather, Watkins has taken inspiration from Richard Wagner's Das Rheingold. You are blown away by the style, engrossed by the characters and ultimately longing to revisit to see what you may have missed. Who said porn can't confound and make you think? I'm sounding quite pretentious aren't I? Listen, if you like the weird and bizarre, this is a film for you! Think of David Cronenberg and David Lynch teaming up to make a porno!

  If you haven't guessed, I really enjoyed the look of this film and Vinegar Syndrome have done Roger Watkins and Larry Revene proud. The colours really pop, the image is sharp and there's just enough grain in the gloomier scenes. The sound is of equally high quality. James Flamberg's (now a big name in Hollywood) haunting synth score (which is EXTREMELY reminiscent of John Carpenter's / Ennio Moricone's collaboration on The Thing) really stands out. To go with the great presentation, the extras are top drawer too. There's the original theatrical trailer, reversible artwork, a press-book gallery, an interview with Larry Revene talking about the film and working with Roger Watkins and to top it off, there's also (on the first 2,000 pressings) a restored version of the Watkins classic; Last House on Dead End Street to be found as an easter eggs. Yes indeed. It's not a cleaned up version of the film. It's scratchy and muddy (you could argue this is THE way to watch it), but what a spectacular extra! The search for that reasonably priced Barrel Entertainment DVD on eBay can come to an end! If you aren't lucky enough to get a copy with the easter egg or you are one of these people who needs every film from yesteryear to be restored on Blu-Ray, don't worry because LHODES is getting its own release very soon! As you can see, this is a must own release for fans and newcomers a like. For me, this was one of the best releases of 2015, a great year for Vinegar Syndrome and of course; cult film fans. Will you take a trip down this seedy little rabbit hole?

Corruption is available as a DVD / Blu-Ray combo from Vinegar Syndrome as well as being available to stream on Exploitation.tv

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Vinegar Syndrome Review: Crypt of the Living Dead (1973) / House of the Living Dead (1974)

CRYPT OF THE LIVING DEAD
(1973, dir: Julio Salvador & Ray Danton)
“THE UNDEAD DIES...AGAIN, AGAIN AND AGAIN!"

One night whilst snooping round a luxurios island villa, archaeologist Professor Bolton (Mariano García Rey, Shaft in Africa) is attacked by crazed writer Peter (Mark Damon, Black Sabbath). Bolton is left for dead under a tomb. When his son Chris (Andrew Pine, The Town That Dreaded Sundown) finds out about the fate of his father, he visits the island to say his goodbyes. He is greeted by Peter who is playing the nice guy card. Once settled and with the help of the mysterious locals, Chris and Peter begin to open the tomb belonging to Hannah (Teresa Gimpera, Lips of Blood), who according to local folklore was the vampiric wife of Louis VII. Once opened, they discover the still fresh corpse of Hannah (who looks damn good considering she's been buried for 700 years!). Naturally, she is awakened and begins to wreak bloody havoc on the island and its inhabitants. Initially unconvinced, Chris has only but a couple of days to put a stop to Hannah and the rise of Vampire Island, but with Peter falling ever more under the influence of Hannah, the locals who are either terrified or not what they seem and the blossoming romance with Peter's sister Mary (Patty Shepard, My Dear Killer), it won't be easy!

  I don't really like vampire films that much if I'm honest. Of course films like The Vampire Lovers, Twins of Evil and Lust for a Vampire are exceptions (yeah, I'm a sucker for busty vampires in flimsy white gowns). So naturally I was a little apprehensive about this one. Thankfully, I was an idiot and this was a more than entertaining early 70's vampire effort. Crypt of the Living Dead is a film that is full of atmosphere. The combination of the misty Turkish setting and and a haunting score from Phillip Lambro (Blood Voyage) really add to the genuine creepyness throughout. The story is solid enough and plays out well at a steady enough pace. Not only that, but the performances from those playing the locals do a great job adding a sense of almost isolation for the audience. The main cast also do a atisfying job, even if Andrew Pine kinda looked like John Holmes! Those looking for eye candy will enjoy Gimpera's portrayal as Hannah, it's just a shame she's not in the film as much as she should be. The film also has some nice effects throughout. It's a satisfying enough time waster that can be watched more than once.

HOUSE OF THE LIVING DEAD
(1974, dir: Ray Austin)
“What monstrous evil lurks...and feeds...and kills...in the attic of the...HOUSE OF THE LIVING DEAD ”

On a seemingly normal plantation in South Africa, owned by the wealthy Brattling Family, there is something sinister going on behind closed doors. Dr. Breckinridge Brattling (Mark Burns, Ludwig II) is a reclusive and mysterious fellow who locks himself up in the attic to conduct experiments on the local wildlife. His mission? To harvest the souls of the living! Understandably, his brother Michael (Burns in a dual role) and stern mother (Margaret Inglis, Space 1999) do not approve, but can't do anything because they adore their little mad scientist. As if his experiments weren’t sinister enough, Breckeridge begins to use the locals and house staff to achieve his goal. With Michael's soon to be wife Mary (Shirley Anne Field, Alfie) visiting, much to the displeasure of Mummy Brattling, along with the former teacher of Breckinridge, there's potential for a major disaster that the Brattling family just can't have. It's a disaster that could change the bloodline forever. It doesn't help that the locals like to dabble in the dark arts of voodoo!

With all that going on, you'd expect this to be a mind blowing bloodfest right? Well, not really. The film is lacklustre and nowhere near approaches the creepiness of Crypt of the Living Dead. That being said, it's nothing awful. Those expecting to see lots of vile experiments will be sorely disappointed, aside from some uncomfortable scenes involving a monkey, there's really no gore or nastiness. If you want a chuckle however, pretty much all the cast speak with well spoken British accents (yes, even the natives). It adds an often surreal and ultimately unintentional level of charm to the film. The story plods along and some may mistake this for a period melodrama. There are a couple of nice twists and turns, but it's nothing you haven't seen before. All in all, the film is a rather pedestrian attempt at gothic horror. By the way, the film has probably got one of the most misleading titles ever.

 Overall, this is a neat little package. Crypt is the best film of the film by far and has the most replay value. Both films are presented wonderfully, especially considering that they're public domain titles that have suffered from repeated, battered releases throughout the years. There is some fun to be had and you're in for a fun double feature, you may want to get House out of the way first. In terms of special features there is a trailer and alternative title credits for Crypt. All in all, Vinegar Syndrome have done a more than competent job with this release. Solid transfer with a couple of nice special features and some absolutely gorgeous artwork on the release. Definitely worth a look for fans and newcomers alike.

Crypt of the Living Dead & House of the Living Dead are available in a DVD / Blu-Ray combo pack.

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Weisse Haut auf schwarzen Schenkeln (1976, dir: Jess Franco) Ascot Elite / Illusions UNLTD Blu-Ray Review

The film opens up on the Mondo Erotico set. You know, the obscenely small and narrow black room with the white fluffy bed. It's here we meet Marga, an exotic erotic dancer played by Diotta Fatou (DIE SKLAVINNEN). She's in the middle of one of her stage shows. In the audience we meet Robert, a wealthy middle-aged man played by Roman Huber (DAS FRAUENHAUS). He enjoys the show so much that when Marga has finished her little dance, he decides to take her back to somewhere private. The pair get down to business and instead of enjoying that wonderful post sex cigarette, Marga does the next best thing and throws herself out of the window. Yep, bitches be crazy! The next day Robert is arrested for the attempted murder and it's down to his wife Lola, played by Pilar Coll (MONDO EROTICO), to prove his innocence. She does this by tracking down the nightclub and meeting the owner and Marga's lover Lena, played by Kali Hansa (COUNTESS PERVERSE). Lena seduces Lola and takes her back to her place. The pair eventually make love and form a relationship. Lola hasn't given up her quest yet however? She loves and adores her pig husband. Lena finds a diary belonging to Marga and reads it to Lena. We find out about the rather depressing and troubled life of Marta, including her relationship with Victor, a sleazy and manipulative psychologist / hypnotist type played by Franco's go to hunk, Erik Falk (ILSA THE MAD BUTCHER). Will the diary hold the answer to this strange situation? Will Robert be set free? What dark secrets will be revealed?

Overall, I'm sorry to say that this was a rather dull film. Although a solid enough story, there's nothing really engaging at all with this one. There are some nice moments every now and then including a rather unnerving S&M dream sequence and a genuinely funny off-screen appearance from a man from Mars (you have to watch to truly understand). Those moments are completely overshadowed by long, drawn out attempts at eroticism and clumsy erotic dancing (you may get a laugh out of those scenes). Fatou has no onscreen presence at all and it pretty much looks like she had no clue what she was doing except receiving a paycheck. The scenes involving Falk, although largely unrelated to the actual story are the highlights of the film just for the sheer absurdity. Aesthetically, this rather unimpressive. Lazy set design (clearly utilising not even a handful of locations) and horrendously out of focus cinematography make this is a visually unappealing film. Not even the female cast can make up for that because aside from Coll, there's literally no talent on show that's pleasing on the eye. Sure, that's probably a pig-headed thing to say, but even though this essentially a melodrama, Franco is still trying to titillate the audience with his signature close up shots and taste for good old-fashioned lesbianism. It misses the mark completely as a piece of erotica and drama. As much as I love Jess Franco (even for his downfalls), I really have to chalk this down as one of his worst. It's little wonder that Dietrich has now finally credited the film back to Franco.

The restoration is hit and miss. Some scenes look fantastic, but a lot the blacks in the film (especially the nightclub setting) can be very blocky with clear distortion. This is a cheap film anyway, so I won't whine too much. The sound is fairly solid throughout so that's not an issue. I would say that if you're going to pick this film up, don't be worried about HAVING to buy this on Blu-Ray because the film doesn't benefit from it too much. If you can save yourself a bit money, opt for the DVD release. On the disc itself the only language options available are a German dub (presented in both DTS-HD 5.1 and Dolby Digital 2.0) and English subtitles. In terms of extras you a selection of trailers including the original theatrical trailer for the film, a photo gallery, Jess Franco audio interview (Spanish with German subtitles) and the same Erik Falk featurette that appears on Mondo Erotico's release. Overall, as much as I didn't really enjoy the film, I have to give major credit to both Ascot Elite and Illusions UNLTD for presenting the die-hard Francophiles a little-seen gem that was initially credited to producer Erwin C. Dietrich. That's the only demographic I can really recommend this film and release to. Newcomers to the world of Jess Franco will be majorly unimpressed.

Weisse Haut auf schwarzen Schenkeln is available on DVD and Blu-Ray from Ascot Elite Home Entertainment and Illusions UNLTD.

6 Schwedinnen hinter Gittern (1980, dir: Ann Perry) Illusions UNLTD Blu-Ray Review

 Candide Royalle (Ultra Flesh) stars as Lolita Wanamaker, a young and attractive woman recently sentenced to a few years in prison. She immediately makes a good first impression. Neither the prison guards or her fellow inmates can't take their hands off her. The inmates are a close-knit group who go by the name of 'The Beavers'. When they aren't getting it on with each other, they're having their own fun with the prison staff. Seems like it's more of a holiday camp than a prison right? Wrong! You see, the girls have to live in squalid conditions and they've had enough! They do what all disgruntled prisoners usually do and sign a petition? Unfortunately for them, Warden Blowhard, played by Ian McGregor (Undercovers) is a tight-fisted and selfish chap. When he isn't being an arrogant prick, he's getting some extra service off his lovely secretary Miss Cole, played by Lisa De Leeuw (Center Spread Girls). After having a small riot, the inmates get a chance to have their voices heard properly, by having a baseball match with the prison guards who call themselves 'The Dicks'. Will the girls get their own way? Will the warden have a change of heart? You'll have to find out for yourself!

Overall, 6 Schwedinnen hinter Gittern (known to most as Ballgame) is light-hearted Women in Prison flick with a simple premise. Aside from some of the talent on show, this is a pretty uneventful film. The comedy is hokey and feels dated for even for when the film was produced. The likes of Candid Royalle, Herschel Savage (Debbie Does Dallas) and Tawny Pearl (Taboo) are really the only memorable aspects of the film. Not even the sex really held my interest. That being said, this film does have quite possibly the hottest training montage sequences I have seen in a long time (combining squat exercises with face sitting is something I want to see more!). I do also have to give props to the selection of library music used throughout. There are some fun and genuinely great songs for those who like that sort of thing (I certainly do!). Yeah, in terms of a Women in Prison film, it doesn't really deliver. As a piece of pornography, it's pretty hit and miss. Aside from the typical lesbian scenes, you may find yourself fast forwarding a few times. The film could have been trimmed down about 10 minutes to make it a 60 minute feature. Some may appreciate the film more than I did and I certainly know a lot of people who will love this.

Unfortunately, the Blu-ray transfer isn't fantastic. The picture is quite grainy and doesn't actually look like it's a Blu-Ray you are watching. To go with that, the English language track (the version I watched) is very muddy in places and a buzzing sound can be heard quite a lot throughout. That being said, the film also comes with a much superior German language track and English subtitles so that's not a problem. This is however a much better presentation than the Caballero disc so get rid of that one and buy this if you want to see this film. In terms of special features you get a trailer for the film, a photo gallery and a selection of other trailers (some great viewing there). Overall, it's a pretty standard release, but definitely worth looking in to if you are a fan of the genre. Just take in to account that you may be better off buying the DVD version of the film. Either way, hats off to Illusions UNTLD for presenting this film in an affordable way.

6 Schwedinnen hinter Gittern is available on DVD and Blu-Ray from Illusions UNLTD.

Ascot Elite Home Entertainment / Illusions UNLTD Blu-ray Review: Mondo Erotico (1976)

Mondo Erotico (In 80 Betten um die Welt)
(1976, dir: Jess Franco)

Ah, a Jess Franco Mondo film! Right off the bat I'm excited! Being a fan of efforts like Bruno Mattei's Libidomania, the idea of a sleazy Mondo film excites me and boy does uncle Jess deliver in his offering! Basically, the film is staged as a light night sex show (think Sexcetra, but miles better and hairier). Our hostess takes us around the world on a sexual journey starting in America. In New York we witness an exclusive Black Mass hosted by an overweight Siouxsie and the Banshees fan in a tiny room. Then it's a quick stop in San Fransisco to meet a prostitute awkwardly fondling and licking a flaccid dick before meeting a woman who enjoys the skin care benefits of semen (insert childish facial joke here). Once we are done with the States we travel to Copenhagen to enjoy a live sex show in the same small room clearly decorated differently. There's some audience participation done in the style of good old-fashioned bingo! Once that's over, it's time to visit Germany to meet Hamburg's most famous dominatrix. She's very open to interviews and is of course extremely modest! We get to witness one of her shows (guys may want to hold their balls for this sequence!). America and Europe is fun and all, but a change of scenery and climate is in order. Thankfully, we get treated to the golden sands of Agoa. A tropical paradise in which all the natives are pale!? Oh well, not to worry because we get to see how the locals deal with marriage. Let's just say that being a godfather has perks! Once Erik Falk (Ilsa the Mad Butcher) has his fun in the sun, we find ourselves in Amsterdam. It's time for sex education with a difference! So that's how you're supposed to masturbate! Very awkwardly! Not only that, but I know what an 'Aerodynamic Bitch' is! Once class has finished, blow up doll demonstrations and all, we finish off our journey on the Orient and experience some cosmic sexual intercourse, or is it sexual miming!?

Overall, Mondo Erotico is an odd and extremely entertaining film that is often silly and downright absurd! It's also both an intentionally and unintentionally effort. The budget was clearly tighter than the labias on show as it's clearly noticeable that both the cast and sets are used over and over. This especially entertaining with regards to the small interior set used for most of the set pieces and the Agoa sequence. Stock footage is inserted to give the impression that this is a globe-trotting effort, but you won't be fooled. The highlight for me has to be the sex education scene, I haven't been that amused in a while! If you want a trip, you're gonna love the final segment too! The film is very graphic in terms of sexual content even though it does seem that some parts are hardcore inserts shot separately, gotta love stunt cock! The film never takes itself too seriously. It's a jigsaw of elements we have come to love about Jess Franco films and the final picture is a well-rounded hardcore Mondo film that stands toe to toe with the best of them. If you are somewhat new to Jess Franco's work, this is a great example of him at his scuzziest. Don't get me wrong, it's far from 'extreme', but it's damn sleazy. That being said, there's a light-hearted tone to the film. Just a fun and enjoyable entry in to a genre that can get quite tedious (I'm looking at you Mondo Cane!).

The picture and sound quality are of a very high standard in my opinion. Of course, the nature of this production means that you are going to expect print damage, but it never detracts from the restoration. Hats off to those involved in the restoration! The film is presented in German with English subtitles. Overall, this is an extremely solid release for Francophiles and newcomers a like. In terms of extras we get a weird and wonderful featurette with Erik Falk revisiting some of his films and sharing stories as well as treating us to his philosophy on sex and sexuality. Not only that, there are plenty of trailers, a photo gallery and reversible artwork. The only downside is the Jess Franco audio interview which isn't English friendly. That being said, it's a tiny flaw which doesn't take anything away from this release at all. I have to say, of all the Ascot Elite releases, this is my favourite. A very noteworthy entry in to Jess Franco's filmography that has received a fantastic release!

Mondo Erotico is available on DVD and Blu-Ray from Ascot Elite Home Entertainment and Illusions UNLTD.

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